Great song: John The Revelator

The Best Songs: John The Revelator

The Revelation of Jesus Christ, which God gave unto him, to shew unto his servants things which must shortly come to pass; and he sent and signified it by his angel unto his servant John: Who bare record of the word of God, and of the testimony of Jesus Christ, and of all things that he saw. Blessed is he that readeth, and they that hear the words of this prophecy, and keep those things which are written therein: for the time is at hand.
– Revelation 1:1-3

John the Revelator is a traditional gospel blues call and response song.  Music critic Thomas Ward describes it as “one of the most powerful songs in all of pre-war acoustic music … [which] has been hugely influential to blues performers”. Blind Willie Johnson recorded John the Revelator in 1929 (or 1930) and is the first known recording (at least to me) and subsequently a variety of artists have recorded their renditions of the song, often with variations in the verses and music.

The song’s title refers to John of Patmos (or traditionally John the Apostle) in his role as the author of the Book of Revelation. A portion of that book focuses on the opening of seven seals and the resulting apocalyptic events. In its various versions, the song quotes several passages from the Bible in the tradition of American spirituals.

This is a dark and brooding masterpiece!

The Blind Willie Johnson version:

Blind Willie Johnson recorded the song on April 20, 1929 (or 1930) in Atlanta (his second (1929) or his fifth and final recording session for Columbia Records (1930)). He is accompanied by his first wife (probably), Willie B. Harris. Johnson was a gospel blues singer and guitarist. While the lyrics of his songs were usually religious, his music drew from both sacred and blues traditions. It is characterized by his slide guitar accompaniment and tenor voice, and his frequent use of a lower-register ‘growl’ or false bass voice.

Blind Willie Johnson – John The Revelator:

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5 more good new videos Feb 2016

We’ve collected some of the best new videos out at the end of February 2016, enjoy! We had so much fun hunting down these gems, it will hopefully be a returning series of posts.

Here is the first collection: Videos at the start of Feb 2016

Rod Picott and Ed Abiadi(?) – Tecumseh Valley by Townes Van Zandt (with a little bit of Stones’s Dead Flowers) live@1e35circa, Cantù (IT), 2016 feb. 22:

Grammy winner Jason Isbell performs a song off of his album “Something More Than Free on Colbert, If it takes a lifetime:

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Feb 21: Nina Simone was born in 1933

Jazz is a white term to define black people. My music is black classical music.
~Nina Simone

Once I understood Bach’s music, I wanted to be a concert pianist. Bach made me dedicate my life to music, and it was that teacher who introduced me to his world.
~Nina Simone

Nina Simone was one of the most gifted vocalists of her generation, and also one of the most eclectic.
~Mark Deming (allmusic.com)

Ain’t Got No…I’ve Got Life:

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Great performance: Freddie King – Ain’t no sunshine

Ain’t No Sunshine is a song by Bill Withers from his 1971 album Just As I Am, produced by Booker T. Jones. The record featured musicians Donald “Duck” Dunn on bass guitar, Al Jackson, Jr. on drums and Stephen Stills on guitar. String arrangements were done by Booker T. Jones, and recorded in Memphis by engineer Terry Manning.

The song was released as a single in September 1971, becoming a breakthrough hit for Withers, reaching number six on the U.S. R&B Chart and number three on the Billboard Hot 100 chart. Billboard ranked it as the No. 23 song for 1971.

Freddie King (September 3, 1934 – December 28, 1976) was an influential American blues guitarist and singer. He is often mentioned as one of “the Three Kings” of electric blues guitar along with Albert King and B.B. King.

Freddie King based his guitar style on Texas and Chicago influences and was one of the first bluesmen to have a multi-racial backing band at live performances.

Freddie King recorded Ain’t No Sunshine on his 1972 album, Texas Cannonball (re-released in its entirety on King of the blues in 1995)

texas cannonball

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5 good new video clips Feb 2016

We’ve collected some of the best new videos out at the start of February 2016, enjoy! We had so much fun hunting down these gems, it will hopefully be a returning series of posts.

Lucinda Williams – The Ghosts of Highway 20 (Nic Harcourt’s TRANSMISSIONS):

John Prine with Amanda Shires, Jason Isbell – Unwed Fathers (one of my favourite Prine songs!):

Amy Helm – Good News:

John Moreland – Break My Heart Sweetly (live at Colbert)

Buddy Miller with Watkins Family Hour – All My Tears (Cayamo 2016 music cruise):

– Hallgeir

Documentary: Deep Blues – A Musical Pilgrimage to the Crossroads

Deep Blues: A Musical Pilgrimage to the Crossroads is a British documentary film, released in 1991, and made by music critic and author Robert Palmer and documentary film maker Robert Mugge, in collaboration with David A. Stewart and his brother John J. Stewart. The film provided insight into the location, cast and characteristics of Delta blues and North Mississippi hill country blues. Filming took place in 1990 in Memphis, Tennessee, and various North Mississippi counties. Theatrical release was in 1991 and home video release in the United Kingdom, the next year, as was a soundtrack album. A United States consumer edition came in 2000.

deep blues cover

Stewart initiated and financed the project, inspired by Palmer’s 1981 book of the same name. Palmer provided many of the insights into the background and history of the blues, as a guide to Stewart and the film narrator.

Documentary: Deep Blues – A Musical Pilgrimage to the Crossroads:

Musicians appearing in the film are: Roosevelt Barnes, R. L. Burnside, Jessie Mae Hemphill (with Napoleon Strickland amd Abe Young), Big Jack Johnson, Junior Kimbrough (with Little Joe Ayers and Calvin Jackson), Booker T. Laury, Jack Owens, Lonnie Pitchford, Bud Spires and Wade Walton, The film revitalized the recording career of some of the musicians.

– Hallgeir