Ian Scott Anderson, MBE (born 10 August 1947) is a singer, songwriter and multi-instrumentalist, best known for his work as the leader and flautist of British rock band Jethro Tull.
We honor him today with two fine versions of Aqualung, happy birthday Mr. Anderson!
Anderson plays several other musical instruments, including keyboards, bass guitar, bouzouki, balalaika, saxophone, harmonica, and a variety of whistles. His solo work begin with the 1983 album Walk into Light, and since then he released another five works, including the sequel of Jethro Tull albumThick as a Brick (1972) in 2012, entitled TAAB2: Whatever happened to Gerald Bostock.
Honestly, this may be the best Van recording I’ve heard, not withstanding its slightly wonky mix of vocals, its beauty is in the fun that Morrison and his band are having. A fantastic recording, a great night.
-Stuart @ collectorsmusicreviews.com
My New World Crystal Ball
Lion’s Share, San Anselmo, CA; August 8, 1971.
Backing Vocals – Ellen Schroer, Janet Planet, Martha Velez
… When I was 12 years old, or however old I was when Bringing It All Back Home came out, I’d just skip back and forth endlessly between ‘Subterranean Homesick Blues’ and ‘It’s Alright, Ma’ and ‘Mr. Tambourine Man,’ and now my Dylan roots are showing big time.
— Rodney Crowell
Rodney Crowell & Emmylou Harris – Shelter From The Storm (live 2006)
August 7, 1950 (age 68)
Houston, Texas United States
Warner Bros., Columbia, MCA, Sugar Hill, Epic, Yep Roc
Rosanne Cash, Emmylou Harris, The Notorious Cherry Bombs, Los Super Seven
From my perspective, there are better sound-quality boots out there (Live In Montreux, for example), but no Van boot I have — and I have more than a few — so integrates solid sound with a stunning performance: Live In Montreux comes close, but at 150+ minutes, Pagan is the winer. This boot is so good, so valued, that much like the ancestral heir loom one only wears on special occasions, I listen to Pagan Streams infrequently. If I listened to it too often, I would quit my job, leave my wife and dog, and sell my soul to attend every one of the Man’s concerts. I know it took me a while to track this boot down, and all I can say is: if you can find it, buy it.
–Niall Connors (oocities.org)
The sound quality of this double CD is a very good audience recording. In fact it sounds a lot like a soundboard recording. There is some distortion in a few tracks but it isn’t a huge problem and is very listenable. Van actually “booted” some tracks from this boot for his Gloria CD single.
-Russell Parkinson (oocities.org)
Hudson was just as crucial to the very different sounds made in the Basement the year afterwards: especially since in large part it was Garth who tape-recorded those unique, informal sessions, and had the sense to look after, afterwards, all the dozens of unknown-about extra ones beyond those of immediate interest to Dylan’s music publisher, and which only began to circulate decades later.
Hudson was also the musicians’ musician—and actually gave the other Hawks music lessons—and when the Hawks became the Crackers became The Band, he was the multi-instrumentalist supreme in a group of multi-instrumentalists. If The Band introduced a small orchestra’s worth of olde worlde instruments to mainstream rock music, it was Hudson who had introduced many of them to The Band.
~Michael Gray (The Bob Dylan Encyclopedia)
Members of The Band Accept Rock and Roll Hall of Fame Award at 1994 Inductions:
There’s no way to measure his greatness or magnitude as a person or as a player. I don’t think eulogizing will do him justice. He was that great – much more than a superb musician with an uncanny ear and dexterity. He is the very spirit personified of whatever is Muddy River Country at its core and screams up into the spheres. He really had no equal. To me he wasn’t only a musician and friend, he was more like a big brother who taught and showed me more than he’ll ever know. There are a lot of spaces and advances between the Carter Family, Buddy Holly and, say, Ornette Coleman, a lot of universes, but he filled them all without being a member of any school. His playing was moody, awesome, sophisticated, hypnotic and subtle. There’s no way to convey the loss. It just digs down really deep.
~Bob Dylan (Jerry Garcia’s Obituary – 10 August 1995)
Bruce Hornsby inducts the Grateful Dead at the 1994 Hall of Fame Induction Ceremony: