Listening to music for me is like homework. Music will give me enjoyment, but as soon as it’s giving me that enjoyment, I want to analyse it, and then it becomes work. Why does it sound like that? How?… then I dissect it.
To make a living from doing something I love is fantastic. As long as people want to listen to me, I’ll keep doing it. In fact, to tell you the truth, even if no one did want to listen to me, I’d still be doing it!
Networking is rubbish; have friends instead.
Steve Winwood exploded onto the London music scene as a teenager with his powerful, soulful tenor — notably on “Gimme Some Lovin'” and “I’m a Man” with the Spencer Davis Group. “I thought he had the greatest voice,” said Billy Joel, “this skinny little English kid singing like Ray Charles.” The frontman for the jazz-infused pop of Traffic and then the jam rock of Blind Faith (with Eric Clapton), Winwood re-emerged in the mid-Eighties with the hits “Back in the High Life Again” and “Higher Love” — highly polished soul pop that made him a star all over again. “He was able to copy Jimmy Reed, and I thought, ‘Where the hell is this voice coming from?’ ” said Spencer Davis. “From a diminutive guy, at that age, how can he do it? But he did it.”