June 10: The late great Howlin Wolf was born in 1910

Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known as Howlin’ Wolf, was an influential American blues singer, guitarist and harmonica player.

With a booming voice and looming physical presence, Burnett is commonly ranked among the leading performers in electric blues; musician and critic Cub Koda declared, “no one could match Howlin’ Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.” A number of songs written or popularized by Burnett—such as “Smokestack Lightnin'”, “Back Door Man”, “Killing Floor” and “Spoonful”—have become blues and blues rock standards.

Allmusic:

“A Robert Johnson may have possessed more lyrical insight, a Muddy Waters more dignity, and a B.B. King certainly more technical expertise, but no one could match him for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.”

Very fine documentary, The Howlin’ Wolf Story – The Secret History Of Rock and Roll (playlist with 8 videos):

Buddy Guy (to Rolling Stone Magazine):

“And he used to put on such a show. He would get down on the floor, crawl like a wolf and sing in that voice: “I’m a tail dragger.” He would do this boogie-woogie thing, around and around — like the kids used to do with the hula hoops, where you had to go around and around at your waist, to keep the hoop going. That was the kind of shit he was doing. I’d see that and think, “Man, there goes the Wolf.“”

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June 8: The Rolling Stones released Some Girls in 1978

Ain’t I rough enough
Ain’t I tough enough
Ain’t I rich enough
In love enough
Oooo, ooh please.

Stones-1978 1

Some Girls was released in 8 June 1978 and it was their first full album with Ronnie Wood. It’s a great album, up there with the best albums in their catalogue. They mixed in some new wave sounds, added a bit of disco and kept their soul, blues and country tinged rock’n roll. Released on the height of the punk and disco era, The Stones made this masterpiece of an album. Some Girls is very much a product of it’s time, but when Rolling Stones made a record that gave a nod to these “fads,” they did so with such anger and speed that the young people in 1978 must have been struck with envy. They certainly made an album that has stood the test of time and it’s a definitive Stones album.

The Rolling Stones prove time and again that they still have what it takes.

rolling-stones 1978 2

Here are all the songs live:

1. Miss You (Texas – 1978):

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June 8: Van Morrison: Too Long in Exile (1993)

too-long-in-exile

Too long in exile
Too long not singing my song
Too long in exile
Too long like a rolling stone
Too long in exile

I  love this album and I dig John Lee Hooker’s presence. Some wonderful songs & as always loads of interesting lyrics.

Released 8 June 1993
Recorded The Wool Hall Studios, Bath, England;
The Record Plant, Sausalito, California
Genre Rock
Length 77:04
Label Polydor
Producer Van Morrison

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June 5: Van Morrison released “Days Like This” in 1995

“Days Like This” was a delight, Van´s best album in years. Perhaps reflecting his romantic hook-up with Irish beauty-queen Michelle Rocca (his companion walking the dogs in the cover photo). Van sounded happier here than he´d been for decade..
-Andy Gill (The Ultimate Music Guide – Van Morrison)

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June 4: Bruce Springsteen released “Born in the U.S.A.” in 1984

Bruce Springsteen 1984

Imperceptible though the movement has been to many sensitive young people, Springsteen has evolved. In fact, this apparent retrenchment is his most rhythmically propulsive, vocally incisive, lyrically balanced, and commercially undeniable album. Even his compulsive studio habits work for him: the aural vibrancy of the thing reminds me like nothing in years that what teenagers loved about rock and roll wasn’t that it was catchy or even vibrant but that it just plain sounded good.
-Robert Christgau (robertchristgau.com)

But more than anything else, Born in the U.S.A. marked the first time that Springsteen’s characters really seemed to relish the fight and to have something to fight for. They were not defeated (“No Surrender”), and they had friendship (“Bobby Jean”) and family (“My Hometown”) to defend. The restless hero of “Dancing in the Dark” even pledged himself in the face of futility, and for Springsteen, that was a step. The “romantic young boys” of his first two albums, chastened by “the working life” encountered on his third, fourth, and fifth albums and having faced the despair of his sixth, were still alive on this, his seventh, with their sense of humor and their determination intact. Born in the U.S.A.was their apotheosis, the place where they renewed their commitment and where Springsteen remembered that he was a rock & roll star, which is how a vastly increased public was happy to treat him.
-William Ruhlmann (allmusic.com)

Born down in a dead mans town
The first kick I took was when I hit the ground
End up like a dog that’s been beat too much
Till you spend half your life just covering up

Born in the U.S.A., I was born in the U.S.A.
I was born in the U.S.A., born in the U.S.A.

Born in the USA – Live 1985:

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June 4: Johnny Cash released “Live at San Quentin” in 1969

 

June 4:  Johnny Cash Live at San Quentin was released in 1969

When I was little boy I was very interested in music, the radio and records. My father had a small  but very good record collection. Among the treasures in his collection was this album, Johnny Cash – Live at San Quentin. My father told me the story of the album, and I remember that the Norwegian broadcast company (yes there were only one channel at the time, early 70s) showed the actual concert. It was very late at night but my father woke me and I got to see this legendary show.   It marked me for life.

At San Quentin is the 31st overall album and a recording of a live concert given by Johnny Cash to the inmates of San Quentin State Prison. As well as being released on record the concert was filmed by Granada Television.

Wanted Man: (with great sound!):

The album was a follow-up to Cash’s previous live album, the critically acclaimed and commercially successful At Folsom Prison.
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