Sometimes I think this whole world Is one big prison yard. Some of us are prisoners The rest of us are guards.
“George Jackson” is a song by Bob Dylan, written in 1971, about the Black Panther leader George Jackson, who had been shot and killed by guards at San Quentin Prison on August 21, 1971, during an attempted escape from prison. The event indirectly provoked the Attica Prison riot.
There are controversies about how Dylan portrays George Jackson. Several writers have argued that Bob Dylan’s lyrics are a bit lacking in the facts department.
Honestly, this may be the best Van recording I’ve heard, not withstanding its slightly wonky mix of vocals, its beauty is in the fun that Morrison and his band are having. A fantastic recording, a great night.
-Stuart @ collectorsmusicreviews.com
My New World Crystal Ball
Lion’s Share, San Anselmo, CA; August 8, 1971.
Backing Vocals – Ellen Schroer, Janet Planet, Martha Velez
This is Van Morrison at the top of his game, delivering a set fueled with unbridled passion. With no trace of the nervousness or anger that occasionally marred his concert performances during this era and with his sense of humor so prominent, it is no wonder that this recording has achieved such legendary status among Morrison’s fans and collectors. This provocative performance is often brilliant and is an enthralling listen from beginning to end.
-Alan Bershaw (concertvault.com)
Alan Hand – keyboards
John Klingberg – bass
John Platania – guitar
Dahaud Shaar – drums
Jack Schroer – saxophone
Collin Tilton – sax & flute
Keith Johnson – trumpet
Ellen Schroer, Janet Planet & Martha Velez – backing vocal
Heaps of wonderful music was released in 1971, here are my 30 chosen songs.
Wild Horses – The Rolling Stones
A song by The Rolling Stones from their 1971 album Sticky Fingers, written by Mick Jagger and Keith Richards. Rolling Stone ranked it at No. 334 in its “500 Greatest Songs of All Time” list in 2004.
– Childhood living is easy to do The things you wanted I bought them for you Graceless lady you know who I am You know I can’t let you slide through my hands
With its acoustic guitars and drumless bits, this triumph of hard rock is no more a pure hard rock album than Tommy. … And… it uses the synthesizer to vary the power trio format, not to art things up.
On Who’s Next, the band crossed that line with power and grace. The album spawned the concert classics “Baba O’Riley” and “Won’t Get Fooled Again”; the great Daltrey vocal vehicles “Bargain” and “Song Is Over”; Entwistle’s scorching, anxiety-ridden “My Wife”; and Townshend’s most delicate song on record, “Behind Blue Eyes.” On Who’s Next, Townshend unleashed the power of the synthesizer as a rock & roll instrument, to be used like guitar or bass rather than as a special-effects novelty.
~The New Rolling Stone Album Guide (rollingstone.com)