This is a true gem, everyone should watch it while they can, I need to say it again, it is fantastic!
Statement from Swingin’ Pig (editor):
Here it is. I spent about a month editing this video together. I ripped the footage from a bootlegged tape of “Renaldo & Clara,” a 1978 film that was edited by Howard Alk and Bob Dylan himself. Some snippets are from Martin Scorsese’s incredible Netflix documentary “Rolling Thunder Revue: A Bob Dylan Story.” If you’d like to see “A Hard Rain’s A-Gonna Fall” and “One More Cup of Coffee” (both of which are in this compilation) in 4K quality, do yourself a favor and watch it. There are other incredible performances in it that weren’t in “Renaldo & Clara.” Continue reading “Rollin Rain and Hard Thunder – An alternative Bob Dylan Compilation Film”→
22 February – 20 August 1969,EMI, Olympic and Trident Studios,London
Abbey Road is the 11th studio album released by the English rock band The Beatles. It is their last recorded album, although Let It Be was the last album released before the band’s dissolution in 1970. Work on Abbey Road began in April 1969, and the album was released on 26 September 1969 in the United Kingdom, and 1 October 1969 in the United States.
Abbey Road is widely regarded as one of The Beatles’ most tightly constructed albums, although the band was barely operating as a functioning unit at the time. Despite the tensions within the band, Abbey Road was released to near universal acclaim and is considered to be one of the greatest albums of all time. In 2012, Abbey Road was voted 14th on Rolling Stone magazine’s list of the “500 Greatest Albums of All Time”. In 2009, readers of the magazine also named Abbey Road the greatest Beatles album.
“I woke up this mornin’ and none of the news was good And death machines were rumblin’ ‘cross the ground where Jesus stood And the man on my TV told me that it had always been that way And there was nothin’ anyone could do or say
And I almost listened to him Yeah, I almost lost my mind Then I regained my senses again And looked into my heart to find
That I believe that one fine day all the children of Abraham Will lay down their swords forever in Jerusalem” – Steve Earle (Jerusalem)
Steve Earle released this “protest album” post 9/11, but contrary to widespread belief it is not a concept album about the tragic events on that date. Yes, there are some songs relating to it, but only three out of eleven (maybe four). There were som controversy when it came out, especially the song John Walker’s Blues were widely discussed and often slated in right wing media. It is not a song that takes sides, it is a song that tells us that an ordinary American kid fell in with the wrong crowd (in this case, the Taliban). Earle make us look at this boy, and he does not say that he is innocent, but he says that he should be treated like a human being despite his faults and despite his guilt. It is a fantastic song.
“…Earle has crafted a vision of America thrown into chaos, where the falling of the World Trade Center towers is just another symbol of a larger malaise which surrounds us. Before its release,Jerusalem already generated no small controversy over the song “John Walker’s Blues,” which tells the tale of “American Taliban” John Walker Lindh as seen through his own eyes. While “John Walker’s Blues” is no more an endorsement of Lindh’s actions than Bruce Springsteen’s “Nebraska” was a tribute to mass-murderer Charles Starkweather, even though it’s one of the album’s strongest songs, if anything, it doesn’t go quite far enough.”
– Mark Demming (allmusic.com)
Steve Earle made a “state of the nation” album, and he is confused and he doesn’t come up with the answers, but he asks the important questions!
After years of hair-flailing sludge that achieved occasional songform on singles no normal person ever heard, Seattle finally produces some proper postpunk, aptly described by resident genius Kurt Cobain: “Verse, chorus, verse, chorus, solo, bad solo.” This is hard rock as the term was understood before metal moved in–the kind of loud, slovenly, tuneful music you think no one will ever work a change on again until the next time it happens, whereupon you wonder why there isn’t loads more. It seems so simple.
~Robert Christgau (robertchristgau.com)
Nevermind was never meant to change the world, but you can never predict when the Zeitgeist will hit, and Nirvana’s second album turned out to be the place where alternative rock crashed into the mainstream.
~Stephen Thomas Erlewine (allmusic.com)