I’d heard Van Ronk back in the Midwest on records and thought he was pretty great, copied some of his recordings phrase for phrase. […] Van Ronk could howl and whisper, turn blues into ballads and ballads into blues. I loved his style. He was what the city was all about. In Greenwich Village, Van Ronk was king of the street, he reigned supreme.
-Bob Dylan (Chronicles: Volume One)
House of the Rising Sun:
No Direction Home” – Bob Dylan House of The Rising Sun:
Williams hasn’t just perfected a style, she’s mastered a subject. She doesn’t just write realistically and music traditionally, she describes and evokes Southerners for whom realism and traditionalism are epistemological givens. She writes for them, too–not exclusively, she hopes, but in the first instance. They are her people and her neighbors, with damn few media-savvy professionals among them. So reassuring shows of hip come no more naturally to her finely worked, cannily roughed up songs than pop universality. Situated in a subculture far removed from both Manhattan and Alternia, these indelible melodies and well-turned lyrics constitute a dazzling proof of the viability of her world and a robust argument for its values. Emotion makes you smirk? Local color has no place in your global mall? Well, you have Lucinda Williams to answer to. Because this is where she establishes herself as the most accomplished record-maker of the age. A+
Car Wheels on a Gravel Road is the fifth studio album by Lucinda Williams, released on June 30, 1998, by Mercury Records. It was recorded and co-produced by Williams in Nashville, Tennessee and Canoga Park, California. The album features guest appearances by Steve Earle and Emmylou Harris.
If his imprint on America’s rock n’ roll landscape measures this rocker’s worth, Lowell George was priceless. His contribution was deep and lasting. Lowell’s legend lives on in the band named after his little feet, through other musicians who continue covering his songs and emulate his slide play, and in the myriad fans who still love Little Feat for who they were, who they are and what they play. Lowell George wasn’t just the Rock n’ Roll Doctor; he was one of rock n’ roll’s best-loved slide guitarists and all-around charming characters.
Show for the Princes trust with special guests: Phil Daniels (Narration), Trevor McDonald (Newscaster), Ade Edmundson (Bell Boy; later with shotgun and scooter), Gary Glitter (Rocker), Stephen Fry (Hotel Manager), Dave Gilmour (Guitar on Dirty Jobs, Love Reign O’er Me). The band was introduced by Jools Holland. The other bands of the show: Eric Clapton, Bob Dylan and Ron Wood, Alanis Morrisette.
~The Who Concert Guide
A lot of GREAT music was released in 1970, here are my 20 chosen songs.
Into the Mystic – Van Morrison
“Into the Mystic” is one of Morrison’s warmest ballads, an Otis Redding-style reverie with acoustic guitar and horns. The lyrics are truly mysterious: “People say, ‘What does this mean?’ ” said Morrison. “A lot of times I have no idea what I mean. That’s what I like about rock & roll — the concept. Like Little Richard — what does he mean? You can’t take him apart; that’s rock & roll to me.”
Written by Van Morrison and featured on his 1970 album Moondance. It was also included on Morrison’s 1974 live album, It’s Too Late To Stop Now. It was recorded during the Moondance sessions at A&R Recording Studios in New York City in September to November 1969. Elliott Scheiner was the engineer.
– We were born before the wind
Also younger than the sun
Ere the bonnie boat was won as we sailed into the mystic
Hark, now hear the sailors cry
Smell the sea and feel the sky
Let your soul and spirit fly into the mystic