“I wanted to make a record that sounded like a continous piece”
– Paul Weller
This is in my top three of Paul Weller’s solo albums, all tracks are good to great and it has a really appealing urgency. He sounds eager and inspired on this album. It is a great rock record, with a few mellow bits (and a fantastic funk song).
Continue reading “October 11: Paul Weller released As Is Now in 2005”
“All Mod Cons, released to wide acclaim in 1978, firmly cemented the group’s rise to extraordinary heights. Indeed, for many it was the first essential Jam album and listening to it now its impact has not diminished over time.”
When I think about English records I think of The Kinks’ The Village Green Preservation Society, The Smiths’ The Queen is Dead, The Who’s Quadrophenia and The Jam’s All Mod Cons. To me all those albums are quintessential English.
All of them are fantastic albums.
All Mod Cons:
||3 November 1978
||4 July 1978 to
17 August 1978RAK (Upper London) and Eden Studios
||Punk rock, Mod Revival, Power pop
It’s their third full-length LP. It took it’s title from a British idiom one might find in housing advertisements, is short for “all modern conveniences” and is a pun on the band’s association with the mod revival as well. Of Course it is also Paul Weller’s view on the music business as a ‘con’.
Continue reading “November 3: The Jam released All Mod Cons in 1978”
This Is the Modern World is the second studio album by British band The Jam, released in November 1977, less than seven months after their debut. The front cover photography was by Gered Mankowitz.
Despite some contemporary reviewers feeling the record was rushed to capitalise on the success of In the City, the Record Mirror’s Barry Cain wrote that:
“This Is The Modern World reflects a definite PROGRESSION (remember that?) a definite identity mould. Here Weller is making an obvious attempt at creating a Jam SOUND. He succeeds. Brilliantly”.
Continue reading “Nov 18: This is the Modern World by The Jam was released in 1977”