Sarah Jarosz – Ring Them Bells – The Best Dylan Covers
Ring Them Bells is included on the Bob Dylan album Oh Mercy, his twenty-sixth studio album, released on September 18, 1989 by Columbia Records. Produced by Daniel Lanois, it was hailed by critics as a triumph for Dylan, after a string of weaker-reviewed albums.
“Feed the pigeons some clay,
and start talking again,
when I know what to say…”
Michael David Fuller (December 18, 1949 – February 1, 1989), better known by his stage name Blaze Foley, was an American country music singer-songwriter, poet, and artist active in Austin, Texas.
There are two great films about Blaze Foley, the documentary, Duct Tape Messiah and Ethan Hawk’s dramatisation of the Blaze Foley memoir by Sybil Rosen, Living in the Woods in a Tree: Remembering Blaze, called Blaze. Both are good movies, well worth checking out.
Blaze Foley was raised in West Texas and sang with his mother, brother, and sisters in a gospel act called the Fuller Family. Taking a pseudonym borrowed from Red Foley, Blaze performed in Houston, New Orleans, and Austin through the 1970s and ’80s, developing a strong following and respect from fellow musicians. But it was the Austin music scene, among friends like Van Zandt and Timbuk 3 — whose work Foley was an early champion of — that would become his spiritual and geographical home.
He only released one album in his lifetime, Live at the Austin Outhouse (on cassette). There have been released some good compilation albums after his, much too early, death.
“Through the bleed of a guitar microphone, you can hear stools squeaking, snatches of conversation, and general bar ambience — but at the center of it all is Foley, his deep gritty voice and songs that, much like Van Zandt’s, seem to emerge from a place of bruised, yet hopeful, solitude.”
– Eric Hage (Allmusic)
My doctor tells me I should start slowing it down – but there are more old drunks than there are old doctors so let’s all have another round.
We create our own unhappiness. The purpose of suffering is to help us understand we are the ones who cause it.
He [Willie Nelson] takes whatever thing he’s singing and makes it his. There’s not many people who can do that. Even something like an Elvis tune. You know, once Elvis done a tune, it’s pretty much done. But Willie is the only one in my recollection that has even taken something associated with Elvis and made it his. He just puts his sorta trip on it…
~Bob Dylan (28 April 1993)
Willie Nelson Induction into the Country Music Hall of Fame (1993):
“I’m trying to define the relationship between man and the universe,….. often it’s between man and man, or man and woman, or man and the cosmos. Whatever song comes through the door I’m happy with.… I’m lucky just to play the guitar and sing.”
~TVZ (on the purpose behind his songwriting)
“Figures like Townes Van Zandt remind us that the wandering bard, that American archetype, is still very much with us—and his music will live long after the voices that declare it in or out of fashion have been stilled or forgotten.”
~Robert Palmer (New York Times/Deep Blues/++)
“I lived in Fort Worth till I was 8, Midland till 9, Billings, Montana, till 12, Boulder, Colorado till 14, Chicago till 15 … Houston till I was 21. And then I started traveling.”
~TVZ (to Contemporary Musicians (CM) in 1992)