The Clash’s Best Songs – 6 Different Lists (Uncut, paste, stereogum, The Guardian, CoS & UCR)

TOC

  1. The Clash’s 30 best songs – Uncut
  2. The 10 Best Clash Songs – Stereogum
  3. The 18 Best Clash Songs – Paste
  4. The Clash’s Top 20 Songs – CoS
  5. Top 10 Clash Songs – Ultimateclassicrock.com
  6. The Clash: 10 of the best – The Guardian

The Clash’s 30 best songs (Uncut Magazine)

An all-star panel – including Mick Jones, Paul Simonon and Terry Chimes – vote for their greatest cuts (from Uncut’s December 2003 issue)

  1. (White Man) In Hammersmith Palais (Single A-side, June 1978)
  2. Complete Control (Single A-side, September 1977)
  3. London Calling (Single A-side and title track of third album, December 1979)
  4. Straight To Hell (Combat Rock album track, May 1982. Issued as a double-A-side single, September 1982)
  5. I Fought The Law (From the “Cost Of Living” EP, May 1979)
  6. Garageland (The Clash album track, April 1977)
  7. 1977 (B-side to “White Riot”, March 1977)
  8. Safe European Home (Give ‘Em Enough Rope album track, November 1978)
  9. Clash City Rockers (Single A-side, February 1978)
  10. White Riot (Single A-side, March 1977)
  11. Janie Jones (The Clash album track, April 1977)
  12. Police And Thieves (The Clash album track, April 1977)
  13. London’s Burning (The Clash album track, April 1977)
  14. Bankrobber (Single A-side, August 1980)
  15. Stay Free (Give ‘Em Enough Rope album track, November 1978)
  16. Rock The Casbah (Combat Rock album track, May 1982. Issued as single A-side, June 1982)
  17. Rudie Can’t Fail (London Calling album track, December 1979)
  18. Police On My Back (Sandinista! album track, December 1980)
  19. Lost In The Supermarket (London Calling album track, December 1979)
  20. Broadway (Sandinista! album track, December 1980)
  21. Armagideon Time (B-side of “London Calling”, December 1979)
  22. Somebody Got Murdered (Sandinista! album track, December 1980)
  23. Should I Stay Or Should I Go? (Combat Rock album track, May 1982. Later issued as a double-A-side single, September 1982)
  24. The Magnificent Seven (Sandinista! album track, December 1980)
  25. I’m So Bored With The USA (The Clash album track, April 1977)
  26. Tommy Gun (Single A-side from the album Give ’Em Enough Rope, both November 1978)
  27. Career Opportunities (The Clash album track, April 1977)
  28. The Guns Of Brixton (London Calling album track, December 1979)
  29. Spanish Bombs (London Calling album track, December 1979)
  30. This Is England (Single A-side, September 1985, from the album Cut The Crap, November 1985)

The 10 Best Clash Songs (Stereogum)

Timothy Bracy And Elizabeth Bracy | December 7, 2012

  1. Spanish Bombs
  2. Straight To Hell
  3. Clampdown (London Calling album track, December 1979)
  4. (White Man) In Hammersmith Palais
  5. London Calling
  6. Complete Control
  7. Lost In The Supermarket
  8. Up In Heaven (Not Only Here) (Sandinista! album track, December 1980)
  9. Train In Vain (London Calling album track, December 1979)
  10. Safe European Home

The 18 Best Clash Songs (Paste Magazine)

By Max Blau | January 31, 2011

  1. Train in Vain
  2. London Calling
  3. (White Man) In Hammersmith Palais
  4. I Fought the Law
  5. Spanish Bombs
  6. Complete Control
  7. Remote Control (The Clash album track, April 1977)
  8. Police On My Back
  9. Lost In The Supermarket
  10. Clampdown
  11. Career Opportunities
  12. Clash City Rockers
  13. Death or Glory (London Calling album track, December 1979)
  14. Should I Stay Or Should I Go
  15. Janie Jones
  16. White Riot
  17. Police & Thieves
  18. Straight To Hell

The Clash’s Top 20 Songs (CoS)

Nick Freedon – April 10, 2017

  1. London Calling
  2. Straight To Hell
  3. Rudie Can’t Fail
  4. I’m So Bored With The USA
  5. The Magnificent Seven
  6. White Riot
  7. Rock the Casbah
  8. The Guns Of Brixton
  9. I Fought the Law
  10. Train in Vain
  11. Know Your Rights (Combat Rock album track, May 1982)
  12. Clampdown
  13. London’s Burning
  14. Complete Control
  15. Spanish Bombs
  16. Ivan Meets G.I. Joe (Sandinista! album track, December 1980)
  17. Julie’s Been Working For The Drug Squad (Give ‘Em Enough Rope album track, November 1978)
  18. Pressure Drop (“English Civil War” B-Side (1979)
  19. Washington Bullets (Sandinista! album track, December 1980)
  20. English Civil War (Give ‘Em Enough Rope album track, November 1978)

Top 10 Clash Songs (ultimateclassicrock.com)

Bryan Wawzenek – March 9, 2014

  1. White Man (In Hammersmith Palais)
  2. Clampdown
  3. London Calling
  4. White Riot
  5. Straight to Hell
  6. The Magnificent Seven
  7. Lost in the Supermarket
  8. Should I Stay or Should I Go
  9. Career Opportunities
  10. Rock the Casbah

