July 11: David Bowie released the single “Space Oddity” in 1969

Ground Control to Major Tom
Ground Control to Major Tom
Take your protein pills and put your helmet on
Ground Control to Major Tom (ten, nine, eight, seven, six)
Commencing countdown, engines on (five, four, three)
Check ignition and may God’s love be with you (two, one, liftoff)

…Finally, he teamed up with Elton John producer Gus Dudgeon to create “Space Oddity,” a song he’d been fiddling with all year. The folk ballad about astronaut Major Tom getting stranded in space was rushed out by his label to coincide with the launch of the Apollo 11 moon landing, and the BBC played the song during the coverage of the event. “In England, it was always presumed that it was written about the space landing, because it kind of came to prominence around the same time. But it actually wasn’t,” he told Performing Songwriter. “It was written because of going to see the film 2001, which I found amazing.
rollingstone.com

Single by David Bowie
from the album David Bowie
B-side “Wild Eyed Boy from Freecloud”
Released 11 July 1969
Format 7-inch single
Recorded
Genre
  • Psychedelic
  • folk rock
Length 5:15 (album version)
4:33 (UK single edit)
3:26 (U.S. single edit)
Label Philips
Songwriter(s) David Bowie
Producer(s) Gus Dudgeon

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April 24: David Bowie released Diamond Dogs in 1974

When this came out in 1974, it was roundly dismissed as Ziggy Stardust’s last strangled gasp. In hindsight, Diamond Dogs is marginally more worthwhile; its resigned nihilism inspired interesting gloom and doom from later goth and industrial acts such as Bauhaus and Nine Inch Nails.
~Mark Kemp (rollingstone.com in 2004)

All this hopelessness and annihilation would be suffocating if it weren’t for Bowie’s exuberance. He throws himself into Orwell’s draconian hell as if strutting around in Kansai Yamamoto’s Aladdin Sane-era bodysuit; it fits his skeletal contours. Determined to reaffirm his relevance in spite of his setbacks, the singer sparkled so brightly that he offset the darkness of his material. Just as Watergate was coming to a boil, singer-songwriters and prog-rockers were glutting the charts, and ’60s resistance was morphing into ’70s complacency, this sweet rebel (rebel) made revolution strangely sexy again. Glaring at you from Dogs’ cover with canine hindquarters and emaciated features like the circus sideshow Freaks he footnotes in the title cut, he served notice that rock’s outsiders remained more compelling than the softies who increasingly occupied its center, even as his ever-growing popularity chipped away at it. You can bet Patti Smith, the Ramones, and Television sat up and took notes.
-Barry Walters (pitchfork.com)

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January 23: David Bowie released Station To Station in 1976

The return of the Thin White Duke
Throwing darts in lovers’ eyes
Here are we, one magical moment, such is the stuff

Station to Station is a collection of soul, rock, funk, and disco, twisted by an influence of experimental German artists. This is David Bowie’s “plastic soul” mixed with krautrock. This is the introduction of the “Thin White Duke”.

It is Bowie’s tenth album, one of his most important and in my opinion, one of his very best!

stationtostation2

David Bowie came from the soul infused “Young Americans” into Nicolas Roeg’s film, “The Man who fell to Earth” (the picture on the cover is a still from the film) and then into this masterpiece of a record. If you see the film and listen to Young Americans you get a sense of what made the album. There is a switch from popular dance oriented music into a more artful approach. But, without losing the pop sensibility. It is also a start for Bowie on his journey back to a more  European approach to his music, even if it was recorded in LA.

“I know it was in LA because I’ve read it was”
– David Bowie

TVC15 (from rehearsals for the Station to Station tour 1976):

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1971: 33 Songs released in 1971 you MUST hear

Rules:

  • Only one song per artist/group
  • The song must be released in 1971
  • Songs from live albums not allowed (that’s another & more complicated list)

Please feel free to publish your own favorite songs from 1971 in the comments section…

AND lists like this are supposed to be fun! Don’t take it too seriously.

My favorite (studio) albums from 1971 include:

Bob Dylan’s Greatest Hits Vol. 2, If Only I Could Remember My Name (David Crosby),  There’s a Riot Goin’ On (Sly & the Family Stone), What’s Going On (Marvin Gaye), Who’s Next (The Who), Tapestry (Carole King),  Shaft: Music from the Soundtrack (Isaac Hayes),  Sticky Fingers (The Rolling Stones), Imagine (John Lennon),  Surf’s Up (Beach Boys),  LA Woman (The Doors),  Coat of Many Colors (Dolly Parton), IV (Led Zeppelin), Every Picture Tells a Story (Rod Stewart), Songs of Love & Hate (Leonard Cohen), Blue (Joni Mitchell), Pearl (Janis Joplin), White Light (Gene Clark), John Prine (John Prine), Nilsson Schmilsson (Harry Nilsson), Hunky Dory (David Bowie), Tupelo Honey (Van Morrison), Jack Johnson (Miles Davis), The Cry of Love (Jimi Hendrix), In Search Of A Song (Tom T. Hall), Crazy Horse (Crazy Horse) & Just as I Am (Bill Withers).

Here we go…

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Best Albums 2016 – Lists from Rolling Stone & Paste Magazine

rspaste

More Year-end lists, this time from two american magazines: Rolling Stone mag & Paste. Relevant videos are bundled inbetween.

Rolling Stone’s Top 50 Albums of 2016

Check out the post @ Rolling Stone site

Beyoncé – Hold Up:

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Best Albums 2016 – Lists from Uncut & MOJO

best-albums-2016

It´s that time of year, the Year-end lists are rolling in.

This post includes 2 UK based magazines: UNCUT & MOJO. My favourite magazine among them is UNCUT Magazine. So I´ll start there.. and also throw some videos in between.

Uncut’s Top 75 Albums of 2016

uncut-2016-1

David Bowie – Lazarus:

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