Said she hadn’t heard the news
Hadn’t had the time to choose
A way to lose
But she believes.
Going to see the river man
Going to tell him all I can
About the plan
For lilac time.
Nick Drake’s debut album is as gentle as the singer-songwriter himself. Sensitively plucked acoustic guitar and pensive lyrics make for a deeply resonant, emotionally effecting album. At turns haunting (‘River Man’) and quietly confident (‘Cello Song’), it’s Brit folk at its best.
-NME: 20 best folk music albums of all time
For many back in the early ’60s, this was their first exposure to live recorded blues, and it’s still pretty damn impressive some 40-plus years down the line. Muddy, with a band featuring Otis Spann, James Cotton, and guitarist Pat Hare, lays it down tough and cool with a set that literally had ’em dancing in the aisles by the set closer, a rippling version of “Got My Mojo Working,” reprised again in a short encore version.
~Cub Koda (allmusic.com)
A stomping live document of the period when Waters’ Chicago blues started reaching a wider pop audience. Newport has his classics – “Hoochie Coochie Man,” a torrid “Got My Mojo Working” – delivered by a tough, tight band anchored by harp genius James Cotton.
It may not have been a commercial blockbuster, but it certainly earned the respect of legions of musicians and critics who would have previously disdained such a punk rocker. And, perhaps, that’s also the reason that he abandoned this immaculately crafted style of work on his next album, Punch the Clock.
-Stephen Thomas Erlewine (allmusic.com)
Elvis Costello’s Imperial Bedroom is really a mansion, each of whose rooms is decorated with painstaking care and detail by the artist. In every aspect of this masterfully wrought, conceptually audacious project, he’s managed to bulwark his emotional directness with vision and clarity — and to make an album that lingers and haunts long after the last note has died out. Like a long, episodic novel — or a long, episodic relationship — you can look back when it’s over and measure how far you’ve traveled.
-Parke Puterbaugh (rollingstone.com)
This album was recorded in approximately two weeks. There are people who will work their lives away in vain and not touch it.
Bob Dylan contributed “I Shall Be Released” and co-wrote two other tunes. But it was the rustic beauty of the Band’s music and the drama of their own reflections on family and obligations, on songs such as “The Weight,” that made Big Pink an instant homespun classic.
Over time, Music from Big Pink came to be regarded as a watershed work in the history of rock, one that introduced new tones and approaches to the constantly evolving genre.
..the debut album from the Band made roots music sound as impressionistic and idiosyncratic as any other kind of rock’n’roll. It was revolutionary.
Distinctive wail…fat-toned style. Sheer propulsive power…Cotton can drive a song with his harp, squeezing out a flurry of notes. His true genius is his ability to select the perfect note. Cotton is a virtuoso of the blues.
– Blues Revue
Cotton is a key link on the chain of great blues harmonica players – Sonny Boy Williamson, Little Walter, Junior Wells. Sometimes he out-rocks the Rolling Stones.
– Chicago Tribune
James Cotton – Slow Blues (Angel Of Mercy / Blues in my sleep):