October 25: Electric Ladyland by The Jimi Hendrix Experience was released in 1968

hendrix-electric-ladyland

undoubtedly a rock album, albeit rock on the point of evolving into something else.
– David Stubbs

one of the greatest double-albums in rock.
– John Perry

Electric Ladyland is the third and final album of new material by the Jimi Hendrix Experience, released in October 1968 on Reprise Records. It is the only Hendrix studio album professionally produced under his supervision. It topped the Billboard 200 album chart for two weeks in November 1968.

Released October 25, 1968 (some sources says October 16…worth celebrating anyhow)
Recorded Olympic Studios, London and Record Plant Studios, New York, July and December 1967, January 1968, April–August 1968
Genre Psychedelic rock, blues rock, acid rock, hard rock
Length 75:47
Label Reprise, Track, Barclay, Polydor
Producer Jimi Hendrix

 

All along the watchtower, the best Dylan cover of all time!:

This is a perfect Hendrix album. It is poppy and funky and original at the same time, and what a great soul singer Hendrix was! I also think it is very inventive, sonically speaking. Jimi Hendrix really searched for “new sounds” on this record, he produced an album that has stood the test of time marvelously.

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Van Morrison: 9 Great versions of “Listen To The Lion”

And all my love come down
All my love come tumblin’ down
All my love come tumblin’ down
All my love come tumblin’ down
Oh, listen listen
To the lion
Oh, listen listen listen
To the lion…
Inside of me
Oh, oh, oh


“And all my love come tumbling down….” An 11-minute journey into music as a distillation of spirit, as Morrison searches his “very soul” for the lion “inside of me”. The music is as delicate as breath on a window pane, looking out on a vision of hope and redemption. Van’s voice scats, breathes, roars, lilts and sways before finally dissolving in a rapturous journey into glossolalia. “And we sailed and we sailed….”
~The Telegraph

Listen To The Lion” is one of my favorite Van Morrison songs. Here are 9 different versions.

Wikipedia:

Listen to the Lion” is a song featured on Northern Irish singer-songwriter Van Morrison’s sixth album, Saint Dominic’s Preview (1972). Its poetic musings and “bass-led shuffle” lead back to Astral Weeks territory.

Released July 1972
Recorded Spring/Summer 1971, Columbia Studios, San Francisco
Genre Folk rock, R&B
Length 11:08
Label Warner Bros. Records
Writer Van Morrison
Composer Van Morrison
Producer Ted Templeman, Van Morrison

..but arguably the best due to Van’s most amazing vocal performance ever. The song is an 11:08 minute soul journey into finding and following your inner voice amid crashing piano, cascading acoustic guitar, and strumming mandolin. That alone makes it a good song, but what takes it to best of all time level is at about the five minute mark Van stops singing words and starts scatting non-stop for the next 3 minutes. He growls, wails, roars, and howls as if possessed and wrestling with the lion inside. After these vocal fireworks the exhausted Van finishes the song barely whispering about sailing on a journey to mystical Caledonia. A fascinating, one of a kind song.
~theframjak (hubpages.com)

Van-Morrison-Saint-Dominic-s-Preview-1972

Album version:

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October 23: The Jimi Hendrix Experience Recorded “Hey Joe” In London 1966

On October 23rd, 1966, Hendrix, Redding and Mitchell entered London’s De Lane Lea studios to record a soulful cover of Billy Roberts’ folk-rock standard “Hey Joe” with manager Chas Chandler producing. Released seven weeks later as a single, the recording – which would be included on the U.S. version of Are You Experienced – climbed all the way to Number Six on the U.K. charts, establishing Hendrix as a rising star in Britain and Europe. Incredibly, Hendrix had only just arrived in London on September 24th, hooked up with Redding on the 29th, and auditioned Mitchell on October 4th.
rollingstone.com

Folk rock singer Tim Rose’s slower version of the song (recorded in 1966 and claimed to be Rose’s arrangement of a wholly traditional song) inspired the first single by The Jimi Hendrix Experience.

The ex-bassist for The Animals, Chas Chandler, who was now focusing on managing other acts, had also seen Rose performing the song at the Cafe Wha? in New York City and was looking for an artist to record a rock version of “Hey Joe”. Chandler discovered Jimi Hendrix, who had also been playing at the Cafe Wha? in 1966 and performing an arrangement of “Hey Joe” inspired by Rose’s rendition. Chandler decided to take Hendrix with him to England in September 1966, where he would subsequently turn the guitarist into a star. Tim Rose re-recorded “Hey Joe” in the 1990s, re-titling it “Blue Steel .44” and again claimed the song as his own arrangement of a traditional song.

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October 20: David Bowie @ Santa Monica Civic Auditorium in 1972 (audio)

david-bowie-santa-monica-1972

Steve Martin here, backstage at the Santa Monica Civic Auditorium. It’s a cool night in Los Angeles, and as you may know or not know, the Santa Monica Civic is about a hundred yards from the beach so we have a cool breeze blowing off the ocean through the stage at our backs. The auditorium is packed, as a matter of fact, for the first David Bowie concert in the Los Angeles area. There will be one more tomorrow night, this is the concert tonight which will be recorded by RCA for the next David Bowie album and we expect to hear some new material by this British superstar. David and his group, the Spiders From Mars will enter from the other side of the stage. The auditorium is completely blacked out except for flashing strobe lights. Now the entrance music will be the Ode, or should I say the Ode To Joy which is featured in the movie Clockwork Orange and the house lights are starting to dim… here’s David Bowie.

Intro & Hang On To Yourself:

Ziggy played guitar, jamming good with weird and gilly
And the spiders from mars. he played it left hand
But made it too far
Became the special man, then we were ziggy’s band

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Classic Bootleg: The Offender Meets the Pretender (Warren Zevon with Jackson Browne)

The Offender Meets the Pretender is a widely-bootlegged Dutch radio program featuring songs by, and interviews with, Warren Zevon alongside his friend and colleague Jackson Browne. The recordings are from Zevon’s first tour in 1976/77, shortly after the release of his self-titled second album, which included guest appearances in the middle of Jackson Browne’s concerts.
Warren Zevon Wiki

  • Live at the VPRO Studios, Hilversum, the Netherlands; December 8, 1976
  • Live at RAI Congrescentrum, Amsterdam, the Netherlands; December 9, 1976

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