This is a great show a couple of weeks after the release of Heartbreaker, Adams plays most of the album and some other favorites. He doesn’t talk much but delivers a good concert.
“Ryan doesn’t mind if live recordings make it up on sites as long as no money is changing hands, you know he allows anyone to plug into the board and record. Keep it fun and free and I think we are all ok with it.” as quoted from the co-webmaster of a Ryan Adam’s fan site. Quote was from Ryan Adams’ management.
“Wrecking Ball is a leftfield masterpiece, the most wide-ranging, innovative, and daring record in a career built on such notions. Rich in atmosphere and haunting in its dark complexity…The fixed point remains Harris’ voice, which leaps into each and every one of these diverse compositions — culled from the pens of Neil Young, Bob Dylan, Jimi Hendrix, Steve Earle, and others — with utter fearlessness, as if this were the album she’d been waiting her entire life to make. Maybe it is.” – Jason Ankeny (Allmusic)
Wrecking Ball is the eighteenth studio album by Emmylou Harris, released on September 26, 1995 throughElektra Records. Moving away from the traditional acoustic sound for which she had become known, Harris collaborated with rock producer Daniel Lanois and engineer Mark Howard. The album has been noted for atmospheric feel, and featured guest performances by Steve Earle, Larry Mullen, Jr., Lucinda Williams and Neil Young, who wrote the title song.
I saw Emmylou Harris live for the first time this summer, it made me go back and listen to all her albums again, with added interest and new-found love of her music. Not that I had ever lost it, but it felt fresh and deeper after the show in Oslo.
Wrecking Ball is my favourite Harris album, and I rank it among the 30 best albums ever made.
Emmylou Harris talks about Sweet Old World and sings the song with Neil Young:
Gold is the second studio album by Ryan Adams, released September 25, 2001 on Lost Highway Records. The album remains Adams’ best-selling album, certifying gold in the UKand going on to sell 364,000 copies in the U.S. and 812,000 worldwide.Adams noted that “with Gold, I was trying to prove something to myself. I wanted to invent a modern classic.”
“I Second That Emotion” is a 1967 song written by Smokey Robinson and Al Cleveland. First charting as a hit for Smokey Robinson and the Miracles on the Tamla/Motownlabel in 1967.
“I second that motion” is a common phrase heard at meetings in America where policy is being determined. It’s what Motown producer Al Cleveland meant to say when he was on a shopping trip with Smokey Robinson. As Robinson recalls in his 1989 autobiography, he and Cleveland went to a Detroit department store called Hudson’s to do Christmas shopping in December, 1967. Smokey’s wife, Claudette, had recently given birth to twins that didn’t survive the premature birth, and he was looking to get her a gift. At the jewelry counter, Smokey picked out some pearls and asked Robinson what he thought. “I second that emotion” was his reply, and later that afternoon the pair wrote a song around the misspoken phrase. Robinson and Cleveland produced the song, and it was released in October, 1968, entering the US Top 40 in December, about a year after it was written. The song was also a #1 R&B hit. (Songfacts) Continue reading “September 21: I Second that emotion by Smokey Robinson and The Miracles was recorded in 1967”→
I’ve always had an obligation to creation, above all.
People think I’m a miserable sod but it’s only because I get asked such bloody miserable questions.
Everything’s dissolving, babe, according to plan
The sky is on fire, the dead are heaped across the land
I went to bed last night and my
moral code got jammed
I woke up this morning with a Frappucino in my hand
~Nick Cave (Abattoir Blues)
The phrase next to Robert Zimmerman’s picture in the 1959 Hibbing High School Yearbook was “To join Little Richard.”
“Bob Dylan is my brother. I love him same as Bobby Darin is my baby. I feel Bob Dylan is my blood brother. I believe if I didn’t have a place to stay, Bob Dylan would buy me a house. He sat by my bed; he didn’t move for hours. I was in pain that medicine couldn’t stop. My tongue was cut out, leg all tore up, bladder punctured. I was supposed to be dead. Six feet under. God resurrected me; that’s the reason I have to tell the world about it.”
– Little Richard (to John Waters, 1987)
Tutti Frutti (meaning “all fruits” in Italian) is a song written by Little Richard (Richard Wayne Penniman) along with Dorothy LaBostrie that was recorded in 1955 and became his first major hit record. With its opening cry of “A-wop-bom-a-loo-mop-a-lomp-bom-bom!” (a verbal rendition of a drum pattern that Little Richard had imagined) and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also a model for rock and roll itself. The song introduced several of rock music’s most characteristic musical features, including its loud volume and vocal style emphasizing power, and its distinctive beat and rhythm.
It was recorded in September 1955 and released in November the same year.