“I said “Fee, fie, fo, fum, Cassius Clay, here I come 26, 27, 28, 29, I’m gonna make your face look just like mine Five, four, three, two, one, Cassius Clay you’d better run 99, 100, 101, 102, your ma won’t even recognize you 14, 15, 16, 17, 18, 19, gonna knock him clean right out of his spleen” – Bob Dylan, I shall be free No.10
A number is a mathematical object used to count, measure, and label. The original examples are the natural numbers 1, 2, 3, and so forth. A notational symbol that represents a number is called a numeral. In addition to their use in counting and measuring, numerals are often used for labels (as with telephone numbers), for ordering (as with serial numbers), and for codes (as with ISBNs). In common usage, the term number may refer to a symbol, a word, or a mathematical abstraction.
– Wikipedia Continue reading “Bob Dylan by the numbers – A playlist”→
Blues is a genre and musical form that originated in African-American communities in the “Deep South” of the United States around the end of the 19th century. The genre is a fusion of traditional African music and European folk music, spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrative ballads. Continue reading “Bob Dylan sings the Blues – A playlist”→
Route 66, written by the late Bobby Troup, gets the album [their first album] off to a rousing start, Keith Richards playing an excellent guitar with a tight clap-back track rhythm by Bill Wyman & Charlie Watts. It soon became a popular stage number.
-Martin Elliott (The Rolling Stones: Complete Recording Sessions 1962–2012)
“Days Like This” was a delight, Van´s best album in years. Perhaps reflecting his romantic hook-up with Irish beauty-queen Michelle Rocca (his companion walking the dogs in the cover photo). Van sounded happier here than he´d been for decade..
-Andy Gill (The Ultimate Music Guide – Van Morrison)
Imperceptible though the movement has been to many sensitive young people, Springsteen has evolved. In fact, this apparent retrenchment is his most rhythmically propulsive, vocally incisive, lyrically balanced, and commercially undeniable album. Even his compulsive studio habits work for him: the aural vibrancy of the thing reminds me like nothing in years that what teenagers loved about rock and roll wasn’t that it was catchy or even vibrant but that it just plain sounded good.
-Robert Christgau (robertchristgau.com)
But more than anything else, Born in the U.S.A. marked the first time that Springsteen’s characters really seemed to relish the fight and to have something to fight for. They were not defeated (“No Surrender”), and they had friendship (“Bobby Jean”) and family (“My Hometown”) to defend. The restless hero of “Dancing in the Dark” even pledged himself in the face of futility, and for Springsteen, that was a step. The “romantic young boys” of his first two albums, chastened by “the working life” encountered on his third, fourth, and fifth albums and having faced the despair of his sixth, were still alive on this, his seventh, with their sense of humor and their determination intact. Born in the U.S.A.was their apotheosis, the place where they renewed their commitment and where Springsteen remembered that he was a rock & roll star, which is how a vastly increased public was happy to treat him.
-William Ruhlmann (allmusic.com)
Born down in a dead mans town
The first kick I took was when I hit the ground
End up like a dog that’s been beat too much
Till you spend half your life just covering up
Born in the U.S.A., I was born in the U.S.A.
I was born in the U.S.A., born in the U.S.A.