[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]The way I think about the blues, comes from what I learned from Big Joe Williams. The blues is more than something to sit home and arrange. What made the real blues singers so great is that they were able to state all the problems they had; but at the same time, they were standing outside of them and could look at them. And in that way, they had them beat. What’s depressing today is that many young singers are trying to get inside the blues, forgetting that those older singers used them to get outside their troubles.
-Bob Dylan (The Freewheelin’ Bob Dylan Liner Notes – 1963)[/vc_message][/vc_column][/vc_row]
Joseph Lee “Big Joe” Williams (October 16, 1903 – December 17, 1982) was an American Delta blues guitarist, singer and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over four decades, he recorded the songs “Baby Please Don’t Go”, “Crawlin’ King Snake” and “Peach Orchard Mama”, among many others.
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Baby Please Don’t Go
The Home Of Bonnie Beecher
Minneapolis, Minnesota
22 December 1961
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WBAI Studios
New York City, New York
13 January 1962
Cynthia Gooding radio show.
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Studio A
Columbia Recording Studios
New York City, New York
25 April 1962
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Let’s also include a performance by Big Joe Williams & Bob Dylan
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]For a white kid to play with black blues singers-at their invitation-was all but unheard ofin 1961; for a white kid to play with this much soul and sheer ballsiness is still remarkable. Part of the reason is clearly that Williams really dug Dylan and encouraged him, gave him a lot of space. The rest of the story is that Dylan had a genius for the blues, as these recordings (especially “Wichita” and “Sitting on Top of the World“) reveal. It must have given Dylan a lot of confidence in himselfas an American musician to be so warmly embraced early in his career by the likes of Woody Guthrie, Victoria Spivey, and Big Joe Williams.
-Paul Williams (Bob Dylan – Performing Artist 1960-73)[/vc_message][/vc_column][/vc_row]
Sittin On Top Of The World
Cue Recording Studios
New York City, New York
2 March 1962
Victoria Spivey recording session. Produced by Len Kunstadt & Victoria Spivey.
[vc_row][vc_column][vc_separator][vc_btn title=”Borntolisten @ Facebook” color=”blue” i_icon_fontawesome=”fa fa-facebook-official” add_icon=”true” link=”url:https%3A%2F%2Fwww.facebook.com%2FJohannasVisions%2F||target:%20_blank|”][/vc_column][/vc_row][vc_row][vc_column][vc_message message_box_style=”outline” icon_fontawesome=”fa fa-link” css_animation=”bounceIn”]Check out:
- MusicThisDay.com
- Music lists @ MusicThisDay.com
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- Karl Erik’s expectingrain.com
- Olof’s “Still On The Road“
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