[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]The people from the Hurricane Carter movement kept calling me and writing me. And Hurricane sent me his book, which I read and which really touched me. I felt that the man was just innocent, from his writings and knowing that part of the country. So I went to visit him and was really behind him, trying to get a new trial.
~Bob Dylan (to Bill Flanagan, March 1985)
Tonight is billed as “The Night of the Hurricane,” and Dylan is in a good mood, dedicating one song to Al Grossman, who is in the audience and “‘is not running for President” (a dig at Muhammad Ali’s attempts to turn the benefit into a political rally). Baez hams it up during her set with Dylan, and Robbie Robertson joins the Revue for a great “It Takes a Lot to Laugh.” Although not as inspired a performance as Montreal, the concert ends the tour on a high note. The traditional end-of-tour party is at the Felt Forum after the show. The partying continues at a restaurant near the Westbury Hotel.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995
The last show of the 1975 tour @ Madison Square Garden, New York City – 8 December 1975.
The show was a benefit concert for the imprisoned boxer, Hurricane Carter, hence the name of the show: “The Night of the Hurricane.” Special guests for the night: Robert Flack and Muhammad Ali.
Full show
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[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]The concluding date of Bob Dylan’s legendary 1975 Rolling Thunder Revue tour doubled as a benefit for wrongly imprisoned prizefighter Rubin Carter, the subject of Dylan’s famed narrative “Hurricane.” An excellent companion to Sony’s official release The Bootleg Series, Vol. 5: Live 1975, this unauthorized two-disc set captures the performance in its entirety, complete with superior sound quality and a beautiful package that mirrors Sony’s own aesthetics. The fiery, sinuous folk-rock sound that defined the Rolling Thunder dates reaches its apex here. Familiar songs like “It Ain’t Me, Babe,” “Knockin’ on Heaven’s Door,” and “Just Like a Woman” radiate new life, galvanized by Dylan’s impassioned vocals and his all-star band’s crackling energy.
~Jason Ankeny (allmusic.com)[/vc_message][/vc_column][/vc_row]
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