Johnny Cash

December 5: Johnny Cash played MSG, New York City in 1969

Posted on by Egil Mosbron

Johnny Cash at Madison Square Garden is an album by Johnny Cash that was recorded in December 1969 at Madison Square Garden in New York City, but which was not released until 2002 (making it his 86th album overall).

The album was recorded just 4 months after Cash’s seminal At San Quentin was released, which is probably why it was not released soon after its recording. As with all Cash live shows of this period, he was backed up by the Tennessee Three, which consisted of W.S. Holland, Marshall Grant and Bob Wooton. After the first 11 songs, Johnny Cash took a short break and the guests stepped up to the plate with their current hits. As if Johnny wasn’t enough, we get Carl Perkins and The Statler Brothers in tremendous form. The Carter Family was a standard part of the Johnny Cash Show, and it is a real treat hearing Mother Maybelle with her daughters. They also performs back up vocals on many of the songs.

As with most Cash shows, the genres covered ran the gamut from country music to rockabilly to even some folk rock. Similarly to “Johnny Cash At San Quentin”, Johnny Cash at Madison Square Garden includes numbers performed by Perkins, the Statlers and the Carters while Johnny was offstage.

It is an absolute must have for any Johnny Cash fan! I still wonder why Sony took 33 years to release this gem.

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The Gift: The Journey of Johnny Cash (Official Documentary)

Posted on by Hallgeir Olsen

“Redemption,” observes an off-camera Springsteen. “For Johnny, that was an enormous part of his whole career.” With “The Gift,” Cash’s 71-year reckoning with the wages of sin and salvation is put in eloquently humbling, myth-busting perspective.
– Los Angeles Times

YouTube Originals presents The Gift: The Journey of Johnny Cash. Johnny Cash stands among the giants of 20th century American life. But his story remains tangled in mystery and myth. This documentary, created with the full cooperation of the Cash estate and rich in recently discovered archival materials, brings Cash the man out from behind the legend.

Taking the remarkable Folsom Prison recording as a central motif and featuring interviews with family and celebrated collaborators, the film explores the artistic victories, the personal tragedies, the struggles with addiction, and the spiritual pursuits that colored Johnny Cash’s life.

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October 24: Bob Dylan – 10 great live versions of “One Too Many Mornings”

Posted on by Egil Mosbron

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The song ultimately benefited from two of the man’s best electric arrangements, on the highly charged 1966 and 1976 tours. On the latter tour it also acquired a brand-new coda that suggested faults on both sides: ‘You’ve no right to be here / And I’ve no right to stay / Until we’re both one too many mornings / And a thousand miles away.’ Its inclusion in the set, at a time when Dylan had reached much the same point in his relationship with wife Sara as he’d reached with Suze in October 1963, suggests its return to favour was no coincidence. Subsequent performances, which have tended to be (semi-)acoustic, suggest it is a song Dylan can plug his inspired self into at will, as anyone who caught performances at New York’s Beacon Theatre in October 1990, or at the second Supper Club show in 1993, can readily testify.
– Clinton Heylin – Revolution in the Air: The Songs of Bob Dylan, 1957-1973[/vc_message][/vc_column][/vc_row]

Recorded October 24, 1963 @ Studio A, Columbia Recording Studios, New York City, and released on his third studio album The Times They Are a-Changin’  January 13, 1964.

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Eat the document a Bob Dylan film 1972

Posted on by Hallgeir Olsen

I’ve always been waiting for an official release of Eat The Document. Now you can consider it as released. It’s more than a bootleg – here you can watch the film in a stunning quality: Very, very good picture quality and sound. …  Highlights of Eat The Document for me are the episode with Johnny Cash and the on stage performances – especially “Ballad Of A Thin Man”. This edition is a must have!
–> Review from DVDylan.com

Eat the Document is a documentary of Bob Dylan’s 1966 tour of the United Kingdom and Ireland with the Hawks.  It was shot under Dylan’s direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back chronicled Dylan’s 1965 British tour. The film was originally commissioned for the ABC television series ABC Stage 67. Continue reading “Eat the document a Bob Dylan film 1972” →

October 11: Johnny Cash with His Hot and Blue Guitar was released in 1957

Posted on by Hallgeir Olsen

“The first Sun Records artist to release an LP and what a debut it was. An instant pop up country star to go. The song-writing is mature already and they’re delivered with an infectious warmth in the vocal. A compelling listen and full of instant career standards like “I Walk The Line”, “Cry Cry Cry” and “Folsom Prison Blues”.”
– The Jukebox Rebel

Johnny Cash with His Hot and Blue Guitar! is the debut album by Johnny Cash, released on October 11 (wikipedia says October 14, but other sources says October 11), 1957. The album contained four of his hit singles: “I Walk the Line,” “Cry! Cry! Cry!,” “So Doggone Lonesome,” and “Folsom Prison Blues.” It was re-issued on July 23, 2002 as an expanded edition, under the label Varese Vintage, containing five bonus tracks, three being alternate versions of tracks already present on the original LP.

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Johnny Cash and June Carter Cash – It Ain’t Me, Babe – The Best Dylan Covers

Posted on by Hallgeir Olsen

Johnny Cash and June Carter Cash – It Ain’t Me, Babe – The Best Dylan Covers

 

“You say you’re looking for someone
Never weak but always strong
To protect you and defend you
Whether you are right or wrong
Someone to open each and every door
But it ain’t me, babe”

 

It Ain’t Me Babe is a song by Bob Dylan that originally appeared on his fourth album Another Side of Bob Dylan, which was released in 1964. According to music critic Oliver Trager, this song, along with others on the album, marked a departure for Dylan as he began to explore the possibilities of language and deeper levels of the human experience.

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