Ground Control to Major Tom
Ground Control to Major Tom
Take your protein pills and put your helmet on
Ground Control to Major Tom (ten, nine, eight, seven, six)
Commencing countdown, engines on (five, four, three)
Check ignition and may God’s love be with you (two, one, liftoff)
…Finally, he teamed up with Elton John producer Gus Dudgeon to create “Space Oddity,” a song he’d been fiddling with all year. The folk ballad about astronaut Major Tom getting stranded in space was rushed out by his label to coincide with the launch of the Apollo 11 moon landing, and the BBC played the song during the coverage of the event. “In England, it was always presumed that it was written about the space landing, because it kind of came to prominence around the same time. But it actually wasn’t,” he told Performing Songwriter. “It was written because of going to see the film 2001, which I found amazing.
We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)
A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.
In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.
The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.
…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.
The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”
– Tom Ewing, Pitchfork
Few if any figures in blues loom as large as Howlin’ Wolf, yet there’s been a sad lack of footage of this staggering man. This director’s cut from the When the Sun Goes Down-The Secret History of Rock & Roll series is packed with never-before-seen live footage, rare Shindig footage presented by Mick Jagger and Brian Jones, interviews with bandmates and family and more. An absolute must for music-history and blues fans.
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known as Howlin’ Wolf, was a Chicago blues singer, guitarist, and harmonica player, originally from Mississippi. With a booming voice and imposing physical presence, he is one of the best-known Chicago blues artists. The musician and critic Cub Koda noted, “no one could match Howlin’ Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.” Producer Sam Phillips recalled, “When I heard Howlin’ Wolf, I said, ‘This is for me. This is where the soul of man never dies.'” Several of his songs, including “Smokestack Lightnin'”, “Killing Floor” and “Spoonful”, have become blues and blues rock standards. In 2011, Rolling Stone magazine ranked him number 54 on its list of the “100 Greatest Artists of All Time”.
We like cover versions here at Borntolisten.com, and here are some really great examples. They are not better than the originals, but they are different and they are good.
Rachael Sage & Judy Collins perform Neil Young’s Helpless. As appearing on Rachael Sage’s album Blue Roses and Judy Collins’ collection The Very Best of Judy Collins . Filmed at Steinway Hall in New York City:
The Stones were back on stage for what was their biggest show in the UK since the Hyde Park concert of 1969 in August 1976, and it was in front of their biggest paying crowd ever…somewhere between 150,000 and 200,000 people.
One of the highlights for me was the performance of Willie Dixon’s Little Red Rooster, Rolling Stones does a version that is very close to Howling Wolf’s interpretation of the song. Slow and heavy Chicago blues with a fantastic groove.
Ringo was a star in his own right in Liverpool before we even met. Ringo was a professional drummer who sang and performed and was in one of the top groups in Britain, but especially in Liverpool. So Ringo’s talent would have come out one way or the other … whatever that spark is in Ringo, we all know it but can’t put our finger on it. Whether it’s acting, drumming, or singing, I don’t know. There’s something in him that is projectable and he would have surfaced as an individual … Ringo is a damn good drummer.
~John Lennon (Sept 1980)
Beatles accept award Rock and Roll Hall of Fame inductions 1988: