….when we recorded Bringing It All Back Home, that was like a break through point, it’s the kind of music I’ve been striving to make and I believe that in time people will see that. It’s hard to explain it, it’s that indefinable thing..
~Bob Dylan (Paul Gambaccini Interview, June 81)
This is the point where Dylan eclipses any conventional sense of folk and rewrites the rules of rock, making it safe for personal expression and poetry, not only making words mean as much as the music, but making the music an extension of the words. A truly remarkable album.
~Stephen Thomas Erlewine (allmusic.com)
#1 – Subterranean Homesick Blues
Johnny’s in the basement
Mixing up the medicine
I’m on the pavement
Thinking about the government
The man in the trench coat
Badge out, laid off
Says he’s got a bad cough
Wants to get it paid off
Look out kid
It’s somethin’ you did
God knows when
But you’re doin’ it again
You better duck down the alley way
Lookin’ for a new friend
The man in the coon-skin cap
By the big pen
Wants eleven dollar bills
You only got ten
… Lennon presents everything on the surface, and the song titles — “Mother,” “I Found Out,” “Working Class Hero,” “Isolation,” “God,” “My Mummy’s Dead” — illustrate what each song is about, and charts his loss of faith in his parents, country, friends, fans, and idols. It’s an unflinching document of bare-bones despair and pain, but for all its nihilism, it is ultimately life-affirming; it is unique not only in Lennon’s catalog, but in all of popular music. Few albums are ever as harrowing, difficult, and rewarding as John Lennon/Plastic Ono Band.
~Stephen Thomas Erlewine (allmusic.com)
“Rape, murder, it’s just a shot away, it’s just a shot away.”
Rolling Stones Let it Bleed 1969
Let It Bleed is the eighth British and tenth American album by The Rolling Stones, released 5th December 1969. Released shortly after the band’s 1969 American Tour, it is the last album by the band to feature Brian Jones as well as the first to feature Mick Taylor.
5 December 1969
November 1968, February–November 1969, Olympic Studios, London, England
Blues rock, rock and roll, hard rock
London (US), Decca (UK)
It is part of the holy quartet: Exile on Main St., Beggars Banquet, Let it Bleed and Sticky Fingers. Rightfully considered the best albums in The Rolling Stones’ discography.
“B.B. King is not only a timeless singer and guitarist, he’s also a natural-born entertainer, and on Live at the Regal the listener is treated to an exhibition of all three of his talents.”
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King. It was recorded on November 21, 1964 at the Regal Theater in Chicago. The album is widely heralded as one of the greatest blues albums ever recorded and is #141 on Rolling Stone’s 500 Greatest Albums of All Time. In 2005, Live at the Regal was selected for permanent preservation in the National Recording Registry at the Library of Congress in the United States.
“Ladies and gentlemen, how about a nice warm round of applause to welcome the world’s greatest blues singer, the king of the blues; B.B. King.”
I’ve loved and played this album for…2o years now! Time flies…
This is an album that is mentioned far too seldom in the press and is too unknown by way too many. Laura Cantrell reclaims the essence of americana songwriting, she does story-songs about drinking, relationships gone south and long days and nights being on the road. She is the real deal.
Not the Tremblin’ Kind is the debut studio album by American singer-songwriter Laura Cantrell. It was originally released in 2000 on Diesel Only Records. The album bears a dedication to “the original Beverly Hillbilly”, Zeke Manners.
Laura Cantrell (born 1967) is a country singer-songwriter and DJ from Nashville, Tennessee. She used to present a weekly country and old-time music radio show on WFMU called The Radio Thrift Shop. Since October 2005 she has only made occasional appearances on the station (but is hosting a show on SiriusXM about George Harrison and his music no less!) . She is one of the relatively few contemporary artists mentioned and played on Bob Dylan’s radio show Theme Time Radio Hour.