1. (I Can’t Get No) Satisfaction (Jagger/Richards)
This raw classic cemented the Stones as the nasty anti-Beatles. .. Keith says the way they wrote the song became typical for how he and Mick collaborated. “I would say on a general scale, I would come up with the song and the basic idea,” Keith wrote, “and Mick would do all the hard work of filling it in and making it interesting.”
– Bill Janovitz (Rocks Off: 50 Tracks That Tell the Story of the Rolling Stones)
Built on the Stones’ greatest riff, “(I Can’t Get No) Satisfaction” near-singlehandedly turned “rock & roll” from a teenage fad into something far heavier and more dangerous.
More than anything else this fagged-out masterpiece is difficult–how else describe music that takes weeks to understand? Weary and complicated, barely afloat in its own drudgery, it rocks with extra power and concentration as a result.
~Robert Christgau (http://www.robertchristgau.com)
..It’s the kind of record that’s gripping on the very first listen, but each subsequent listen reveals something new. Few other albums, let alone double albums, have been so rich and masterful as Exile on Main St., and it stands not only as one of the Stones’ best records, but sets a remarkably high standard for all of hard rock.
~Stephen Thomas Erlewine (allmusic.com)
..king of all post-war blues harpists,…. The fiery harmonica wizard took the humble mouth organ in dazzling amplified directions that were unimaginable prior to his ascendancy.
~Bill Dahl (allmusic.com)
Induction of Little Walter into R&R Hall of Fame in 2008: