Bob Dylan film and tv appearances through the years

This is a fun post, a post with some of those moments that makes a “Bob Dylan film” worth watching. There’s no order here, just a listing of the clips I really like.

I have included films that had cinema distribution, not including straight documentaries (yet).

Some of the clips are great concert clips, some are cinematic milestones, some are just funny and some are Bob Dylan in theme and spirit, at least that’s what I think.

And I have included one TV clip, it was just so damn funny, I couldn’t leave it out!

By the way, James Mangold is making a new Bob Dylan film set during the period when he was poised to become folk music’s most important figure. Bob Dylan instead chose rock ‘n’ roll and traded his acoustic guitar for an amp and an electric guitar, it created a huge outcry. Jeff Rosen, Dylan’s longtime manager, is working on Dylan’s behalf with Mangold on the film, which they say has no title yet but has been referred to as Going Electric. We will have to update this post when the film is ready.

Ok, lets start

Rolling Thunder Revue: A Bob Dylan Story

I was thinking a bit about this one, “maybe I should have included Scorsese’s Rolling Thunder film, but isn’t it a documentary no matter how “dramatised” it is?” As you can see I decided it should be included, it is a documentary, kind of, and it is a made up story, kind of, with worldwide release on Netflix. And Netflix is the new cinema, right?

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Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese will be released on Criterion January 19 2021

New cover by F. Ron Miller
  • United States, 2019
  • 142 minutes
  • Black and White/Color
  • 1.85:1
  • English
  • Spine #1062

In 1975, in an America defined by both the self-mythologizing pomp of the upcoming bicentennial and ongoing sociopolitical turmoil, Bob Dylan and a band of troubadours—including luminaries such as Joan Baez, Allen Ginsberg, and Joni Mitchell—embarked on a now-legendary tour known as the Rolling Thunder Revue, a freewheeling variety show that was part traveling counterculture carnival, part spiritual pilgrimage.

Director Martin Scorsese blends behind-the-scenes archival footage, interviews, and narrative mischief, with a magician’s sleight of hand, into a zeitgeist-defining cultural record that is as much a concert “documentary” as it is a slippery, chimerical investigation into memory, time, truth, and illusion. At the center of it all is the magnetic Dylan, a sphinxlike philosopher-poet singing, with electrifying conviction, to the soul of an anxious nation.
–> Criterion.com

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