“Oh Mercy (1989) is a collection of 10 songs, best listened to at night, if you’re inclined to take that gypsy caravan down into a mythic Louisiana bayou, a world conjured up by Bob Dylan and producer Daniel Lanois. Virtually every song is a highlight, from “Political World” (which sounds just as immediate today) to the bittersweet “Shooting Star.” It’s quite an ethereal voyage from beginning to end and should withstand the test of time.”
– Josh Downham (user review, Amazon)
It is a great collection of songs and there are many artists that have tried their luck in singing them, none as good as Dylan’s original versions (as usual) but there are some good ones out there. I have tried to collect some of the best.
My favourites are Ron Sexsmith, Gordon Lightfoot, Tom Jones and Willie Nelson.
Check Out more Full Dylan albums covered:
Slow Train Coming
and now Oh Mercy:
Continue reading “Full Dylan album covered – Oh Mercy”
“Elvis has come out with a record which gives us some of the very finest and most affecting music since he first recorded for Sun almost 17 years ago”- Peter Guralnick (Rolling Stone Magazine 1971)
“…Elvis was at his peak when he cut Elvis Country. Actually, Elvis Presley was positively on a roll at the time. A decade after the end of what were thought to be his prime years, he was singing an ever-widening repertory of songs with more passion and involvement than he’d shown since the end of the 1950s…”
~Bruce Eder (allmusic.com)
Continue reading “January 2: Elvis Presley released Elvis Country in 1971”
… Lennon presents everything on the surface, and the song titles — “Mother,” “I Found Out,” “Working Class Hero,” “Isolation,” “God,” “My Mummy’s Dead” — illustrate what each song is about, and charts his loss of faith in his parents, country, friends, fans, and idols. It’s an unflinching document of bare-bones despair and pain, but for all its nihilism, it is ultimately life-affirming; it is unique not only in Lennon’s catalog, but in all of popular music. Few albums are ever as harrowing, difficult, and rewarding as John Lennon/Plastic Ono Band.
~Stephen Thomas Erlewine (allmusic.com)
I don’t believe in Beatles
~John Lennon (“God”)
Continue reading “December 11: John Lennon’s John Lennon/Plastic Ono Band was released in 1970”
“If ever an indie-rock album felt like freedom, like an adventure, or like the heartache, joy, ridiculousness, angst and celebration of life itself, it was Let It Be.”
– Jim McGuinn (The Current)
Let It Be is the third studio album by American rock band The Replacements. It was released on October 2, 1984 by Twin/Tone Records. A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, “a little more sincere.”
“Playing that kind of noisy, fake hardcore rock was getting us nowhere, and it wasn’t a lot of fun. This was the first time I had songs that we arranged, rather than just banging out riffs and giving them titles.”
– Paul Westerberg
Continue reading “October 2: Let it Be by The Replacements was released in 1984”
Sticky Fingers was never meant to be the title. It’s just what we called it while we were working on it. Usually though, the working titles stick.
~Keith Richards 1971
While many hold their next album, Exile On Main St., as their zenith, Sticky Fingers, balancing on the knife edge between the 60s and 70s, remains their most coherent statement.
~Chris Jones (bbc.co.uk)
Continue reading “April 23: The Rolling Stones released Sticky Fingers 1971”
Recorded when Presley was 25, fresh off a two-year military stint and musically fit to burst, Elvis Is Back! might be the King’s greatest noncompilation LP: wildly varied material, revelatory singing, impeccable stereo sound.
~Will Hermes (rollingstone.com)
Continue reading “April 8: Elvis Presley released Elvis is Back! in 1960”