The Caledonia Soul Orchestra was the band created by Northern Irish singer-songwriter Van Morrison in 1973. The band is often considered one of the tightest performing backup groups of the 1970s. The band was named after an eighteen minute instrumental outtake on the His Band and the Street Choir album.
In 1973 Van Morrison and the Caledonia Soul Orchestra went on a three-month tour of the United States, and Europe with the result of which was the seminal live double album It’s Too Late to Stop Now. The title is taken from the last line in the lyrics in one of Morrison’s songs: “Into the Mystic” from the 1970 Moondance album. In live performances with The Caledonia Soul Orchestra, he would close the concert with a dynamic, stretched out version of the Astral Weeks song, “Cyprus Avenue” and then shout out “IT’S TOO LATE TO STOP NOW!” as he quickly exited stage.
Van Morrison live at The London’s Rainbow Theatre on 24th July 1973. (Voted by Q Magazine readers as one of the top live performances of all time.)
01 – Warm Love (3:22)
02 – Take your Hands Out Of My Pocket (4:03)
03 – Here Comes The Night (3:17)
04 – I Just Want To Make Love To You (5:36)
05 – Brown Eyed Girl (3:12)
06 – Moonshine Whiskey (7:14)
07 – Moondance (5:19)
08 – Help Me (2:41)
09 – Domino (4:37)
10 – Caravan (8:45)
11 – Cyprus Avenue (9:34)
12 – Wild Night (4:21)
Bonus not in the TV Broadcast:
13 – I Paid The Price (6:43)
14 – Saint Dominic’s Preview (6:18)
15 – Gloria (3:16)
01 Warm Love – Van Morrison & The Caledonia Soul Orchestra:
Rock ‘n’ roll comes in many different shapes and sizes, and on the night of April 26, 1970, it came to the Fillmore West in the form of a barrel-chested Irishman in a silk shirt and flares.
A perfect stereo soundboard recording. This is official release quality. Van and the band are in great form,if you like VM – this is one not to miss.
Fillmore West (San Francisco, CA)
April 26, 1970
Van Morrison – vocals
John Klingberg – bass
Jeff Labes – piano, organ
John Platania – guitar
Jack Schroer – alto sax
Collin Tilton – tenor sax
Dave Shaw – drums
2. Glad Tidings
3. Crazy Love
4. Come Running
5. The Way Young Lovers Do
7. Brown Eyed Girl
8. And It Stoned Me
9. These Dreams Of You
11. Cyprus Avenue
12. Into The Mystic
On My Aim Is True, Elvis’ raw energy comes through in a way that’s never completely recaptured on later records. While the songs range from mellow country twang to full-on, spitting assault, there’s a strange cohesiveness to the album simply by virtue of its rough, rushed feel. Although it’s a studio album, there’s a latent energy to Nick Lowe’s production that grants My Aim Is True all the immediacy of a live show.
~Matt LeMay (pitchfork.com)
Elvis Costello’s debut album brought home to me just how timid Little Criminals really is. Costello’s best songs are anything but timid, but they’re as intelligent as some of Newman’s finest, as endearingly elusive in their meanings, and funny in the same bitter, self-deprecating manner. They are also, like Newman’s signature songs, very weird.
~Greil Marcus (rollingstone.com)
.. it’s that his sensibility is borrowed from the pile-driving rock & roll and folksy introspection of pub rockers like Brinsley Schwarz, adding touches of cult singer/songwriters like Randy Newman and David Ackles. Then, there’s the infusion of pure nastiness and cynical humor, which is pure Costello. That blend of classicist sensibilities and cleverness make this collection of shiny roots rock a punk record — it informs his nervy performances and his prickly songs. Of all classic punk debuts, this remains perhaps the most idiosyncratic because it’s not cathartic in sound, only in spirit.
~Stephen Thomas Erlewine (alldylan.com)
Welcome to the working week
Oh, I know it don’t thrill you, I hope it don’t kill you
Welcome to the working week
You gotta do it till you’re through, so you better get to it
~Elvis Costello (Welcome to the working week)
“It was a funky record – it’s one of my favorite Beatle tracks, or, one of my favourite Lennon tracks, let’s say that. It’s funky, it’s bluesy, and I’m singing it pretty well. I like the sound of the record. You can dance to it. I’d buy it!”
“The thing was created in the studio. It’s gobbledygook, Come Together was an expression that Leary had come up with for his attempt at being president or whatever he wanted to be, and he asked me to write a campaign song. I tried and tried, but I couldn’t come up with one. But I came up with this, Come Together, which would’ve been no good to him, you couldn’t have a campaign song like that, right?”
– John Lennon (Playboy, 1980)
“Come Together” is a song by The Beatles written by John Lennon and credited to Lennon–McCartney. The song is the opening track on the album Abbey Road, and was released as a double A-sided single with “Something”, their twenty-first single in the United Kingdom and twenty-sixth in the United States. The song reached the top of the charts in the US,and peaked at number four in the UK.
I really love the song, one of John’s masterpieces!
John Lennon: vocals, rhythm guitar, handclaps and tambourine
Paul McCartney: harmony vocals,electric piano and bass
George Harrison: lead guitar
Ringo Starr: drums, maracas
Great Britain, Ireland, and Denmark enter European Economic Community (Jan. 1)
A ceasefire is signed, ending involvement of American ground troops in the Vietnam War. (Jan. 28)
US bombing of Cambodia ends, marking official halt to 12 years of combat activity in Southeast Asia (Aug. 15)
Fourth and largest Arab-Israeli conflict begins when Egyptian and Syrian forces attack Israel as Jews mark Yom Kippur, holiest day in their calendar (Oct. 6). Egypt and Israel sign US-sponsored cease-fire accord (Nov. 11). Background: Arab-Israeli Wars
Organization of Petroleum Exporting Countries (OPEC) hikes oil prices tremendously in retaliation for Western countries’ involvement in Yom Kippur War.