Harold Eugene “Gene” Clark was an American singer-songwriter and founding member of the folk rock band the Byrds. He was the Byrds’ principal songwriter between 1964 and early 1966, writing most of the band’s best-known originals from this period, including “I’ll Feel a Whole Lot Better”, “She Don’t Care About Time”, and “Set You Free This Time”.
Although he did not achieve commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country. We are very fond of Gene Clark and we think he is an overlooked artist.
He has done some incredible Bob Dylan covers, we have collected some of them here (some alone and some with others):
Mr Tambourine Man, from the Gene Clark album Firebyrd and The Byrds classic rendition :
Roger McGuinn’s sparkling, chordal 12-string Rickenbacker riffs on the Byrds’ early hits were the sonic bridge between folk and rock – and an irreplaceable color in rock’s palette: Every indie band who’s more interested in beatific strumming than screaming solos owes him a debt (the striking break in “Bells of Rhymney” could be on a Smiths record). McGuinn could do a lot more than chime, however, as demonstrated by his still-astonishing psychedelic-raga-Coltrane licks on “Eight Miles High.
James Roger McGuinn (born James Joseph McGuinn III on July 13, 1942)known professionally as Roger McGuinn and previously as Jim McGuinn, is an American singer-songwriter and guitarist. He is best known for being the lead singer and lead guitarist on many of The Byrds‘ records. He is a member of the Rock and Roll Hall of Fame for his work with The Byrds.
The Byrds were an American rock band, formed in Los Angeles, California in 1964.The band underwent multiple line-up changes throughout its existence, with frontman Roger McGuinn (aka Jim McGuinn) remaining the sole consistent member until the group disbanded in 1973.
“I think pure country music includes rock and roll. I’ve never been able to get into the further label of country-rock. How can you define something like that?”
“I just say this – it’s music. Either it’s good or it’s bad; either you like it or you don’t.”
In a way, it’s a matter of lost love. Gram was everything you wanted in a singer and a songwriter. He was fun to be around, great to play with as a musician. And that mother-fucker could make chicks cry. I have never seen another man who could make hardened old waitresses at the Palomino Club in L.A. shed tears the way he did.
It was all in the man. I miss him so.
~Keith Richards (Rolling Stone Magazine, 2005)