Bob Dylan & George Harrison: August 1, 1971, New York
The Concert for Bangladesh (or Bangla Desh, as the country name was spelt originally) was the name for two benefit concerts organised by George Harrison and Ravi Shankar, held at 2.30 and 8 pm on Sunday, 1 August 1971, playing to a total of 40,000 people at Madison Square Garden in New York City. The shows were organised to raise international awareness and fund relief efforts for refugees from East Pakistan (now Bangladesh), following the 1970 Bhola cyclone and the civil war-related Bangladesh atrocities. The concerts were followed by a bestselling live album, a boxed three-record set, and Apple Films’ concert documentary, which opened in cinemas in the spring of 1972.The event was the first-ever benefit concert of such a magnitude and featured a supergroup of performers that included Harrison, fellow ex-Beatle Ringo Starr, Bob Dylan, Eric Clapton, Billy Preston, Leon Russell and the band Badfinger. In addition, Shankar and another legend of Indian music, Ali Akbar Khan, performed a separate set. Decades later, Shankar would say of the overwhelming success of the event: “In one day, the whole world knew the name of Bangladesh. It was a fantastic occasion …” ~Wikipedia
This was Dylan’s first live performance in two years. Harrison had to twist his arm to get him to take part in the benefit concert, and we can be very glad he did: it’s a stunning performance (both shows), modest, confident, richly textured, with Dylan feeling and communicating genuine love for the music he’s playing (in the case of” Blowin’ in the Wind” this was his first public performance of the song in seven years). Most of all, Dylan’s voice on this midsummer afternoon and evening has a rare, penetrating beauty that is immediately noticeable to almost anyone who hears it. This is, in a very real sense, the Dylan a large part of his audience dreams of hearing; this is the voice to fit the stereotyped or mythic image of Bob Dylan, guitar strumming poet laureate of the 1960s.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)
Madison Square Garden New York City, New York 1 August 1971 Rehearsals before the Bangla Desh Concert
Something in the way she moves
Attracts me like no other lover
Something in the way she woos me
I don’t want to leave her now
You know I believe and how
At the time I wasn’t particularly thrilled that Frank Sinatra did “Something” … I was more interested when Smokey Robinson did it and when James Brown did it. But I’m very pleased now, whoever’s done it. I realise that the sign of a good song is when it has lots of cover versions.
– George Harrison, 2000
“Something” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by George Harrison, the band’s lead guitarist. Soon after the album’s release, the song was issued as a single, coupled with “Come Together”, making it the first Harrison composition to become a Beatles A-side.
A lot of GREAT music was released in 1970, here are my 20 chosen songs.
Into the Mystic – Van Morrison
“Into the Mystic” is one of Morrison’s warmest ballads, an Otis Redding-style reverie with acoustic guitar and horns. The lyrics are truly mysterious: “People say, ‘What does this mean?’ ” said Morrison. “A lot of times I have no idea what I mean. That’s what I like about rock & roll — the concept. Like Little Richard — what does he mean? You can’t take him apart; that’s rock & roll to me.”
Written by Van Morrison and featured on his 1970 album Moondance. It was also included on Morrison’s 1974 live album, It’s Too Late To Stop Now. It was recorded during the Moondance sessions at A&R Recording Studios in New York City in September to November 1969. Elliott Scheiner was the engineer.
– We were born before the wind
Also younger than the sun
Ere the bonnie boat was won as we sailed into the mystic
Hark, now hear the sailors cry
Smell the sea and feel the sky
Let your soul and spirit fly into the mystic
Beatles for Sale is the fourth studio album by the Beatles, it was released on 4 December 1964 and produced by George Martin. The album marked a minor turning point in the evolution of the Lennon -McCartney partnership, John Lennon particularly now showing interest in composing songs of a more autobiographical nature. I’m a Loser shows Lennon for the first time coming under the influence of Bob Dylan, whom he met in New York while on tour, on 28 August 1964.
John, when you were in New York, what did you like best about it?
I just like cities, you see, and preferably big ones. That’s why I liked it. And we met some good people like Bob Dylan and Joan Baez, you know, and I enjoy meeting people I admire.
Beatles for Sale didn’t produce a single for the UK – the non-album tracks I Feel Fine and She’s a Woman performed that role. Nevertheless, that coupling was followed up in the United States by Eight Days a Week, which became their seventh number one.
There are places I’ll remember All my life, though some have changed Some forever, not for better Some have gone and some remain All these places had their moments With lovers and friends, I still can recall Some are dead and some are living In my life, I’ve loved them all
All four faces of The Beatles appear stretched on the cover of 1965’s Rubber Soul, but it is not only the picture that is mind bending, the music within stretches the boundaries of popular music, too. In my mind it is he first truly unified album by The Beatles (and their first recorded within a specified session period), it is a quantum leap compared to the band’s past work. The Songwriting is out of this world, and the instrumentation was cutting edge. A milestone in rock history. Continue reading “December 3: The Beatles Rubber Soul was released in 1965”→
He was a giant, a great, great soul, with all the humanity, all the wit and humor, all the wisdom, the spirituality, the common sense of a man and compassion for people. He inspired love and had the strength of a hundred men. He was like the sun, the flowers and the moon and we shall miss him enormously. The world is a profoundly emptier place without him.
– Bob Dylan (George Harrison’s Obituary, Nov 2001)