[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]As a precursor of things to come, Winston Watson is the sole beatmaster tonight. Watson does not attempt anything too ambitious, although Dylan does attempt “Pretty Peggy-0” and “Queen Jane Approximately” to test his mettle.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)[/vc_message][/vc_column][/vc_row]
Broome County Forum
Binghamton, New York
12 October 1992
Bob Dylan (vocal & guitar)
Bucky Baxter (pedal steel guitar & electric slide guitar)
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]You don’t need anybody to tell you who you are or what you are. You are what you are!
~John Lennon
From the Liverpool docks to the red light Hamburg streets
Down in the quarry with the Quarrymen.
Playing to the big crowds
Playing to the cheap seats
Another day in your life on your way to your journey’s end
Shine your light, move it on, you burn so bright, roll on John
~Bob Dylan
“Life is what happens to you while you’re busy making other plans.”
― John Lennon[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Well, I’m stranded in the city that never sleeps
Some of these women they just give me the creeps
I’m avoidin’ the Southside the best I can
These memories I got, they can strangle a man[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]This album sort of wrote itself. It was bigger than me and faster than me and so it took me awhile to get a handle on what it was about. Basically, it comes down to stuff I care about. That’s where the title comes from.
-Steve Earle (steveearle.net)[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”].. the album kicks off with a tremendous one-two punch, the rousing acoustic ballad “Christmas in Washington” and “Taneytown,” a harrowing story of race and violence backed with gale-force electric guitars. El Corazón is also a good bit more eclectic than much of Earle’s previous work, dipping into bluegrass (“You Know the Rest,” featuring backing from the Del McCoury Band), old-school country (“The Other Side of Town”), hard rock (“N.Y.C.,” co-starring the Supersuckers, and “Here I Am”), and vintage R&B (“Telephone Road”). As its title suggests, El Corazón often deals with matters of the heart, expressed with particular eloquence on “Poison Lovers” and “If You Fall,” though the song’s most emotionally resonant moment comes with its closing song, “Ft. Worth Blues,” a moving farewell to Earle’s longtime friend and mentor Townes Van Zandt.
-Mark Deming (allmusic.com)[/vc_message][/vc_column][/vc_row]
Great album, one of Earle’s best!
It’s a mix of country, folk, rock, soul, pain, redemption and politics. What a magnificent brew it is ! Truly remarkable.
Taneytown (live, Sidney, 2013):
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]This song, which is graced with Emmylou Harris singing backup, is told from the point of view of a 22 year old retarded black man. I also wrote it in the form of a short story that will be in my book. Taneytown is a real place – you can see it on maps of The Battle Of Gettysburg – but it (the story) could reallytake place anywhere racism exists. I took a risk writing the story and a risk doing this song and I don’t claim to have it well…. But just taking the chance made it worthwhile for me.
-Steve Earle (steveearle.net)[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Seen the arrow on the doorpost
Saying, “This land is condemned
All the way from New Orleans
To Jerusalem”
I traveled through East Texas
Where many martyrs fell
And I know no one can sing the blues
Like Blind Willie McTell[/vc_message][/vc_column][/vc_row]
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Then, in October 1987, playing Locarno. Switzerland, “and Tom Petty’s band and the female singers he now says he used to hide behind, Dylan had his breakthrough. It was an outdoor show – he remembers the fog and the wind – and as he stepped to the mike, a line came into his head. “It’s almost like I heard it as a voice. It wasn’t like it was even me thinking it. I’m determined to stand, whether God will deliver me or not. And all of a sudden everything just exploded. It exploded every which way. And I noticed that all the people out there – I was used to them looking at the girl singers, they were good-looking girls, you know? And like I say, I had them up there so I wouldn’t feel so bad. But when that happened, nobody was looking at the girls anymore. They were looking at the main mike. After that is when I sort of knew: I’ve got to go out and play these songs. That’s just what I must do … He’s been at it ever since.
~From “Dylan Lives” Newsweek 1997 cover story (David Gates)[/vc_message][/vc_column][/vc_row]
Piazza Grande
Locarno, Switzerland
5 October 1987
Bob Dylan (vocal & guitar) with Tom Petty & The Heartbreakers.
Tom Petty (guitar)
Mike Campbell (guitar)
Benmont Tench (keyboards)
Howie Epstein (bass)
Stan Lynch (drums)
and with The Queens Of Rhythm: Carolyn Dennis, Queen Esther Marrow, Madelyn Quebec (backing vocals)
