June 4: Bruce Springsteen released “Born in the U.S.A.” in 1984

Bruce Springsteen 1984

Imperceptible though the movement has been to many sensitive young people, Springsteen has evolved. In fact, this apparent retrenchment is his most rhythmically propulsive, vocally incisive, lyrically balanced, and commercially undeniable album. Even his compulsive studio habits work for him: the aural vibrancy of the thing reminds me like nothing in years that what teenagers loved about rock and roll wasn’t that it was catchy or even vibrant but that it just plain sounded good.
-Robert Christgau (robertchristgau.com)

But more than anything else, Born in the U.S.A. marked the first time that Springsteen’s characters really seemed to relish the fight and to have something to fight for. They were not defeated (“No Surrender”), and they had friendship (“Bobby Jean”) and family (“My Hometown”) to defend. The restless hero of “Dancing in the Dark” even pledged himself in the face of futility, and for Springsteen, that was a step. The “romantic young boys” of his first two albums, chastened by “the working life” encountered on his third, fourth, and fifth albums and having faced the despair of his sixth, were still alive on this, his seventh, with their sense of humor and their determination intact. Born in the U.S.A.was their apotheosis, the place where they renewed their commitment and where Springsteen remembered that he was a rock & roll star, which is how a vastly increased public was happy to treat him.
-William Ruhlmann (allmusic.com)

Born down in a dead mans town
The first kick I took was when I hit the ground
End up like a dog that’s been beat too much
Till you spend half your life just covering up

Born in the U.S.A., I was born in the U.S.A.
I was born in the U.S.A., born in the U.S.A.

Born in the USA – Live 1985:

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Van Morrison – 6 Great live versions of “Ballerina”

 

Spread your wings
Come on fly awhile
Straight to my arms
Little angel child
You know you only
Lonely twenty-two story block

I was in San Francisco one time in 1966 and I was attracted to the city. It was the first time I had been there, and I was sitting in this hotel and all these things were going through my head, and I had a flash about an actress in an opera house appearing in a ballet, and I think that’s where the song came from.
-Van Morrison (to Ritchie Yorke)

If anyone ever argues that Morrison cannot sing – an unlikely scenario anyway – then simply play them this. All human emotion is crystallised here, and subtly vocalised: desire, joy, hope, world weariness, consolidation, awe & anticipation. The “angel child” here is also a fully mature woman. What sounds like a penny whistle comes in just at the end, almost subliminally. Van´s Celtic phase starts here.
-Brian Hinton (Celtic Crossroads)

Ballerina was recorded during the last Astral Weeks session on October 15, 1968 at Century Sound Studios in New York City. Lewis Merenstein was the producer.

He has performed it live 180 times according to the brilliant website ivan.vanomatic.de.

Here are 6 thrilling versions:

2/2/1974 – Winterland, San Francisco, CA:

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