Great Album

September 15: John Coltrane Recorded Blue Train in 1957

Posted on by Egil Mosbron

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[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Without reservation, Blue Train can easily be considered in and among the most important and influential entries not only of John Coltrane’s career, but of the entire genre of jazz music as well.
~Lindsay Planer (allmusic.com)

“Blue Train” is the best thing that could have possibly come out of Coltrane’s first attempt at leading and composing his own group. His later works such as “Giant Steps” and “A Love Supreme” may be well-known, but this album is on the same scale if not greater considering his inexperience as a leader and a composer. Its influence on jazz is extraordinary. This band’s and this album’s sound is different from most of jazz and revolutionary and the title track is commonly used as an audition piece. Highly recommended for anyone who even remotely likes jazz.
~Sputnik Music[/vc_message][/vc_column][/vc_row]

Blue Train (title track):

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August 28: Marvin Gaye released “Let’s Get It On” in 1973

Posted on by Egil Mosbron

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Post-Al Green What’s Going On, which means it’s about fucking rather than the human condition, thank the wholly holey. Gaye is still basically a singles artist, and the title track, as much a masterpiece as “Inner City Blues,” dominates in a way “I’m Still in Love with You,” say, doesn’t. Then again, it’s an even better song, and this album prolongs its seductive groove to an appropriate thirty minutes plus
~Robert Christgau (Consumer Guide Reviews)

On this album, Gaye meditated on the gap between sex and love and how to reconcile them – an adult version of the Motown tunes he had built his career on. It’s some of the most gorgeous music he ever made, resplendent with sweet strings and his clear-throated crooning.
~rollingstone.com[/vc_message][/vc_column][/vc_row]

Let’s Get It On:

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August 24: Drive-By Truckers released The Dirty South in 2004

Posted on by Egil Mosbron

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[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]You can throw me in the Colbert County jailhouse.
You can throw me off the Wilson Dam
but there ain’t much difference in the man I wanna be and the man I really am.

We ain’t never gonna change.[/vc_message][/vc_column][/vc_row]

The Dirty South is the fifth album by Alabamian alternative country/Southern rock group Drive-By Truckers, released in 2004. The Dirty South is Drive-By Truckers’ third concept album. Like its two predecessors, the album examines the state of the South, and unveils the hypocrisy, irony, and tragedy that continues to exist.

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August 24: Kris Kristofferson released The Austin Sessions in 1999

Posted on by Egil Mosbron

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[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Freedom’s just another word for nothin’ left to lose,
And nothin’ ain’t worth nothin’ but it’s free,
Feelin’ good was easy, Lord, when Bobby sang the blues,
And buddy, that was good enough for me,
Good enough for me and my Bobby McGee.[/vc_message][/vc_column][/vc_row]

For us this album contains ultimate versions of many of Kris’s best songs. Not many music writers seems to agree… too bad, because if you really listen to this album you will get it. This is the way these songs are supposed to sound, stripped down and sung with all of his big heart & soul.

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August 18: Nick Cave and The Bad Seeds released Kicking Against The Pricks in 1986

Posted on by Egil Mosbron

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[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]“And he said, Who art thou, Lord? And the Lord said, I am Jesus whom thou persecutest: it is hard for thee to kick against the pricks” 
– Acts 9:5[/vc_message][/vc_column][/vc_row]

Kicking Against the Pricks is the third album released by Nick Cave and the Bad Seeds. First released in 1986, the album is a collection of cover versions. Like many of our favorite artists (Dylan, Springsteen), Nick Cave dove into “the great songbook from the past” and gave us an album that really stood out in 1986. It wasn’t country, and it most certainly did not fit that new-wave look of Nick Cave and The Bad Seed. They play the songs in a straightforward way, not trying to modernize or make them more rock’n roll. This album was very important in my journey back to traditional folk music and blues standards.

It still stands up very well, and is one of my favorite Nick Cave and The Bad Seeds albums.

The Singer (made famous by Johnny Cash):

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August 14: The Who released “Who’s Next” in 1971

Posted on by Egil Mosbron

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[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]With its acoustic guitars and drumless bits, this triumph of hard rock is no more a pure hard rock album than Tommy. … And… it uses the synthesizer to vary the power trio format, not to art things up.
~Robert Christgau

On Who’s Next, the band crossed that line with power and grace. The album spawned the concert classics “Baba O’Riley” and “Won’t Get Fooled Again”; the great Daltrey vocal vehicles “Bargain” and “Song Is Over”; Entwistle’s scorching, anxiety-ridden “My Wife”; and Townshend’s most delicate song on record, “Behind Blue Eyes.” On Who’s Next, Townshend unleashed the power of the synthesizer as a rock & roll instrument, to be used like guitar or bass rather than as a special-effects novelty.
~The New Rolling Stone Album Guide (rollingstone.com)[/vc_message][/vc_column][/vc_row]

#9 – Won’t Get Fooled Again:

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