…..Waters sings as though his life depended on it, Johnny Winter proves with every note how right he was to want to do this, and James Cotton–well, James Cotton doesn’t open his mouth except to make room for the harmonica, which sounds just great.
~Robert Christgau (robertchristgau.com)
This is Muddy Waters’ best “late” album.. Johnny Winter sure inspired the old blues legend to peak performance…. a wonderful record.
And Joan Baez means more to me than 100 of these singers around today. She’s more powerful. That’s what we’re looking for. That’s what we respond to. She always had it and always will, power for the species, not just for a select group.
~Bob Dylan (to Neil Hickey, Sept. 1976)
“I’ve never had a humble opinion. If you’ve got an opinion, why be humble about it?”
― Joan Baez
I went to jail for 11 days for disturbing the peace; I was trying to disturb the war.
~Joan Baez (Pop Chronicles interview – 1967)
When I first heard Elvis’ voice I just knew that I wasn’t going to work for anybody; and nobody was going to be my boss. He is the deity supreme of rock & roll religion as it exists in today’s form. Hearing him for the first time was like busting out of jail.
~Bob Dylan (1987)
His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture. His following was immense, and he was a symbol to people the world over of the vitality, rebelliousness, and good humor of his country.
~President Jimmy Carter August 17, 1977
Elvis Presley is a supreme figure in American life, one whose presence, no matter how banal or predictable, brooks no real comparisons. … The cultural range of his music has expanded to the point where it includes not only the hits of the day, but also patriotic recitals, pure country gospel, and really dirty blues. … Elvis has emerged as a great artist, a great rocker, a great purveyor of schlock, a great heart throb, a great bore, a great symbol of potency, a great ham, a great nice person, and, yes, a great American.
~Greil Marcus (The Village Voice – Apr 7, 1975)
And now, the end is near
And so I face the final curtain
My friend, I’ll say it clear
I’ll state my case, of which I’m certain
I’ve lived a life that’s full
I’ve traveled each and ev’ry highway
And more, much more than this
I did it my way
This 1954 recording (the second, after 1952’s original) of blues standard “Hoochie Coochie Man” by Muddy Waters is one of the all-time classic blues records; a vital piece of Chicago-style electric blues that links the Delta to rock & roll..
~Bill Janovitz (allmusic.com)
I’d rather be the devil, to be that woman man I’d rather be the devil, to be that woman man Aw, nothin’ but the devil, changed my baby’s mind Was nothin’ but the devil, changed my baby’s mind
~Skip James (Devil Got My Woman)
Coupling an oddball guitar tuning set against eerie, falsetto vocals, James’ early recordings could make the hair stand up on the back of your neck.
~Cub Koda (allmusic.com)
Skip James (June 9, 1902 – October 3, 1969) was an AmericanDelta bluessinger. He is regarded by most blues writers as a very important artist.
He is one of 3 blues artists to featured in Wim Wenders great documentary film The Soul of a Man (2003).
Bob Dylan recorded master versions of “Idiot Wind” & “You’re A Big Girl Now” in 1974 @ Sound 80 Studio, Minneapolis, Minnesota. –
Songs of Leonard Cohen is the 1967 debut album of Canadian musician Leonard Cohen. It foreshadowed the future path of his career, with less success in the United States and far better in Europe, reaching #83 on the Billboard chart but achieving gold status only in 1989, while it reached #13 in UK and spent nearly a year and a half in the UK album charts.
December 27, 1967
Columbia Studio E, New York
Pretenders is the debut studio album by the British New Wave band The Pretenders, released on December 27, 1979 under Real Records (Sire Records in the United States). A combination of rock, punk, and pop music, this album made the band famous. The album features the singles “Stop Your Sobbing” “Kid” and “Brass in Pocket”.
December 27, 1979
1979 at Wessex Studios and Air Studios
New wave, punk rock
Real (UK), Sire (US)
Chris Thomas, except “Stop Your Sobbing” produced by Nick Lowe