December 19: The Beatles’ Seventh Christmas Record: Happy Christmas 1969

Chr-Rec-69-01

The final Beatles Christmas offering was also recorded separately, as the band had effectively split by this point. It features an extensive visit with John and Yoko at their Tittenhurst Park estate, where they play “what will Santa bring me?” games. Harrison only appears briefly, and Starr only shows up to plug his recent film, The Magic Christian. Paul sings his original ad-lib, This is to Wish You a Merry, Merry Christmas. Starting at 1:30, at the tail-end of Ringo’s song, the guitar solos from The End are heard, followed by Yoko interviewing John.

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December 19: Carl Perkins recorded Blue Suede Shoes in 1955

“Blue Suede Shoes” is a rock and roll standard written and first recorded by Carl Perkins in 1955 and is considered one of the first rockabilly (rock and roll) records and incorporated elements of blues, country and pop music of the time. Perkins’ original version of the song was on the Cashbox Best Selling Singles list for 16 weeks, and spent 2 weeks in the No. 2 position.

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December 17: The Beatles’ Third Christmas Record 1965

Several off-key, a cappella versions of Yesterday are dispersed throughout the record, alongside Lennon’s Happy Christmas to Ya List’nas, Auld Lang Syne, a one-and-a-half-line version of the Four Tops’ It’s the Same Old Song, which they quickly stop before they violate the copyright, and an original poem titled Christmas Comes But Once a Year. A second version of Auld Lang Syne segues messily into a cover of Barry McGuire’s Eve of Destruction. I find this both funny and interesting and my favorite among the Christmas records.

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December 17: The late great Paul Butterfield was born in 1942

A lot of people relate me to the blues but I don’t think it’s a hindrance at this point. I’ve been doing it long enough that I can do different things and be accepted.
~Paul Butterfield

Paul Butterfield was the first white harmonica player to develop a style original and powerful enough to place him in the pantheon of true blues greats. It’s impossible to overestimate the importance of the doors Butterfield opened: before he came to prominence, white American musicians treated the blues with cautious respect, afraid of coming off as inauthentic. Not only did Butterfield clear the way for white musicians to build upon blues tradition (instead of merely replicating it), but his storming sound was a major catalyst in bringing electric Chicago blues to white audiences who’d previously considered acoustic Delta blues the only really genuine article.
~Steve Huey (allmusic.com)

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10 Great Cover versions (videos & spotify)

Here are 10 wonderful cover versions, some even better than the original version..

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Jolene, Jolene, Jolene, Jolene
I’m begging of you please don’t take my man
Jolene, Jolene, Jolene, Jolene
Please don’t take him just because you can[/vc_message][/vc_column][/vc_row]

The White Stripes – Jolene (Dolly Parton) – Live @ Conan

Jason Isbell and the 400 Unit – Whipping Post (The Allman Brothers Band)

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December 16: Jimi Hendrix released the classic single Hey Joe in 1966

Folk rock singer Tim Rose’s slower version of the song (recorded in 1966 and claimed to be Rose’s arrangement of a wholly traditional song) inspired the first single by The Jimi Hendrix Experience.

The ex-bassist for The Animals, Chas Chandler, who was now focusing on managing other acts, had also seen Rose performing the song at the Cafe Wha? in New York City and was looking for an artist to record a rock version of “Hey Joe”. Chandler discovered Jimi Hendrix, who had also been playing at the Cafe Wha? in 1966 and performing an arrangement of “Hey Joe” inspired by Rose’s rendition. Chandler decided to take Hendrix with him to England in September 1966, where he would subsequently turn the guitarist into a star. Tim Rose re-recorded “Hey Joe” in the 1990s, re-titling it “Blue Steel .44” and again claimed the song as his own arrangement of a traditional song.

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