January 17: Aretha Franklin released Soul ’69 in 1969

One of her most overlooked ’60s albums, on which she presented some of her jazziest material, despite the title. None of these cuts were significant hits, and none were Aretha originals; she displayed her characteristically eclectic taste in the choice of cover material, handling compositions by Percy Mayfield, Sam Cooke, Smokey Robinson, and, at the most pop-oriented end of her spectrum, John Hartford’s “Gentle on My Mind” and Bob Lind’s “Elusive Butterfly.”

Her vocals are consistently passionate and first-rate, though, as is the musicianship; besides contributions from the Muscle Shoals Rhythm Section, session players include respected jazzmen Kenny Burrell, Ron Carter, Grady Tate, David Newman, and Joe Zawinul.
– Richie Unterberger (allmusic) Continue reading “January 17: Aretha Franklin released Soul ’69 in 1969”

December 3: The Who released My Generation in 1965

 An explosive debut, and the hardest mod pop recorded by anyone. At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record. Pete Townshend’s exhilarating chord crunches and guitar distortions threaten to leap off the grooves on “My Generation” and “Out in the Street”; Keith Moon attacks the drums with a lightning, ruthless finesse throughout.
~Richie Unterberger (allmusic.com)

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November 16: Satan is Real by The Louvin Brothers was released in 1959

satan-is-real

The Louvin Brothers – Satan is Real

What is it about this album?
Why is it so important in the americana /country/gospel music canon?

Satan Is Real is a gospel album by American country music duo The Louvin Brothers.

Released November 16, 1959
Recorded August 8–10, 1958
Genre Country, Gospel
Length 31:54
Label Capitol
Producer Ken Nelson, John Johnson (Reissue)

The gospel/country duo Charlie and Ira Louvin was born and grew up in the Sand Mountain region of Alabama, they lived on a cotton farm south of the Appalachian Mountains, that’s where they developed their distinct harmony style in the deep Sacred Harp tradition of the Baptist church.

Ira Louvin died in a car wreck in 1965. Charlie Louvin died two years ago at 83 just a few months after publishing his story about The Louvin brothers.

In The recently published book, Satan is Real, the ballad of the Louvin Brothers, Charlie talks about their singing style.This is not a straight quote, but it goes something  like this:

…people who saw the Louvin Brothers perform were mystified by the experience. Ira was a full head taller than me, he played the mandolin like Bill Monroe and sang in an impossibly high, tense, quivering tenor. I(Charlie) strummed a guitar, grinned like a vaudevillian and handled the bottom register. But every so often, in the middle of a song, some hidden signal flashed and we switched places — with Ira swooping down from the heights, and me angling upward — and even the most careful listeners would lose track of which man was carrying the lead. This was more than close-harmony singing; each instance was an act of transubstantiation.

I could not find any live footage from Satan is real, but this clip of them singing, I don’t belive you’ve met my baby is a fine showcase for their intricate singing style:

“It baffled a lot of people,” Charlie Louvin explains in his fantastic memoir. “We could change in the middle of a word. Part of the reason we could do that was that we’d learned to have a good ear for other people’s voices when we sang Sacred Harp. But the other part is that we were brothers.”

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Great Album: Dylan LeBlanc – Cautionary Tale

“The easy way out
is a dangerous path
and no one knows it like I do”
– Dylan LeBlanc (Easy Way Out)

Dylan LeBlanc released his new record, Cautionary Tale, January 15 2016.

Shreveport artist Dylan LeBlanc is still only 25 years old, he was considered a wunderkind when he released his debut, Pauper Field, to much well deserved acclaim in 2010. It was a great album and the fall on the follow-up, Cast The Same Shadow in 2012, was hard. Not that the album was so terrible, but the expectations were so high.

He spent his formative years surrounded by some of the region’s finest musicians. His father, James LeBlanc, is a longtime Muscle Shoals session player and a fine singer, songwriter (and guitar player) in his own right.

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Jan 4: Van Morrison and Chieftains released Irish Heartbeat in 1988

Irish Heartbeat is the eighteenth studio album by Northern Irish singer-songwriter Van Morrison and is a collaboration with the traditional Irish musical group The Chieftains, released in 1988. The album was recorded at Windmill Lane Studios in Dublin, Ireland and reached number 18 in the UK album charts.

The album was recorded on dates from September to December 1987 and in January 1988. The Chieftains and Van Morrison had met years before at the Edinburgh rock festival. They joined up in Belfast during Morrison’s No Guru tour and afterwards, Morrison and Paddy Moloney discussed recording an album together during a walk. They each had a list of songs and reached a consensus to cover two of Morrison’s previously released tracks (the title track was one) and the rest from traditional Irish songs.

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Great Album: Jason Isbell – Something More Than Free

jason isbell something more than free

[about the album title]
It seemed to be a good point of reference for the sort of life that I have now. Freedom is a means to an end. Very often you hear people putting so much emphasis on having the freedom to choose, and living the lives that they want. And I understand that I have been very fortunate to be born into certain circumstances that allow me to do whatever I want to do, for the most part. But freedom can also be enough rope by which to hang yourself. I went through a long period of time where I didn’t have to answer to anybody, so I made a lot big mistakes: things that I don’t necessarily regret now — because I learned from them — but I overdosed on that freedom for a while. I think as you get older, if you mature and grow in the right way, then eventually you realize it’s not really freedom that you’re fighting for. It’s what that freedom can get you. It’s freedom combined with the ability to make good decisions and align your priorities correctly. The ability to make those decisions is a privilege that not everybody has.
~Jason Isbell (to Caitlin White – stereogum.com)

The Alabama-raised songwriter’s new collection, set to his trademark country-tinged soft rock, is populated with everyday snapshots from the modern South — from the young man fleeing his too-small hometown in “Speed Trap Town” to the law-defying South Carolinian telling a “bullshit story about the Civil War” on the murky blues rocker “Palmetto Rose.” On the latter, Isbell ponders hundreds of years of national history with conflicting shame and pride, before arriving at a very American conclusion: “I follow my own free will,” he sings, “and I take in my fill.” It’s a master class in songwriting from an artist who’s never sounded more confident.
~Jonathan Bernstein (rollingstone.com)

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