Month: September 2020

Van Morrison, David Bowie, Eddie Vedder sings “Comfortably Numb” – Happy Birthday Roger Waters

Posted on by Egil Mosbron
Eddie Vedder and Roger Waters

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Hello?
Is there anybody in there?
Just nod if you can hear me
Is there anyone home?[/vc_message][/vc_column][/vc_row]

George Roger Waters (born 6 September 1943) is an English songwriter, singer, bassist, and composer. In 1965, he co-founded the progressive rock band Pink Floyd. Waters initially served solely as the bassist, but following the departure of singer-songwriter Syd Barrett in 1968, he also became their lyricist, co-lead vocalist, and conceptual leader.

My favourite Roger Waters song is “Comfortably Numb”, in this post I’ve collected some great versions.

Continue reading “Van Morrison, David Bowie, Eddie Vedder sings “Comfortably Numb” – Happy Birthday Roger Waters” →

Bob Dylan, Elvis, The Rolling Stones and more cover Jimmy Reed (born September 6, 1925)

Posted on by Egil Mosbron

Mathis James Reed (September 6, 1925 – August 29, 1976) was an American blues musician and songwriter. His particular style of electric blues was popular with blues as well as non-blues audiences. Reed’s songs such as “Honest I Do” (1957), “Baby What You Want Me to Do” (1960), “Big Boss Man” (1961), and “Bright Lights, Big City” (1961) appeared on both Billboard magazine’s rhythm and blues and Hot 100 singles charts.

Here some great cover versions of the 3 songs mentioned above.

Baby What You Want Me to Do

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]We’re goin’ up, we’re goin’ down
We’re goin’ up, down down up
Any way you want to let it roll
Yeah, yeah, yeah
You got me doin’ what you want me
Oh baby what you want me to do[/vc_message][/vc_column][/vc_row]

Bob Dylan

Universal Studios, Los Angeles, California – September 19, 1985
Farm Aid Rehearsals

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Van Morrison’s 50 Greatest Songs Countdown – #14 Tir na nog

Posted on by Egil Mosbron

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]We were standing in the kingdom
And by the mansion gate
We stood enraptured by the silence
As the birds sang their heavenly song
In Tir Na Nog[/vc_message][/vc_column][/vc_row]

TOC

  1. Facts
  2. Quotes
  3. Lyrics
  4. Live versions

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Facts

Continue reading “Van Morrison’s 50 Greatest Songs Countdown – #14 Tir na nog” →

September 5: Bob Dylan performing a powerful “Go Down, Moses” in Tel Aviv 1987

Posted on by Egil Mosbron

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]And the final encore at Tel Aviv was a heartfelt performance of the old American spiritual, “Go Down, Moses”: “When Israel was in Egypt land (let my people go), oppressed so hard that they could not stand (let my people go). Go down, Moses, way down in Egypt land, tell old Pharoah, let my people go.” It’s a powerful reading of a song Dylan never sang publicly before. And quite typical ofBob Dylan, though born a Jew, to identify keenly with the people of Israel as seen (and portrayed romantically) by black American songmakers … and for him to choose to honor the people of Israel, at his first concert in that nation, by singing this song. (“That’s my religion. The songs are my lexicon. I believe the songs.”) .. “Go Down, Moses” is certainly the high point of the Tel Aviv show.
-> Paul Williams (Performing artist 1986 & beyond)[/vc_message][/vc_column][/vc_row]

“Go Down Moses” is an American Negro spiritual. It describes events in the Old Testament of the Bible, specifically Exodus 8:1: “And the LORD spake unto Moses, Go unto Pharaoh, and say unto him, Thus saith the LORD, Let my people go, that they may serve me”, in which God commands Moses to demand the release of the Israelites from bondage in Egypt.
-> wikipedia

Hayarkon Park
Tel-Aviv, Israel
5 September 1987

  • Bob Dylan (vocal & guitar) with Tom Petty & The Heartbreakers.
  • Tom Petty (guitar)
  • Mike Campbell (guitar)
  • Benmont Tench (keyboards)
  • Howie Epstein (bass)
  • Stan Lynch (drums)
  • The Queens Of Rhythm: Carolyn Dennis, Queen Esther Marrow, Madelyn Quebec (backing vocals)

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September 5: Ryan Adams released Heartbreaker in 2000

Posted on by Egil Mosbron

ryan-adams-heartbreaker

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]”On Heartbreaker, I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs”
~Ryan Adams – Spin Dec 2003
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“I don’t know if Heartbreaker was influential as a record so much as the idea of it. There weren’t a lot of people out there doing that kind of thing. That’s all. But it was a terrible price to pay because I’ve never lived it down. I don’t regard that record as great art. I’m not even sure I put the right songs on the record. There are a lot of tracks that didn’t make it which with hindsight should have been on there.”
~Ryan Adams – Uncut Jan 2004[/vc_message][/vc_column][/vc_row]

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Great Tom Waits Song – Kentucky Avenue

Posted on by Egil Mosbron


[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Well, Eddie Grace’s Buick got four bullet holes in the side
And Charlie DeLisle is sittin’ at the top of an avocado tree
Mrs. Storm will stab you with a steak knife if you step on her lawn
I got a half a pack of Lucky Strikes, man, so come along with me
And let’s fill our pockets with macadamia nuts
And go over to Bobby Goodmanson’s and jump off the roof[/vc_message][/vc_column][/vc_row]

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Still more lushly sentimental was “Kentucky Avenue,” the great song of Waits’ childhood. One of his most unashamedly emotional outpourings, it mourned lost innocence with a compassion few other songwriters have ever attempted, let alone achieved. This wasn’t The Waltons—the lyric was full of wanton violence and vandalism—but as the song reached its climax, the love in Waits’ voice, heaved from his memory, was almost too much to bear.
-Barney Hoskyns (Lowside of the Road: A Life of Tom Waits)
[/vc_message][/vc_column][/vc_row]

Studio version:

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