10 Best Rolling Stones Songs from 1963/64 (videos & spotify playlist)

Here is my top 10 list of songs from this early period.

  1. Route 66
  2. Not Fade Away
  3. Little Red Rooster
  4. Time is On My Side
  5. Carol
  6. I Just Want To Make Love To You
  7. It´s All Over Now
  8. Around and Around
  9. I Wanna Be Your Man
  10. Tell Me

1. Route 66 (Bobby Troup)


Route 66, written by the late Bobby Troup, gets the album [their first album] off to a rousing start, Keith Richards playing an excellent guitar with a tight clap-back track rhythm by Bill Wyman & Charlie Watts. It soon became a popular stage number.
-Martin Elliott (The Rolling Stones: Complete Recording Sessions 1962–2012)


Recorded January 3, 1964 @ Regent Sound Studio, London, England.
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August 8: Bob Dylan: Another Side Of Bob Dylan (album)

another side of Bob Dylan

“I wrote my fourth album [“Another Side of Bob Dylan”] in Greece, but that was still an American album.”
~Bob Dylan (to Robert Shelton June 1978)

“Tom Wilson, the producer, titled it that,” [Another Side of Bob Dylan] “I begged and pleaded with him not to do it. You know, I thought it was overstating the obvious. I knew I was going to have to take a lot of heat for a title like that and it was my feeling that it wasn’t a good idea coming after The Times They Are A- Changin’, it just wasn’t right. It seemed like a negation of the past which in no way was true. I know that Tom didn’t mean it that way, but that’s what I figured that people would take it to mean, but Tom meant well and he had control, so he had it his way. I guess in the long run, he might have been right to do what he did. It doesn’t matter now.”
~Bob Dylan (to Cameron Crowe Sept. 1985)

“His writing and control of atmosphere on songs like ‘To Ramona’ and ‘Spanish Harlem Incident’ come across as early flashes of the creative explosion that he was to go through in 1965–66. A great minor album, and his last solo album until the 1990s.”
~Michael Gray (The Bob Dylan Encyclopedia)

My Back Pages:

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July 26: Watch Bob Dylan Performing “Chimes of Freedom” @ Newport Folk Festival in 1964

Far between sundown’s finish an’ midnight’s broken toll
We ducked inside the doorway, thunder crashing
As majestic bells of bolts struck shadows in the sounds
Seeming to be the chimes of freedom flashing

Freebody Park
Newport, Rhode Island
26 July 1964
Newport Folk Festival

  • Bob Dylan (vocal, guitar & harmonica)

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July 24: Watch Bob Dylan Performing “Mr. Tambourine Man” @ Newport Folk Festival 1964

Bob Dylan Newport 1964

Hey! Mr. Tambourine Man, play a song for me
I’m not sleepy and there is no place I’m going to
Hey! Mr. Tambourine Man, play a song for me
In the jingle jangle morning I’ll come followin’ you

Freebody Park
Newport, Rhode Island
24 July 1964
Newport Folk Festival, afternoon workshop.
Dylan played 2 songs:

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July 10: The Beatles released A Hard Day’s Night in 1964

A_Hard_Day's_Nigth

We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)

A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.

HDN

In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.

The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.

…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.

The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”
– Tom Ewing, Pitchfork

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Listen: The Rolling Stones – Unsurpassed Masters – Volume 1 (1963-1964) (30 outtakes)

..opens with a ninety second clip from an unidentified interview where Jagger declares his love for bootlegs and his wanting to see more of them. His only complaint about them is the high price (something which still applies). The music starts with several tracks, “Baby What’s Wrong,” “Diddley Daddy” and “Bright Lights, Big City” from the first Rolling Stones recording session to include the Jagger/Richards/Jones/Wyman/Watts and Stewart line up.
~Collectorsmusicreviews.com

All tracks are in mono except for were else noted.

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