“Why did you leave America
Why did you let me down,
And now that things seem better off,
Why do you come around,
You know I just can’t see you know,
In my new world crystal ball,
You know I just can’t free you now,
That’s not my job at all.”
– Van MorrisonHis Band and the Street Choir is another beautiful phase in the continuing development of one of the few originals left in rock. In his own mysterious way. Van Morrison continues to shake his head, strum his guitar and to sing his songs. He knows it’s too late to stop now and he quit trying to a long, long time ago. Meanwhile, the song he is singing keeps getting better and better.”
– John Landau, Rolling Stone Magazine (1971)Morrison is still a brooder–“Why did you leave America?” he asks over and over on the final cut, and though I’m not exactly sure what he’s talking about, that sounds like a good all-purpose question/accusation to me–but not an obsessive one, and this is another half-step away from the acoustic late-night misery of Astral Weeks. As befits hits, “Domino” and especially “Blue Money” are more celebratory if no more joyous than anything on Moondance, showing off his loose, allusive white r&b at its most immediate. And while half of side two is comparatively humdrum, I play it anyway. A
~Robert Christgau (Consumer guide)
Domino:
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