1. (I Can’t Get No) Satisfaction (Jagger/Richards)
This raw classic cemented the Stones as the nasty anti-Beatles. .. Keith says the way they wrote the song became typical for how he and Mick collaborated. “I would say on a general scale, I would come up with the song and the basic idea,” Keith wrote, “and Mick would do all the hard work of filling it in and making it interesting.”
– Bill Janovitz (Rocks Off: 50 Tracks That Tell the Story of the Rolling Stones)
Built on the Stones’ greatest riff, “(I Can’t Get No) Satisfaction” near-singlehandedly turned “rock & roll” from a teenage fad into something far heavier and more dangerous.
“Don’t play what’s there; play what’s not there.”
― Miles Davis
“Good music is good no matter what kind of music it is.”
― Miles Davis
Miles Davis is my definition of cool. I loved to see him in the small clubs playing his solo, turn
his back on the crowd, put down his horn and walk off the stage, let the band keep playing,
and then come back and play a few notes at the end.
~Bob Dylan (to Scott Cohen – Sept 1985)
Miles Davis Quintet – Footprints – 31 Oct 67 (Stockholm, Sweden):
Crimson flames tied through my ears
Rollin’ high and mighty traps
Pounced with fire on flaming roads
Using ideas as my maps
“We’ll meet on edges, soon,” said I
Proud ’neath heated brow Ah, but I was so much older then I’m younger than that now
Our other blog – alldylan.com – is an “only Dylan” blog, that´s why we don´t post Dylan-stuff over here @ bortolisten.com.
But today we make an exception.
Here are a collection of links to interesting Bob Dylan posts @ alldylan.com.
Ever since I was a young boy I’ve played the silver ball. From Soho down to Brighton, I must have played them all. But I ain’t seen nothing like him in any amusement hall. That deaf, dumb and blind kid, Sure plays a mean pinball!
It is 46 years ago that the rock opera, Tommy was released, one of the first attempts at treating rock as an art form. The artists were The Who.
It’s a double album telling a loose story about a “deaf, dumb and blind kid”, Tommy was the first musical work to be billed overtly as a rock opera. Released in 1969, the album was mostly composed by Pete Townshend. In 1998, it was inducted into the Grammy Hall of Fame for historical, artistic and significant value.
It felt like it all belonged together. Rubber Soul was a collection of songs…that somehow went together like no album ever made before, and I was very impressed. I said, “That’s it. I really am challenged to do a great album.”
~Brian Wilson (...inspiration for creating “Pet Sounds”)
[Pet Sounds] blew me out of the water. I love the album so much. I’ve just bought my kids each a copy of it for their education in life…I figure no one is educated musically ’til they’ve heard that album…it may be going overboard to say it’s the classic of the century…but to me, it certainly is a total, classic record that is unbeatable in many ways…I’ve often played Pet Sounds and cried. I played it to John [Lennon] so much that it would be difficult for him to escape the influence.
~Paul McCartney (recalling his first impressions of Pet Sounds)
Pet Stories – A documentary about the making of “Pet Sounds.” (39 min):