This song is by The Carter Family and appears on the compilations The Carter Family Volume 1 – 1927-1934 (2002) and Longing for Old Virginia: Their Complete Victor Recordings (1934) (1998) . This will be included in Bpb Dylan’s Bootleg Series Vol. 15 (along with 4 more Scruggs collaborations), but it is nice to be able to share some live video footage from this sit-down.
It’s a historical gem, Enjoy.
I was born in East Virginny
North Carolina I did go
There I spied a fair young lady
And her age I do not know
Her hair was dark in color
Her cheeks were rosy red
Upon her breast she wore white lilies
Where I longed to lay my head
Oh, at my heart you are my darlin’
At my door you’re welcome in
At my gate I’ll always meet you
For you’re the girl I’ve tried to win
I’d rather be in some dark holler
Where the sun refuse to shine
Than for you to be another man’s darlin’
And to know you’ll never be mine
There was a time when I believed that you belonged to me
But now I know your heart is shackled to a memory
The more I learn to care for you, the more we drift apart
Why can’t I free your doubtful mind and melt your cold cold heart
“Cold, Cold Heart” is a country music and pop song recorded by Hank Williams. This blues ballad is both a classic of honky-tonk and an entry in the Great American Songbook. The first draft of the song is dated November 23, 1950, and was recorded with an unknown band on May 5, 1951.
This is dark stuff, filled with jealousy, bitterness and hopeless love.
Country music historian Colin Escott states that Williams was moved to write the song after visiting his wife Audrey in the hospital, who was suffering from an infection brought on by an abortion she had carried out at their home unbeknownst to Hank. Escott also speculates that Audrey, who carried on extramarital affairs as Hank did on the road, may have suspected the baby was not her husband’s. Florida bandleader Pappy Neil McCormick claims to have witnessed the encounter:
“According to McCormick, Hank went to the hospital and bent down to kiss Audrey, but she wouldn’t let him. ‘You sorry son of a bitch,’ she is supposed to have said, ‘it was you that caused me to suffer like this.’ Hank went home and told the children’s governess, Miss Ragland, that Audrey had a ‘cold, cold heart,’ and then, as so often in the past, realized the bitterness in his heart held commercial promise.”
“Another love before my time made your heart sad and blue, and so my heart is paying now for things I didn’t do.”
June 22: Happy Birthday Kris Kristofferson (born 1936 – age 83) – His 10 best songs
One of my fav artists, and he’s written many great songs.
This is a list (+ videos), not a bio… so here goes:
(preferred album version included)
Sunday Morning Coming Down – The Austin Sessions (1999)
Me and Bobby McGee – Kristofferson (1970)
Why Me – The The Austin Sessions (1999)
Help Me Make It Through the Night – Kristofferson (1970)
For the Good Times – The The Austin Sessions (1999)
Here Comes That Rainbow Again – The Essential Kris Kristofferson (2004)
The Silver Tongued Devil and I – The Silver Tongued Devil and I (1971)
To Beat the Devil – The Austin Sessions (1999)
Nobody Wins – The Austin Sessions (1999)
The Pilgrim, Chapter 33 – The Silver Tongued Devil and I (1971)
Yes! I LOVE “The Austin Sessions” album…
There are many great video clips on youtube, and I’ve tried to compile the best versions (live versions are as always preferred):
Sunday Morning Coming Down
Well I woke up Sunday morning,
With no way to hold my head that didn’t hurt.
And the beer I had for breakfast wasn’t bad,
So I had one more for dessert.
Then I fumbled through my closet for my clothes,
And found my cleanest dirty shirt.
An’ I shaved my face and combed my hair,
An’ stumbled down the stairs to meet the day.
… When I was 12 years old, or however old I was when Bringing It All Back Home came out, I’d just skip back and forth endlessly between ‘Subterranean Homesick Blues’ and ‘It’s Alright, Ma’ and ‘Mr. Tambourine Man,’ and now my Dylan roots are showing big time.
— Rodney Crowell
Rodney Crowell & Emmylou Harris – Shelter From The Storm (live 2006)
August 7, 1950 (age 68)
Houston, Texas United States
Warner Bros., Columbia, MCA, Sugar Hill, Epic, Yep Roc
Rosanne Cash, Emmylou Harris, The Notorious Cherry Bombs, Los Super Seven
“The preacher asked her and she said, ‘I do’
The preacher asked me and she said, ‘Yes, he does too’
The preacher said, ‘I pronounce you 99 to life
Son, she’s no lady, she’s your wife.’ “
– Lyle Lovett (She’s No Lady)
“Writes like Guy Clark, only plainer, sings like Jesse Winchester only countrier.”
– Robert Christgau
“While Lyle Lovett’s self-titled debut album made it clear he was one the most gifted and idiosyncratic talents to emerge in country music in the 1980s, his follow-up, 1987’s Pontiac, took the strengths of his first disc and refined them, and the result was a set whose sound and feel more accurately reflected Lovett’s musical personality.”
– Mark Deming (allmusic)
This classic country album was Lyle Lovett’s second album, and to me it’s his best still. The Texas singer-songwriter uses the same elements that made his 1986 debut such a delight, dry humour, observational storytelling told in a personal and devastating way. Relationship stories as dark and as funny as they sometimes are…and with great singing and music.
Vince Gill and Emmylou Harris visits on this first of many masterpieces from Lyle Lovett.
Pontiac (official video):
The release date is uncertain, some sites said it was released in 1987, but most reviews started coming out mid January 1988. Anyway that’s not the important part, what’s important is to celebrate a very fine album no matter if it was released December 1987 or January 1988.
“There’s nothing ‘retro’ about this record,” Earle says. “I’m just acknowledging where I’m coming from.” So You Wannabe an Outlaw is the first recording he has made in Austin, TX. Earle has lived in New York City for the past decade. “Look, I’m always gonna be a Texan, no matter what I do,” he says. “And I’m always going to be somebody who learned their craft in Nashville. It’s who I am.”
For me this is Steve Earle´s best album since Transcendental Blues (June 6, 2000). Backed by his band The Dukes (guitarist Chris Masterson, fiddle player Eleanor Whitmore, bassist Kelly Looney, and new members drummer Brad Pemberton and pedal steel player Ricky Ray Jackson) & recorded at Arlyn Studios in Austin. Produced by Richard Bennett.