[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Composing it [When The Night Comes Falling From The Sky], yeah. Um… you know, it was bits and pieces of different places that went into writing that. Lines overheard here and there, you know, strung together over a long period of time, resulted in that particular piece.
~Bob Dylan (to Eliot Mintz – March 1991)
…Dylan sings wonderfully. The songs seems capable of kicking itself into even-higher gear, and as the band recognizes it, so does Dylan, who gets audibly more and more excited as the song progresses
~John Bauldie (about the TBS 1-3 version)[/vc_message][/vc_column][/vc_row]
On February 19, 1985 Bob Dylan recorded an awesome version of “When The Night Comes Falling From The Sky”. It was not released until March 1991 on “The Bootleg Series (Rare & Unreleased) 1961-1991, Volume 3”.
The Power Station
New York City, New York
19 February 1985
The band included 2 “E-streeter’s”: Roy Bittan & Little “Stevie” Van Zandt..
Bob Dylan (guitar, vocal)
Roy Bittan (piano)
Robbie Shakespeare (bass)
Sly Dunbar (drums)
Queen Ester Marrow, Debra Byrd, Carolyn Dennis (backing vocals).
Infidels is the twenty-second studio album by American singer-songwriter Bob Dylan, released on October 27, 1983 by Columbia Records.
Produced by Mark Knopfler and Dylan himself, Infidels is seen as his return to secular music, following a conversion to Christianity, threeevangelical, gospel records and a subsequent return to a secular, culturally Jewish lifestyle. Though he has never abandoned religious imagery, Infidels gained much attention for its focus on more personal themes of love and loss, in addition to commentary on theenvironment and geopolitics. Christopher Connelly of Rolling Stone called those Gospel albums just prior to Infidels “lifeless”, and sawInfidels as making Bob Dylan’s career viable again. According to Connelly and others Infidels is Dylan’s best poetic and melodic work since Blood on the Tracks. It has been reported that reviews like these of Dylan’s religious works depressed the musician profoundly, inspiring Dylan’s comment at one concert that he was only referred to as a “prophet” when he was a secular “prophet” (paraphrased). Continue reading “Full Dylan album covered – Infidels”→
A lot of wonderful music was released in 1980, here are my 20 chosen songs.
Summertime in England – Van Morrison
The longest & best song on Van Morrison’s 1980 album, Common One. Although the album on which the song appeared was not critically or commercially successful, the song would be performed by Morrison in concert for almost two and one-half decades, taking on new meaning when performed live. A truncated version of the song with an early fade-out was also released as the B-side of the 1983 single “Cry for Home”.
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Can you meet me in the country
In the summertime in England
Will you meet me?
Will you meet me in the country
In the summertime in England
Will you meet me?[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Sometimes I think about people like T-Bone Walker, John Lee Hooker, Muddy Waters — these people who played into their sixties. If I’m here at eighty, I’ll be doing the same thing. This is all I want to do — it’s all I can do. I mean, you don’t have to be a nineteen – or twenty-year-old to play this stuff That’s the vanity of that youth-culture ideal. To me that’s never been the thing.
-Bob Dylan (Mikal Gilmore interview, Los Angeles – May, 1986)[/vc_message][/vc_column][/vc_row]
Facts from Wikipedia:
February 5, 1986
August 6, 1986
No. of shows
15 in Oceania
4 in Asia
41 in North America
60 in Total
Sydney, New South Wales, Australia
24 February 1986
Bob Dylan (vocal & guitar) with Tom Petty & The Heartbreakers:
Tom Petty (guitar), Mike Campbell (guitar), BenmontTench (keyboards), Howie Epstein (bass), Stan Lynch (drums)
and The Queens Of Rhythm: Debra Byrd, Queen Esther Marrow, Madelyn Quebec, Elisecia Wright (backing vocals).
Girl From The North Country
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]If you’re travelin’ in the north country fair
Where the winds hit heavy on the borderline
Remember me to one who lives there
She once was a true love of mine[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]I remember playing shows [with Tom Petty & the Heartbreakers in the ‘80s] and looking out.. I didn’t have that many fans coming to see me,they were coming to see Tom Petty & the Heartbreakers.
~Bob Dylan (to Robert Hilburn, December 1997)[/vc_message][/vc_column][/vc_row]
Thomas Earl Petty (October 20, 1950 – October 2, 2017) was an American singer-songwriter, multi-instrumentalist, record producer, and actor. He was the lead singer of Tom Petty and the Heartbreakers, formed in 1976. He previously led the band Mudcrutch. He was also a member of the late 1980s supergroup the Traveling Wilburys.
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Dylan joins Tom Petty and The Heartbreakers (who have just concluded their own set) on stage. Together they launch straight into “Clean-Cut Kid” followed by a blues song called “Shake,” seemingly a Dylan lyric set to the rune of Roy Head’s “Treat Her Right.” Then comes the live debuts of two Empire Burlesque songs, “I’ll Remember You” and “Trust Yourself,” both of which have Dylan dueting with Madelyn Quebec, who is clearly struggling to keep up with his idiosyncratic phrasing. A searing version of “That Lucky 0l’ Sun” follows, before Willie Nelson joins them on guitar for a romp through the highly appropriate “Maggie’s Farm.” Although the American TV broadcast, courtesy of the Nashville Network, manages to omit the first and fifth songs and cut the second, the excitement of the performance comes across, reaffirming Dylan’s power in concert after the very public disaster at “Live Aid ” The buzz from the concert is enough for him to suggest a more longterm collaboration with the Heartbreakers.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)[/vc_message][/vc_column][/vc_row]
University Of Illinois Champaign, Illinois 22 September 1985 Farm Aid Concert