For years the best known set of Van’s brief collaboration with Dr. John in 1977 has widely circulated only in incomplete form and mediocre sound on a bootleg known as Amsterdam’s Tapes. Now, thanks to the persistence, dedication and collaboration of VLS (vanlose stairway) members and friends, this rare show has finally been assembled from the best sources available to us, complete as broadcast on Dutch FM radio. After 20+ years, we are sure fans will agree that it is about time!
Musicians: Van Morrison: Lead vocals, piano Dr. John: Piano, organ, back-up vocals Mick Ronson: Lead guitar, back-up vocals Mo Foster: Bass Peter van Hooke: Drums
The wait is finally over. Passaic 9/19/78 arrives in its glorious entirety, newly remixed by Jon Altschiler from multi-track, Plangent Processed master tapes. It offers a fresh take on the familiar broadcast version, crackling with energy and putting Bruce and the band so close you might reach out and try to touch the Big Man’s sax. It’s not a first-row seat; it is a first-row seat directly in front of the PA speakers.
-Erik Flannigan (nugs.net)
The September 19th 1978 concert at the Capitol Theatre in Passaic, in Bruce’s home state of New Jersey, is arguably Bruce Springsteen’s single greatest live performance. I’ve listened to quite a lot classic Springsteen bootleg concerts over the years.. this remains my favourite. Now it has finally been released on live.brucespringsteen.net and the b&w footage on youtube with OK/good sound is being replaced (by fans) with new the new stellar sound.
Our favourite bootleg from 1969: The Dylan / Cash sessions
And now it will be officially released with a lot of extra tracks!
The latest chapter in the highly acclaimed Bob Dylan Bootleg Series revisits Dylan’s pivotal musical journeys to Nashville, from 1967 to 1969, focusing on previously unavailable recordings made with Johnny Cash and unreleased tracks from the John Wesley Harding, Nashville Skyline, and Self Portrait sessions.
Disc 1 finds Dylan in Columbia’s Studio A in Nashville recording alternate versions of compositions written for John Wesley Harding (October 17 and November 6, 1967) and Nashville Skyline (February 13-14, 1969) while introducing a new song “Western Road” (a Nashville Skyline outtake).
Discs 2 and 3 are centered around Dylan’s collaborations with American music icon Johnny Cash including the much sought-after Columbia Studio A sessions and on-stage performances at the Ryman Auditorium (May 1, 1969) for the recording of the premiere episode of The Johnny Cash Show (originally broadcast on ABC-TV on June 7, 1969).
Disc 3 closes with tracks recorded on May 17, 1970 with Grammy Award-winning bluegrass banjo legend Earl Scruggs for the PBS television special, “Earl Scruggs: His Family and Friends” (originally aired January 1971).
[Bob Dylan]…the greatest writer of our times
– Johnny Cash (introducing “Wanted Man” on the album “At San Quentin”)
“I was deeply into folk music in the early 1960s, both the authentic songs from various periods and areas of American life and the new ‘folk revival’ songs of the time, so I took note of Bob Dylan as soon as the Bob Dylan album came out in early ’62 and listened almost constantly to The Freewheelin’ Bob Dylan in ’63. I had a portable record player I’d take along on the road, and I’d put on Freewheelin’ backstage, then go out and do my show, then listen again as soon as I came off.”
– Johnny Cash (Cash, autobiography)
..Johnny was and is the North Star; you could guide your ship by him – the greatest of the greats then and now. I first met him in ‘62 or ‘63 and saw him a lot in those years. Not so much recently, but in some kind of way he was with me more than people I see every day.
– Bob Dylan (Statement on Johnny Cash – Sept 2003)
“Of course, I knew of him before he ever heard of me, In ’55 or ’56. ‘I Walk the Line’ played all summer on the radio, and it was different than anything else you had ever heard. The record sounded like a voice from the middle of the Earth. It was so powerful and moving.”
– Bob Dylan
They recorded together at the CBS studios, Nashville, TN February 17-18, 1969, and it resulted in our favourite Bob Dylan (and Johnny Cash bootleg from 1969), The Dylan / Cash Sessions. It was released in 1994 and re-released in 2004.
The background story goes something like this:
Johnny Cash wrote the young Bob Dylan a letter, and they began writing back and forth. They met at the 1964 Newport Folk Festival and Cash gave Bob Dylan his guitar (This is a Country Music Tradition and is seen as a gesture of great respect and admiration).
When Bob Dylan was in Nashville recording his ninth studio album, Nashville Skyline, Johnny Cash was recording in the next door studio. Cash joined Dylan at the end of the sessions. On February 17 and 18, 1969, Johnny Cash and Bob Dylan laid down 15 tracks (that we know of). Only one, Girl From the North Country, was included on Nashville Skyline.
This is a bootleg of historic significance and a great recording. It is a document of two giants recording together, and even if it’s a bit loose and “hit and miss”, it is a joy to listen to. It’s a must have.
Honestly, this may be the best Van recording I’ve heard, not withstanding its slightly wonky mix of vocals, its beauty is in the fun that Morrison and his band are having. A fantastic recording, a great night.
-Stuart @ collectorsmusicreviews.com
My New World Crystal Ball
Lion’s Share, San Anselmo, CA; August 8, 1971.
Backing Vocals – Ellen Schroer, Janet Planet, Martha Velez
This is a message on a title card at the beginning of the film. The greatest concert movie ever made. This post concerns the movie, the audio releases have to wait for it’s own post.
The Last Waltz was a concert by the rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as the end of The Band’s illustrious touring career, and the concert saw The Band joined by more than a dozen special guests, including Paul Butterfield, Eric Clapton, Neil Diamond, Bob Dylan, Emmylou Harris, Ronnie Hawkins, Dr. John, Joni Mitchell, Van Morrison, Ringo Starr, Muddy Waters, Ronnie Wood, Bobby Charles and Neil Young.
The event was filmed by director Martin Scorsese and made into a documentary of the same name, released in 1978. The film features concert performances, scenes shot on a studio soundstage and interviews by Scorsese with members of The Band. A triple-LP soundtrack recording, produced by Rob Fraboni, was issued in 1978. The film was released on DVD in 2002 as was a four-CD box set of the concert and related studio recordings.
I have several versions of the film, and I’ve seen many versions of it. I’ve seen it at the cinema, I’ve played it to death on video casette, I have two DVD releases , a blu-ray release and I’ve seen/heard quite a bit of bootlegs of the show.
This is a film that I’m really passionate about, and I have often wondered if there’s footage, filmed sequences, that is not in the official version. Whatever condition such film would be in was irrelevant, I wanted to see as much as possible of the legendary concert.
The Offender Meets the Pretender is a widely-bootlegged Dutch radio program featuring songs by, and interviews with, Warren Zevon alongside his friend and colleague Jackson Browne. The recordings are from Zevon’s first tour in 1976/77, shortly after the release of his self-titled second album, which included guest appearances in the middle of Jackson Browne’s concerts.
–Warren Zevon Wiki
Live at the VPRO Studios, Hilversum, the Netherlands; December 8, 1976
Live at RAI Congrescentrum, Amsterdam, the Netherlands; December 9, 1976