Month: December 2017

December 26: Happy 51st Birthday Jay Farrar

Posted on by Hallgeir Olsen

As a founding member of Uncle Tupelo and Son Volt, songwriter Jay Farrar helped popularize the alt-country movement of the 1990s. He also launched a solo career during the following decade, making it plain that his musical ambitions stretched far beyond the retro-leaning twang of his contemporaries.
~Mark Deming (allmusic.com)

“Woody has always been a reference point for me, as well a source of inspiration along the way. I was brought up around his music at a pretty early age, … The reference in the song relates more to the way my own children have become fans, I guess (laughs). If there was no Highway 61, we may not have had Bob Dylan or Leadbelly .”
~Jay Farrar

Son Volt – Windfall (Austin City Limits, 1996)

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December 25: Shane MacGowan was born in 1957

Posted on by Hallgeir Olsen

Shane Patrick Lysaght MacGowan (born 25 December 1957) is an Irish musician and singer, best known as the lead singer and songwriter of Celtic trad punk band the Pogues. He was also a member of the Nipple Erectors and Shane MacGowan and the Popes, as well as producing his own solo material and working on collaborations with artists such as Kirsty MacColl, Joe Strummer, Nick Cave, Steve Earle, and Sinéad O’Connor.

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December 22: The great Joe Strummer passed away in 2002

Posted on by Hallgeir Olsen

“We aren’t particularly talented. We try harder!”
―Joe Strummer

“Authority is supposedly grounded in wisdom, but I could see from a very early age that authority was only a system of control and it didn’t have any inherent wisdom. I quickly realised that you either became a power or you were crushed”
― Joe Strummer

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December 20: The Beatles’ 1968 Christmas Record

Posted on by Hallgeir Olsen


The first Beatles Christmas fan-club disc to be recorded separately, the 1968 offering is a collage of odd noises, musical snippets, and individual messages. McCartney’s song “Happy Christmas, Happy New Year” is featured, along with John’s poems “Jock and Yono” and “Once Upon a Pool Table.” Also notable is a rendition of “Nowhere Man” by the ukulele-playing Tiny Tim. Also included is a sped-up snippet of the Beatles’ own “Helter Skelter” and a brief snippet of Perrey & Kingsley’s “Baroque Hoedown” which was used three years later in Disneyland’s Main Street Electrical Parade. “Ob-La-Di, Ob-La-Da” and “Birthday” are also heard in the background for part of the message.The dialogue and songs for the flexi-disc were organised and edited together by DJ and friend of the Beatles, Kenny Everett.

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December 20: Pat Hare was born in 1930

Posted on by Egil Mosbron

If highly distorted guitar played with a ton of aggression and just barely suppressed violence is your idea of great blues, then Pat Hare’s your man.
~Cub Koda (allmusic.com)

….Auburn “Pat” Hare, the most aggressive picker to work at Phillips’ studio [Sun Studions that is]. Together, Hare and James Cotton produced one of the truly great blues recordings, “Cotton Crop Blues.”
~From the book: “Good Rockin’ Tonight: Sun Records and the Birth of Rock ‘N’ Roll“

James Cotton (Pat Hare on guitar) – Cotton Crop Blues (May 1954):

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