A great blues singer, also a guitarist and composer, born on October 26, 1894 (given until recently as September 26, 1893) in Wortham, Texas, about 60 miles south of Dallas. Hugely influential because he shaped the Texas blues and put it on record, though his recording career was, typically, very short (1926-1929). He was the main blues influence on Leadbelly and, through Leadbelly, an important tutor to many, many others.
-Michale Gray (The Bob Dylan Encyclopedia)
Lemon Henry “Blind Lemon” Jefferson (September 24, 1894 – December 19, 1929) was an American blues and gospel singer-songwriter and musician. He was one of the most popular blues singers of the 1920s and has been called the “Father of the Texas Blues”.
Muddy Waters concert at the Molde Jazz Festival in 1977 did not start well, Willy Lee Smith was missing the cymbals and hi-hat for his drum set. The atmosphere was intense and the chaos on stage delayed the concert (a little bit). This was the opening concert at the Molde Jazz Festival in 1977, it was the 1st of August and the venue was the local cinema, Molde Kino.
Muddy Waters was tired after the European tour (this was the last concert on the tour). He said to the people in the crew that he’d rather sleep than play, but he was going to do two concerts in Molde this night.
Muddy Waters played two wonderful shows and the Norwegian Broadcasting Company (NRK) taped the first concert and they aired about an hour from the show on 29th of August 1977. The video we are presenting here is about 40 minutes long. Maybe NRK have more Muddy Waters in their vaults?
Muddy Waters soon gets into the groove and he delivered a classic concert in Molde in 1977. Enjoy!
1 Rocket (not on the video and without Muddy Waters)
2 Honey Dripper (not on the video and without Muddy Waters)
3 Evan’s Shuffle
4 Prison Bound Blues
5 Blow Wind Blow
6 (I’m Your) Hoochie Coochie Man
7 Baby Please Don’t Go
8 Can’t Get No Grindin’
9 You Don’t Have To Go (Muddy Waters leaves the stage)
10 Got My Mojo Working (encore)
McKinley Morganfield (April 4, 1913 – April 30, 1983), known professionally as Muddy Waters, was an American blues singer-songwriter and musician who is often cited as the “father of modern Chicago blues”.
Few if any figures in blues loom as large as Howlin’ Wolf, yet there’s been a sad lack of footage of this staggering man. This director’s cut from the When the Sun Goes Down-The Secret History of Rock & Roll series is packed with never-before-seen live footage, rare Shindig footage presented by Mick Jagger and Brian Jones, interviews with bandmates and family and more. An absolute must for music-history and blues fans.
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known as Howlin’ Wolf, was a Chicago blues singer, guitarist, and harmonica player, originally from Mississippi. With a booming voice and imposing physical presence, he is one of the best-known Chicago blues artists. The musician and critic Cub Koda noted, “no one could match Howlin’ Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.” Producer Sam Phillips recalled, “When I heard Howlin’ Wolf, I said, ‘This is for me. This is where the soul of man never dies.'” Several of his songs, including “Smokestack Lightnin'”, “Killing Floor” and “Spoonful”, have become blues and blues rock standards. In 2011, Rolling Stone magazine ranked him number 54 on its list of the “100 Greatest Artists of All Time”.
The Stones were back on stage for what was their biggest show in the UK since the Hyde Park concert of 1969 in August 1976, and it was in front of their biggest paying crowd ever…somewhere between 150,000 and 200,000 people.
One of the highlights for me was the performance of Willie Dixon’s Little Red Rooster, Rolling Stones does a version that is very close to Howling Wolf’s interpretation of the song. Slow and heavy Chicago blues with a fantastic groove.
For many back in the early ’60s, this was their first exposure to live recorded blues, and it’s still pretty damn impressive some 40-plus years down the line. Muddy, with a band featuring Otis Spann, James Cotton, and guitarist Pat Hare, lays it down tough and cool with a set that literally had ’em dancing in the aisles by the set closer, a rippling version of “Got My Mojo Working,” reprised again in a short encore version.
~Cub Koda (allmusic.com)
A stomping live document of the period when Waters’ Chicago blues started reaching a wider pop audience. Newport has his classics – “Hoochie Coochie Man,” a torrid “Got My Mojo Working” – delivered by a tough, tight band anchored by harp genius James Cotton.