October 2: Let it Be by The Replacements was released in 1984

“If ever an indie-rock album felt like freedom, like an adventure, or like the heartache, joy, ridiculousness, angst and celebration of life itself, it was Let It Be.”
Jim McGuinn (The Current)

Let It Be is the third studio album by American rock band The Replacements. It was released on October 2, 1984 by Twin/Tone Records. A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, “a little more sincere.”

“Playing that kind of noisy, fake hardcore rock was getting us nowhere, and it wasn’t a lot of fun. This was the first time I had songs that we arranged, rather than just banging out riffs and giving them titles.”
– Paul Westerberg

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April 23: The Rolling Stones released Sticky Fingers 1971

Sticky Fingers was never meant to be the title. It’s just what we called it while we were working on it. Usually though, the working titles stick.
~Keith Richards 1971

While many hold their next album, Exile On Main St., as their zenith, Sticky Fingers, balancing on the knife edge between the 60s and 70s, remains their most coherent statement.
~Chris Jones (bbc.co.uk)

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April 8: Elvis Presley released Elvis is Back! in 1960

Elvis is back

 Recorded when Presley was 25, fresh off a two-year military stint and musically fit to burst, Elvis Is Back! might be the King’s greatest noncompilation LP: wildly varied material, revelatory singing, impeccable stereo sound.
~Will Hermes (rollingstone.com)

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March 22: The Beatles released Please Please Me in 1963

March 22: The Beatles released Please Please Me in 1963

….they were a group with the luck to meet opportunities, the wit to recognize them, the drive to seize them, and the talent to fullfil them. Please Please Me is the sound of them doing all four.
~Tom Ewing (pitchfork.com)

#1 – I Saw Her Standing There 

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March 11: Déjà Vu by Crosby, Stills, Nash & Young was released in 1970

crosby stills nash young deja vu

March 11: Déjà Vu (Crosby, Stills, Nash & Young album) released in 1970

 

One of the most hotly awaited second albums in history — right up there with those by the Beatles and the Band — Déjà Vu lived up to its expectations and rose to number one on the charts.
~Bruce Eder (allmusic.com)

Almost Cut My Hair – Live Wembley 1974:

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February 22: David Crosby released If I Could Only Remember My Name in 1971

f-i-could-only-remember-my-name

“My girlfriend had been killed in a car crash and  the only place I could exist was in the studio, Garcia would come every night. The Airplane and the Dead were recording in the same complex… They were all buddies of mine…”
– David Crosby about the recording of his masterpiece (Mojo)

Rolling Stone Magazine put it at number 37 of the “Greatest Stoner Albums” and said:
“Like a super-stoned campfire jam with an A-list of Cali hippie-rockers – including Joni Mitchell and most of the Grateful Dead, Jefferson Airplane, and CSNY – this hazy solo project by the altered-consciousness overachiever sounds like it was pretty much made up on the spot. See the toasted strum-fest “Music Is Love” (with Neil Young on congas!) and “Tamalpais High,” with Jerry Garcia and Jorma Kaukonen noodling around wordless Crosby-Nash harmonies. By the time it’s over, you may not remember your name, either.”

I believe a couple of Santana and Quicksilver Messenger Service members also visited.

Photo: BBC/Tricia Yourkevich
Photo: BBC/Tricia Yourkevich

David Crosby – Cowboy Movie (Live, Jan 31, 2014) a very fine version! :

It is an album that grows on you, it feels like a mess at first, but it soon starts to make sense. This is a coherent album with wonderful melodies and harmonies. For me it is the quintessential “Laurel Canyon” album, a true classic.
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