The Clash: 10 of the best (The Guardian)

Dave Simpson – Wed 23 Sep 2015

  1. Complete Control
  2. (White Man) In Hammersmith Palais
  3. Safe European Home
  4. Armagideon Time
  5. Spanish Bombs
  6. Train in Vain
  7. Bankrobber
  8. The Call Up (Sandinista! album track, December 1980)
  9. The Magnificent Seven
  10. Straight To Hell

-Egil

1961: 20 Songs Released in 1961 You Must Hear

My rules:

  • Only one song per artist/group
  • The song must be released that specific year
  • Songs from live albums not allowed (that’s another & more complicated list)

Please feel free to publish your own favorite songs from 1961 in the comments section…

Here we go…

October 25: Electric Ladyland by The Jimi Hendrix Experience was released in 1968

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undoubtedly a rock album, albeit rock on the point of evolving into something else.
– David Stubbs

one of the greatest double-albums in rock.
– John Perry

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Electric Ladyland is the third and final album of new material by the Jimi Hendrix Experience, released in October 1968 on Reprise Records. It is the only Hendrix studio album professionally produced under his supervision. It topped the Billboard 200 album chart for two weeks in November 1968.

Released October 25, 1968 (some sources says October 16…worth celebrating anyhow)
Recorded Olympic Studios, London and Record Plant Studios, New York, July and December 1967, January 1968, April–August 1968
Genre Psychedelic rock, blues rock, acid rock, hard rock
Length 75:47
Label Reprise, Track, Barclay, Polydor
Producer Jimi Hendrix

 

All along the watchtower, the best Dylan cover of all time!:

This is a perfect Hendrix album. It is poppy and funky and original at the same time, and what a great soul singer Hendrix was! I also think it is very inventive, sonically speaking. Jimi Hendrix really searched for “new sounds” on this record, he produced an album that has stood the test of time marvelously.

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October 21: Happy 77th Birthday Steve Cropper

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Sure, I’ve always dug Steve Cropper… his guitar playing. Ever since the first Booker T. record. I heard that back in the Midwest. Yeah, everybody was playing like him.
~Bob Dylan (to Jann Wenner, 29 Nov. 1969)

Memphis is in a very lucky position on the map. Everything just gravitated to Memphis for years.
~Steve Cropper

Booker T & The MG’s – Green Onions:

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October 20: David Bowie @ Santa Monica Civic Auditorium in 1972 (audio)

david-bowie-santa-monica-1972

Steve Martin here, backstage at the Santa Monica Civic Auditorium. It’s a cool night in Los Angeles, and as you may know or not know, the Santa Monica Civic is about a hundred yards from the beach so we have a cool breeze blowing off the ocean through the stage at our backs. The auditorium is packed, as a matter of fact, for the first David Bowie concert in the Los Angeles area. There will be one more tomorrow night, this is the concert tonight which will be recorded by RCA for the next David Bowie album and we expect to hear some new material by this British superstar. David and his group, the Spiders From Mars will enter from the other side of the stage. The auditorium is completely blacked out except for flashing strobe lights. Now the entrance music will be the Ode, or should I say the Ode To Joy which is featured in the movie Clockwork Orange and the house lights are starting to dim… here’s David Bowie.

Intro & Hang On To Yourself:

Ziggy played guitar, jamming good with weird and gilly
And the spiders from mars. he played it left hand
But made it too far
Became the special man, then we were ziggy’s band

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October 7: Steve Earle released El Corazon in 1997

This album sort of wrote itself. It was bigger than me and faster than me and so it took me awhile to get a handle on what it was about. Basically, it comes down to stuff I care about. That’s where the title comes from.
-Steve Earle (steveearle.net)

.. the album kicks off with a tremendous one-two punch, the rousing acoustic ballad “Christmas in Washington” and “Taneytown,” a harrowing story of race and violence backed with gale-force electric guitars. El Corazón is also a good bit more eclectic than much of Earle’s previous work, dipping into bluegrass (“You Know the Rest,” featuring backing from the Del McCoury Band), old-school country (“The Other Side of Town”), hard rock (“N.Y.C.,” co-starring the Supersuckers, and “Here I Am”), and vintage R&B (“Telephone Road”). As its title suggests, El Corazón often deals with matters of the heart, expressed with particular eloquence on “Poison Lovers” and “If You Fall,” though the song’s most emotionally resonant moment comes with its closing song, “Ft. Worth Blues,” a moving farewell to Earle’s longtime friend and mentor Townes Van Zandt.
-Mark Deming (allmusic.com)

Great album, one of Earle’s best!
It’s a mix of country, folk, rock, soul, pain, redemption and politics. What a magnificent brew it is ! Truly remarkable.

Taneytown (live, Sidney, 2013):

This song, which is graced with Emmylou Harris singing backup, is told from the point of view of a 22 year old retarded black man. I also wrote it in the form of a short story that will be in my book. Taneytown is a real place – you can see it on maps of The Battle Of Gettysburg – but it (the story) could reallytake place anywhere racism exists. I took a risk writing the story and a risk doing this song and I don’t claim to have it well…. But just taking the chance made it worthwhile for me.
-Steve Earle (steveearle.net)

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