“I said “Fee, fie, fo, fum, Cassius Clay, here I come 26, 27, 28, 29, I’m gonna make your face look just like mine Five, four, three, two, one, Cassius Clay you’d better run 99, 100, 101, 102, your ma won’t even recognize you 14, 15, 16, 17, 18, 19, gonna knock him clean right out of his spleen” – Bob Dylan, I shall be free No.10
A number is a mathematical object used to count, measure, and label. The original examples are the natural numbers 1, 2, 3, and so forth. A notational symbol that represents a number is called a numeral. In addition to their use in counting and measuring, numerals are often used for labels (as with telephone numbers), for ordering (as with serial numbers), and for codes (as with ISBNs). In common usage, the term number may refer to a symbol, a word, or a mathematical abstraction.
– Wikipedia Continue reading “Bob Dylan by the numbers – A playlist”→
Blues is a genre and musical form that originated in African-American communities in the “Deep South” of the United States around the end of the 19th century. The genre is a fusion of traditional African music and European folk music, spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrative ballads. Continue reading “Bob Dylan sings the Blues – A playlist”→
Bob Dylan songs that could have been movies – a playlist
The stories these songs tell might be happy or sad, truth or fiction. But they’ll all have one thing in common: They makes us see a film inside our head, or evoke a mood that feels like a movie . We follow the stories and identify with the characters, and like real movies they are sometimes linear (like most movies) and sometimes the structure is more experimental, like Reservoir Dogs or Satyricon. A few times we cannot say why they feel cinematic but they do.
Here are my choices:
All along the watchtower – Bob Dylan (here is a great live version from 6th of June 1999 in Colarado Springs) this could obviously be made into Euro-western with a prison break theme :