August 6: The Beatles released “Help!” in 1965

The_Beatles-Help_-Frontal

.. a big step forward, exploring doubt, loneliness, alienation, adult sexual longing, acoustic guitars, electric piano, bongos, castanets, and the finest George songs known to man. … Help! was utterly ruined in its U.S. version, which cut half the songs and added worthless orchestral soundtrack filler, so it’s always been underrated. But Help! is the first chapter in the astounding creative takeoff the Beatles were just beginning: the soulful bereavement of “Ticket to Ride,” the impossibly erotic gentleness of “Tell Me What You See,” the desperate falsetto and electric punch of “You’re Going to Lose That Girl.”
~rollingstone.com

…. the album’s masterpiece is McCartney’s brooding, deceptively simple chamber-pop ballad “Yesterday.” …  it’s compositionally complex, one of the first major pop songs to draw directly from classical music, juxtaposing acoustic guitar with a string quartet, shifting from minor to major chords. It set the stage for one of the most groundbreaking and innovative periods in The Beatles’ career, not to mention pop music in general.
~Mark Kemp (pastemagazine.com)

Help! – from a 6-song set filmed for British television in August of 1965:

From Wikipedia:

Released 6 August 1965
Recorded 15–19 February, 13 April, 10 May& 14–17 June 1965,
EMI Studios, London
Genre Rock
Length 34:20
Label Parlophone
Producer George Martin

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Nov 17: Let It Be Naked by The Beatles was released in 2003

Let It Be… Naked is a remixed and remastered version of their 1970 album Let It Be. The project was initiated by Paul McCartney, who had always felt aggrieved that Phil Spector’s production did not accurately represent the group’s “stripped-down” intentions for the original album.

Let It Be… Naked presents the songs “naked” – without Spector’s overdubs and now including the incidental studio chatter featured between most cuts of the original album. Let It Be… Naked also replaces “Dig It” and “Maggie Mae” with “Don’t Let Me Down”, originally featured as the B-side of the “Get Back” single.

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