June 22: Sonny Rollins Released His Masterpiece “Saxophone Colossus” in 1956

Sonny Rollins recorded many memorable sessions during 1954-1958, but Saxophone Colossus is arguably his finest all-around set. Joined by pianist Tommy Flanagan, bassist Doug Watkins, and drummer Max Roach, Rollins debuts and performs the definitive version of “St. Thomas,” tears into the chord changes of “Mack the Knife” (here called “Moritat”), introduces “Strode Rode,” is lyrical on “You Don’t Know What Love Is,” and constructs a solo on “Blue Seven” that practically defines his style. Essential music that, as with all of Rollins’ Prestige recordings, has also been reissued as part of a huge “complete” box set; listeners with a tight budget are advised to pick up this single disc and be amazed.
-Scott Yanow (allmusic.com)

St. Thomas:

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January 17: Aretha Franklin released Soul ’69 in 1969

One of her most overlooked ’60s albums, on which she presented some of her jazziest material, despite the title. None of these cuts were significant hits, and none were Aretha originals; she displayed her characteristically eclectic taste in the choice of cover material, handling compositions by Percy Mayfield, Sam Cooke, Smokey Robinson, and, at the most pop-oriented end of her spectrum, John Hartford’s “Gentle on My Mind” and Bob Lind’s “Elusive Butterfly.”

Her vocals are consistently passionate and first-rate, though, as is the musicianship; besides contributions from the Muscle Shoals Rhythm Section, session players include respected jazzmen Kenny Burrell, Ron Carter, Grady Tate, David Newman, and Joe Zawinul.
– Richie Unterberger (allmusic) Continue reading “January 17: Aretha Franklin released Soul ’69 in 1969”

December 3: The Who released My Generation in 1965

 An explosive debut, and the hardest mod pop recorded by anyone. At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record. Pete Townshend’s exhilarating chord crunches and guitar distortions threaten to leap off the grooves on “My Generation” and “Out in the Street”; Keith Moon attacks the drums with a lightning, ruthless finesse throughout.
~Richie Unterberger (allmusic.com)

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November 16: Satan is Real by The Louvin Brothers was released in 1959

satan-is-real

The Louvin Brothers – Satan is Real

What is it about this album?
Why is it so important in the americana /country/gospel music canon?

Satan Is Real is a gospel album by American country music duo The Louvin Brothers.

Released November 16, 1959
Recorded August 8–10, 1958
Genre Country, Gospel
Length 31:54
Label Capitol
Producer Ken Nelson, John Johnson (Reissue)

The gospel/country duo Charlie and Ira Louvin was born and grew up in the Sand Mountain region of Alabama, they lived on a cotton farm south of the Appalachian Mountains, that’s where they developed their distinct harmony style in the deep Sacred Harp tradition of the Baptist church.

Ira Louvin died in a car wreck in 1965. Charlie Louvin died two years ago at 83 just a few months after publishing his story about The Louvin brothers.

In The recently published book, Satan is Real, the ballad of the Louvin Brothers, Charlie talks about their singing style.This is not a straight quote, but it goes something  like this:

…people who saw the Louvin Brothers perform were mystified by the experience. Ira was a full head taller than me, he played the mandolin like Bill Monroe and sang in an impossibly high, tense, quivering tenor. I(Charlie) strummed a guitar, grinned like a vaudevillian and handled the bottom register. But every so often, in the middle of a song, some hidden signal flashed and we switched places — with Ira swooping down from the heights, and me angling upward — and even the most careful listeners would lose track of which man was carrying the lead. This was more than close-harmony singing; each instance was an act of transubstantiation.

I could not find any live footage from Satan is real, but this clip of them singing, I don’t belive you’ve met my baby is a fine showcase for their intricate singing style:

“It baffled a lot of people,” Charlie Louvin explains in his fantastic memoir. “We could change in the middle of a word. Part of the reason we could do that was that we’d learned to have a good ear for other people’s voices when we sang Sacred Harp. But the other part is that we were brothers.”

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Jan 4: Van Morrison and Chieftains released Irish Heartbeat in 1988

Irish Heartbeat is the eighteenth studio album by Northern Irish singer-songwriter Van Morrison and is a collaboration with the traditional Irish musical group The Chieftains, released in 1988. The album was recorded at Windmill Lane Studios in Dublin, Ireland and reached number 18 in the UK album charts.

The album was recorded on dates from September to December 1987 and in January 1988. The Chieftains and Van Morrison had met years before at the Edinburgh rock festival. They joined up in Belfast during Morrison’s No Guru tour and afterwards, Morrison and Paddy Moloney discussed recording an album together during a walk. They each had a list of songs and reached a consensus to cover two of Morrison’s previously released tracks (the title track was one) and the rest from traditional Irish songs.

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Nov 22: The Beatles released “the white album” in 1968

I rank this as the third best Beatles album, and it is of course a rock masterpiece. When I converted to CDs this was my very first buy, I love it! The Beatles is the ninth official album by the Beatles, a double album. It is commonly known as the “White Album” as it has no graphics or text other than the band’s name embossed (and, on the early LP and CD releases, a serial number) on its plain white sleeve.

Yer Blues:

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