September 23:  Isaac Hayes released Hot Buttered Soul in 1969

This is one of my favorite soul albums ( I should do a post with a top 20 list…). It defines a new kind of soul at the end of the 60s into the 70s. It showed the way soul music would be heading in the next decade.  This is intense soul, very skilled both vocally and musically.

Hot Buttered Soul is Isaac Hayes’ second studio album. Released September 23, 1969, it is a landmark in soul music.

Isaac Hayes – Walk on by (short TV-friendly version, it’s over 12 minutes(!) on the album):

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]”Walk on By,” is an epic 12-minute moment of true perfection, its trademark string-laden intro just dripping with syrupy sentiment, and the thumping mid-tempo drum beat and accompanying bass line instilling a complementary sense of nasty funk to the song; if that isn’t enough to make it an amazing song, Hayes’ almost painful performance brings yet more feeling to the song, with the guitar’s heavy vibrato and the female background singers taking the song to even further heights.
… “Hyperbolicsyllabicsequedalymistic” trades in sappy sentiment for straight-ahead funk, highlighted by a stomping piano halfway through the song; “One Woman” is the least epic moment, clocking in at only five minutes, but stands as a straightforward, well-executed love ballad; and finally, there’s the infamous 18-minute “By the Time I Get to Phoenix” and its lengthy monologue which slowly eases you toward the climactic, almost-orchestral finale, a beautiful way to end one of soul’s timeless, landmark albums, the album that transformed Hayes into a lifelong icon.
– Jason Birchmeier (allmusic.com)[/vc_message][/vc_column][/vc_row]

Hayes’ solo debut, Presenting Isaac Hayes, had been a poor seller for Stax Records, and Hayes was about to return to his behind-the-scenes role as a producer and songwriter at the venerable soul label when it suddenly lost its complete back catalog after splitting with Atlantic Records in May 1968. Stax executive Al Bell decided to release a new, almost instant, back catalog of 27 albums and 30 singles at once, ordered all of Stax’s artists to record new material, and encouraged some of Stax’s prominent creative staff, including Hayes and Steve Cropper, to record solo albums.

Burned by the retail flop of Presenting Isaac Hayes, Hayes told Bell that he would not cut a follow-up unless he was granted complete creative control. Since Bell had encouraged Hayes to record Presenting… in the first place, he agreed.

Isaac Hayes really seized the opportunity and made one seminal soul album, an ambitiously excessive  masterpiece!

Isaac Hayes – Hyperbolicsyllabicsesquedalymistic (live, 1996):

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]It’s an exercise in melodrama and indulgence that lays it on so heavy it’s impossible not to hear it as anything but the stone truth. And it’s an album whose edited-down singles– both of which went top 40 pop– sounded more like trailers for the real thing.
– Nate Patrin (Pitchfork.com)[/vc_message][/vc_column][/vc_row]

Interview with Isaac Hayes about the origins of Stax records and Hot Buttered Soul:

Isaac Hayes – Hot Buttered Soul on Spotify:

– Hallgeir & Egil