“A jumbo jet taking off from LAX is like 30 smokers smoking 200 cigarettes a day for 30 fuckin’ years. And they want me to stop smoking THIS?! fuck off”
We recorded his track in Los Angeles in maybe two takes about a year and a half ago. Until then I’d never met what I’d call a real rock ‘n’ roll hero before. Fuck Elvis and Keith Richards, Lemmy’s the king of rock ‘n’ roll – he told me he never considered Motörhead a metal band, he was quite adamant. Lemmy’s a living, breathing, drinking and snorting fucking legend. No one else comes close.
Tom Verlaine (born Thomas Miller, December 13, 1949):
Singer, songwriter and guitarist, best known as the frontman for the New York rock band Television.
|Birth name||Thomas Miller|
|Born||13 December 1949
Morristown, New Jersey, United States
|Genres||Punk rock, art punk, post-punk, new wave|
|Instruments||Guitar, vocals, piano|
|Associated acts||Television, Neon Boys|
Danelectro Shorthorn Deluxe
When you sit down and think about what rock ‘n’ roll music really is, then you have to change that question. Played up-tempo, you call it rock ‘n’ roll; at a regular tempo, you call it rhythm and blues.
~Little RichardLittle Richard Interview with Bill Boggs:
Beatles for Sale is the fourth studio album by the Beatles, it was released on 4 December 1964 and produced by George Martin. The album marked a minor turning point in the evolution of the Lennon -McCartney partnership, John Lennon particularly now showing interest in composing songs of a more autobiographical nature. I’m a Loser shows Lennon for the first time coming under the influence of Bob Dylan, whom he met in New York while on tour, on 28 August 1964.
John, when you were in New York, what did you like best about it?
I just like cities, you see, and preferably big ones. That’s why I liked it. And we met some good people like Bob Dylan and Joan Baez, you know, and I enjoy meeting people I admire.
(Sept 13, 1964 via In The Life Of…The Beatles)
Beatles for Sale didn’t produce a single for the UK – the non-album tracks I Feel Fine and She’s a Woman performed that role. Nevertheless, that coupling was followed up in the United States by Eight Days a Week, which became their seventh number one.