Chester Burton “Chet” Atkins (June 20, 1924 – June 30, 2001) was an American guitarist, occasional vocalist and record producer who, along with Owen Bradley, created the smoother country music style known as the Nashville sound, which expanded country’s appeal to adult pop music fans as well.
Atkins’ signature picking style was inspired by Merle Travis. Other major guitar influences were Django Reinhardt, George Barnes, Les Paul and later Jerry Reed. His trademark picking style and musicianship brought him admirers within and outside the country scene.
Bob Dylan Medley
Blowin’ in the Wind, I want you and Don’t think twice it’s alright.
Scott Yancey Avett (born June 19, 1976) is one of the lead singers and founding members of the folk-rock band, The Avett Brothers. Avett primarily plays the banjo but also plays harmonica, drums, piano, acoustic guitar and electric guitar for the band based out of Concord, North Carolina.
When I Paint My Masterpiece
Oh, the streets of Rome are filled with rubble
Ancient footprints are everywhere.
You could almost think that you’re seeing double
On the cold, dark night on the Spanish Stairs.
A singular talent who passed almost unnoticed during his brief lifetime, Nick Drake produced several albums of chilling, somber beauty. With hindsight, these have come to be recognized as peak achievements of both the British folk-rock scene and the entire rock singer/songwriter genre.
– Richie Unterberger (allmusic.com)
Nicholas Rodney “Nick” Drake (19 June 1948 – 25 November 1974) was an English singer-songwriter and musician, known for his gentle guitar-based songs. He failed to find a wide audience during his lifetime but his work has gradually achieved wider notice and recognition. Drake signed to Island Records when he was 20 years old and a student at the University of Cambridge, and released his debut album, Five Leaves Left, in 1969. By 1972, he had recorded two more albums—Bryter Layter and Pink Moon. Neither sold more than 5,000 copies on initial release. Drake’s reluctance to perform live, or be interviewed, contributed to his lack of commercial success.
Tomorrow Is A Long Time
If today was not an endless highway
If tonight was not a crooked trail
If tomorrow wasn’t such a long time
Then lonesome would mean nothing to you at all
Getting To dylan, the essential filmed portrait of the post-conversion Dylan, remains an important adjunct to “Don’t Look Back”, “Eat The Document”, and “Renaldo and Clara”, the three other films to confront the myth as it surrounds and, in “Getting To dylan”, envelops the man.
~Clinton Heylin (Behind The shades)
I tend to agree with Clinton Heylin’s assessment [about “Getting To Dylan”]
~Paul Williams (BD Performing Artist 1986-1990 & beyond)
This BBC documentary captures Bob Dylan in a nice mood answering questions on songwriting, fans, etc… while sketching pictures of interviewer Christopher Sykes.
I just write ‘em because nobody says you can’t write ‘em
Far more beguiling were the interviews he gave to Christopher Sykes of BBC-TV while on the set of Hearts of Fire and shown in edited form in the ‘Omnibus’ arts series in September 1987. These showed a different Dylan, direct and playful, and well able to hold his own against the boredom Philip Norman had predicted
~Michael Gray (BD Ecyclopedia)
Tomorrow night, will you remember what you said to night?
Tomorrow night, will all the thrill be gone?
Tomorrow night, will it be just another memory.
Or just another song, that’s in my heart to linger on?
The Rhythm, Country & Blues Concert, Broadcast on ABC-TV Entertainment Tonight, 30 March 1994.
Los Angeles, California
23 March 1994
Spanish is the loving tongue
Soft as music, light as spray
’twas a girl I learned it from
Living down sonora way
I don’t look much like a lover
Still I hear her loved words over
Mostly when I’m all alone
Mi amor, mi corazón
“Spanish is the Loving Tongue” is a song based on the poem “A Border Affair” written by Charles Badger Clark in 1907. Clark was a cowboy poet who lived throughout the American West, and was named the Poet Laureate of South Dakota in 1937. The poem was set to music in 1925 by Billy Simon. Over the years, the song was recorded by many top recording artists, including Bob Dylan, Ian and Sylvia, Tom Paxton, Judy Collins, Marianne Faithfull, Emmylou Harris, Michael Martin Murphey, and The Chad Mitchell Trio (under the name “Adios, mi Corazon”).
Bob Dylan first recorded it @ Red Room, Bob Dylan’s Home, Byrdcliffe, New York – March-May 1967. This version was finally released on THE BOOTLEG SERIES VOL. 11: THE BASEMENT TAPES COMPLETE, CD 1, 3 November 2014.