[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]..nothing short of amazing. The performance is dead-on, and the vocals are way up front in your face. The recording is perfect digital quality right off of the soundboard. The show itself is among the best of the tour, and the song line-up is a taper’s dream..
~bobsboots.com
..in near perfect quality and showcasing a focused, “biting” Dylan peformance that simply sizzles. The opening number sets the table nicely, with a rough and tumble vocal and lengthy harp fills that indicate Bob is in a lively mood on this night. The line recording catches every little nuance and inflection with startling clarity.
~from “Deep Beneath The Waves”[/vc_message][/vc_column][/vc_row]
Great Woods Performing Arts Center
Mansfield, Massachusetts
12 September 1993
Bob Dylan (vocal & guitar)
Bucky Baxter (pedal steel guitar & electric slide guitar)
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]You hear sometimes about the glamour of the road, but you get over that real fast. There are a lot of times that it’s no different from going to work in the morning. Still, you’re either a player or you’re not a player. It didn’t really occur to me until we did those shows with the Grateful Dead [in 1987]. If you just go out every three years or so, like I was doing for a while, that’s when you lose touch. If you are going to be a performer, you’ve got to give it your all.”
-Bob Dylan (to Robert Hilburn, November 1991)[/vc_message][/vc_column][/vc_row]
Facts from Wikipedia:
Start date
January 28, 1991
End date
November 20, 1991
Legs
6
No. of shows
33 in Europe
59 in North America
9 in South America 101 in Total
Hall 3
Scottish Exhibition And Conference Center
Glasgow, Scotland
3 February 1991
Bob Dylan (vocal & guitar)
John Jackson (guitar)
Tony Garnier (bass)
Ian Wallace (drums)
Positively 4th Street
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]You’ve got a lotta nerve to say you are my friend
When I was down you just stood there grinnin'[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Well, I’m caught one more time
Up on Cyprus Avenue
Caught one more time
Up on Cyprus Avenue[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]” ‘Love & Theft’ is not an album I’ve recorded to please myself. If I really wanted to that, I would have recorded some Charley Patton songs.”
~Bob Dylan
“All the songs are variations on the 12-bar theme and blues-based melodies. The music here is an electronic grid, the lyrics being the substructure that holds it all together. The songs themselves don’t have any genetic history. Is it like Time Out Of Mind, or Oh Mercy, or Blood On The Tracks, or whatever? Probably not. I think of it more as a greatest hits album, Volume 1 or Volume 2. Without the hits; not yet, anyway”
~Bob Dylan (“Love & Theft” press release, June 2001)
The old Chess records, the Sun records. . . I think that’s my favorite sound for a record . . . I like . . . the intensity The sound is uncluttered. There’s power and suspense. The whole vibration feels like it could be coming from inside your mind. It’s alive. It’s right there.
~Bob Dylan, to Bill Flanagan, 2009[/vc_message][/vc_column][/vc_row]
High Water (for Charley Patton):
High water risin’—risin’ night and day
All the gold and silver are bein’ stolen away
Big Joe Turner lookin’ east and west
From the dark room of his mind
He made it to Kansas City
Twelfth Street and Vine
Nothin’ standing there
High water everywhere
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]So a long time ago I said that I didn’t want to be singing “She Loves You” when I’m 30. I said that when I was about 25 or something, which in a roundabout way meant that I wouldn’t be doing whatever I was doing then, you know. Well, I was 30 last October, and that’s about when my life changed, really.
-John Lennon[/vc_message][/vc_column][/vc_row]
John Lennon and Yoko Ono made their first appearance on The Dick Cavett show on September 11, 1971 to present their new work. They do small-talk and jokes around. They discuss John Lennon’s evolving career. It is mostly a PR-job: showing some film clips and Yoko plays a track from the album Fly. Continue reading “September 11: John Lennon and Yoko Ono on the Dick Cavett Show 1971”→
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]People can learn everything about me through my songs, if they know where to look. They can juxtapose them with certain other songs and draw a clear picture. But why would anyone want to know about me? It’s ridiculous.
-Bob Dylan (to Edna Gundersen on August 31, 1990 in Lincoln, Nebraska)[/vc_message][/vc_column][/vc_row]
Facts from Wikipedia:
Start date
January 12, 1990
End date
November 18, 1990
Legs
5
No. of shows
72 in North America
2 in South America
19 in Europe 93 in Total
LEG 1: The Never Ending Tour 1990 started off with a tour called the Fastbreak tour where Dylan performed in the United States, Brazil, France and England in less than thirty days. This tour started off with a one-off performance at Toad’s Place in New Haven Connecticut. Dylan performed four sets that evening and performed a total of fifty songs; this was also the longest of Dylan’s concerts to date. During the tour Dylan also performed four concerts in Paris, France and six sold out concerts at the Hammersmith Apollo in London, England.
LEG 2: On May 29, Dylan started a sixteen date tour of Canada and the United States, ten of the concerts took place in Canada.
LEG 3: After finishing his short North American tour Dylan embarked on an even shorter European tour. This tour only comprised nine concerts, several of which were major concert appearances, including the Roskilde Festival in Denmark, Rock Werchter in Belgium and the Montreux Jazz Festival in Switzerland.
LEG 4: Dylan returned to North America to perform a twenty-three date late summer tour of the United States and Canada including several appearances at state fairs. The tour started on August 12 in Edmonton, Alberta, Canada and came to an end a month later on September 12 in Mesa, Arizona. Dylan performed in a total of twenty cities in fourteen states and providences.
LEG 5: Dylan started his final tour of the year on October 11 in Brookville, New York. This tour consisted of thirty concerts in the United States.
Le Grand Rex
Paris, France
30 January 1990
Bob Dylan (vocal & guitar)
G. E. Smith (guitar)
Tony Garnier (bass)
Christopher Parker (drums)
Where Teardrops Fall
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Far away where the soft winds blow
Far away from it all
There is a place you go
Where teardrops fall[/vc_message][/vc_column][/vc_row]