[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Howlin’ Wolf, to me, was the greatest live act, because he did not have to move a finger when he performed – if that’s what you’d call it, “performing.” I don’t like people that jump around. When people think about Elvis moving around – he didn’t jump around. He moved with grace.
-Bob Dylan (Kurt Loder interview for Rolling Stone, 1987)[/vc_message][/vc_column][/vc_row]
Facts from Wikipedia:
Start date | July 4, 1987 |
---|---|
End date | July 26, 1987 |
Legs | 1 |
No. of shows | 6 |
Start date | September 5, 1987 |
---|---|
End date | October 17, 1987 |
Legs | 1 |
No. of shows | 30 |
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Born in Red Hook, Brooklyn, in the year of who knows when
Opened up his eyes to the tune of an accordion
Always on the outside of whatever side there was
When they asked him why it had to be that way, “Well, ” he answered, “just
Because.”[/vc_message][/vc_column][/vc_row]
..as strong as the song starts in Modena, it does get better -band and singer and song go on inspiring each other and sustain that Homeric fire right through to a very colorful and striking evocation of the “town of Brooklyn” in that last verse and chorus. In the hands (and vocal cords) of a great performing artist, songs do indeed have a life of their own. “Joey” at Modena, and the Modena concert as a whole, stand as excellent examples of this gratifying and intriguing phenomenon.
-Paul Williams (Bob Dylan: Performing Artist Volume 3: Mind Out Of Time 1986 And Beyond)
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]’Twas in another lifetime, one of toil and blood
When blackness was a virtue the road was full of mud
I came in from the wilderness, a creature void of form
Come in, she said
I’ll give ya shelter from the storm[/vc_message][/vc_column][/vc_row]
..by listening to Dortmund´s “Shelter” and Dortmund´s “Highway 61” back to back with selections from Live 1966 and finding that they stand up well to both the beauty of ´66 acoustic set stuff and the excitement of ´66 electric set performances.
-Paul Williams (Bob Dylan: Performing Artist Volume 3: Mind Out Of Time 1986 And Beyond)
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]They sat together in the park
As the evening sky grew dark.
She looked at him and he felt a spark
Tingle to his bones.[/vc_message][/vc_column][/vc_row]
Perhaps the version that reignited the song came early in the 1987 Temples in Flames tour, when he was again finding it hard to stop his libido a-wanderin’. At a show in Helsinki (September 23), he seemed to remember everything about the song that mattered, in that moment demonstrating the full restoration of his performing powers.
-Clinton Heylin (Still On The Road)
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]May God bless and keep you always
May your wishes all come true
May you always do for others
And let others do for you[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]If today was not a crooked highway
If tonight was not a crooked trail
If tomorrow wasn’t such a long time
Then lonesome would mean nothing to you at all[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_separator][vc_btn title=”Alldylan / Borntolisten @ Facebook” color=”blue” i_icon_fontawesome=”fa fa-facebook-official” add_icon=”true” link=”url:https://www.facebook.com/JohannasVisions/||target: _blank|”][/vc_column][/vc_row][vc_row][vc_column][vc_message message_box_style=”outline” icon_fontawesome=”fa fa-link” css_animation=”bounceIn”]Check out:
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