When this came out in 1974, it was roundly dismissed as Ziggy Stardust’s last strangled gasp. In hindsight, Diamond Dogs is marginally more worthwhile; its resigned nihilism inspired interesting gloom and doom from later goth and industrial acts such as Bauhaus and Nine Inch Nails.
~Mark Kemp (rollingstone.com in 2004)
All this hopelessness and annihilation would be suffocating if it weren’t for Bowie’s exuberance. He throws himself into Orwell’s draconian hell as if strutting around in Kansai Yamamoto’s Aladdin Sane-era bodysuit; it fits his skeletal contours. Determined to reaffirm his relevance in spite of his setbacks, the singer sparkled so brightly that he offset the darkness of his material. Just as Watergate was coming to a boil, singer-songwriters and prog-rockers were glutting the charts, and ’60s resistance was morphing into ’70s complacency, this sweet rebel (rebel) made revolution strangely sexy again. Glaring at you from Dogs’ cover with canine hindquarters and emaciated features like the circus sideshow Freaks he footnotes in the title cut, he served notice that rock’s outsiders remained more compelling than the softies who increasingly occupied its center, even as his ever-growing popularity chipped away at it. You can bet Patti Smith, the Ramones, and Television sat up and took notes.
-Barry Walters (pitchfork.com)
Throughout the album, there are hints that he’s tired with the Ziggy formula, particularly in the disco underpinning of “Candidate” and his cut-and-paste lyrics. However, it’s not enough to make Diamond Dogs a step forward, and without Mick Ronson to lead the band, the rockers are too stiff to make an impact. Ironically, the one exception is one of Bowie’s very best songs — the tight, sexy “Rebel Rebel.”
~Stephen Thomas Erlewine (allmusic.com)
#2 – Diamond Dogs:
Well.. most the critics dismissed (and still – in hindsight – dismisses) this album. I’ve always liked it. Best to play it all through in one sitting…
|Released||24 April 1974|
|Recorded||October 1973 – February 1974 at Olympic Studios and Island Studios, London, and Ludolf Studios, Hilversum, Netherlands|
|Genre||Rock, glam rock|
Diamond Dogs is a concept album by David Bowie, originally released in 1974 on RCA Records, his eighth album. Thematically, it was a marriage of the novel Nineteen Eighty-Four by George Orwell and Bowie’s own glam-tinged vision of a post-apocalyptic world. Bowie had wanted to make a theatrical production of Orwell’s book and began writing material after completing sessions for his 1973 album Pin Ups, but the late author’s estate denied the rights. The songs wound up on the second half of Diamond Dogs instead where, as the titles indicated, the Nineteen Eighty-Four theme was prominent.
Although Diamond Dogs was the first Bowie album since 1969 to not feature any of the ‘Spiders from Mars’, the backing band made famous by Ziggy Stardust, many of the arrangements were already worked out and played on tour with Mick Ronson prior to the studio recordings, including “1984” and “Rebel Rebel”.
In the studio, however, Herbie Flowers played bass with drums being shared between Aynsley Dunbar and Tony Newman. In a move that surprised some commentators, Bowie himself took on the lead guitar role previously held by Mick Ronson, producing what NME critics Roy Carr and Charles Shaar Murraydescribed as a “scratchy, raucous, semi-amateurish sound that gave the album much of its characteristic flavour”. Diamond Dogs was also a milestone in Bowie’s career as it reunited him with Tony Visconti, who provided string arrangements and helped mix the album at his own Good Earth Studios in London, on a Trident B-range console, brand new from Trident at the time. Visconti would go on to co-produce much of Bowie’s work for the rest of the decade.
#7 – Rock’n Roll With Me:
The record was Bowie’s glam swansong; according to author David Buckley, “In the sort of move which would come to define his career, Bowie jumped the glam-rock ship just in time, before it drifted into a blank parody of itself”. At the time of its release Bowie described Diamond Dogsas “a very political album. My protest … more me than anything I’ve done previously”.
Diamond Dogs’ raw guitar style and visions of urban chaos, scavenging children and nihilistic lovers (“We’ll buy some drugs and watch a band / And jump in the river holding hands”) have been credited with anticipating the punk revolution that would take place in the following years.
All songs written by David Bowie, except where noted.
- “Future Legend” – 1:05
- “Diamond Dogs” – 5:56
- “Sweet Thing” – 3:39
- “Candidate” – 2:40
- “Sweet Thing (Reprise)” – 2:31
- “Rebel Rebel” – 4:30
- “Rock ‘n’ Roll with Me” (lyrics: Bowie; music: Bowie, Warren Peace) – 4:00
- “We Are the Dead” – 4:58
- “1984” – 3:27
- “Big Brother” – 3:21
- “Chant of the Ever Circling Skeletal Family” – 2:00
- David Bowie – vocals, guitars, saxes, Moog synthesizer, Mellotron, producer, mixing engineer
- Earl Slick – guitar on “Rock ‘n’ Roll with Me”
- Mike Garson – keyboards
- Herbie Flowers – bass guitar
- Tony Newman – drums
- Aynsley Dunbar – drums
- Alan Parker – guitar on “1984”
- Tony Visconti – strings, mixing engineer
- Keith Harwood – engineer, mixing engineer
Playlist of the day:
- Bob Dylan 8th & last recording session for “The Freewheelin’ Bob Dylan” in 1963 – 51 yrs ago.
Here is our post–
- Otis Spann (March 21, 1930 – April 24, 1970) was an American blues musician whom many consider to be the leading postwar Chicago blues pianist.
Born March 21, 1930
Died April 24, 1970 (aged 40)
Genres Chicago blues
Instruments Vocals, piano Years active 1944–1970 Labels Decca, Chess, Storyville, Bluesway, Vanguard, CBS/Blue Horizon
- John Arnold Griffin III (April 24, 1928 – July 25, 2008) was an American bop and hard bop tenor saxophonist.
Birth name John Arnold Griffin III Also known as “Little Giant” Born April 24, 1928 Origin Chicago, Illinois
Died July 25, 2008 (aged 80) Genres Bop
Occupations Musician, Bandleader Instruments Tenor saxophone
-Egil & Hallgeir