September 24: Steve Earle released Jerusalem in 2002 – Great album!

“I woke up this mornin’ and none of the news was good 
And death machines were rumblin’ ‘cross the ground where Jesus stood 
And the man on my TV told me that it had always been that way 
And there was nothin’ anyone could do or say

And I almost listened to him 
Yeah, I almost lost my mind 
Then I regained my senses again 
And looked into my heart to find

That I believe that one fine day all the children of Abraham 
Will lay down their swords forever in Jerusalem”
– Steve Earle (Jerusalem)

Steve Earle released this “protest album” post 9/11, but contrary to widespread belief it is not a concept album about the tragic events on that date. Yes, there are some songs relating to it, but only three out of eleven (maybe four). There were som controversy when it came out, especially the song John Walker’s Blues were widely discussed and often slated in right wing media. It is not a song that takes sides, it is a song that tells us that an ordinary American kid fell in with the wrong crowd (in this case, the Taliban). Earle make us look at this boy, and he does not say that he is innocent, but he says that he should be treated like a human being despite his faults and despite his guilt. It is a fantastic song.

“…Earle has crafted a vision of America thrown into chaos, where the falling of the World Trade Center towers is just another symbol of a larger malaise which surrounds us. Before its release,Jerusalem already generated no small controversy over the song “John Walker’s Blues,” which tells the tale of “American Taliban” John Walker Lindh as seen through his own eyes. While “John Walker’s Blues” is no more an endorsement of Lindh’s actions than Bruce Springsteen’s “Nebraska” was a tribute to mass-murderer Charles Starkweather, even though it’s one of the album’s strongest songs, if anything, it doesn’t go quite far enough.”
– Mark Demming (allmusic.com)

Photo: Born To Listen (2013)

 

Steve Earle made a “state of the nation” album, and he is confused and he doesn’t come up with the answers, but he asks the important questions!

Continue reading “September 24: Steve Earle released Jerusalem in 2002 – Great album!”

September 24: Nirvana released Nevermind in 1991

After years of hair-flailing sludge that achieved occasional songform on singles no normal person ever heard, Seattle finally produces some proper postpunk, aptly described by resident genius Kurt Cobain: “Verse, chorus, verse, chorus, solo, bad solo.” This is hard rock as the term was understood before metal moved in–the kind of loud, slovenly, tuneful music you think no one will ever work a change on again until the next time it happens, whereupon you wonder why there isn’t loads more. It seems so simple.
~Robert Christgau (robertchristgau.com)

Nevermind was never meant to change the world, but you can never predict when the Zeitgeist will hit, and Nirvana’s second album turned out to be the place where alternative rock crashed into the mainstream.
~Stephen Thomas Erlewine (allmusic.com)

Smells Like A Teen Spirit:

Continue reading “September 24: Nirvana released Nevermind in 1991”

September 18: Bob Dylan released Oh Mercy in 1989

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]“Most of them [the songs on “Oh Mercy”] are stream-of-consciousness songs, the kind that come to you in the middle of the night, when you just want to go back to bed. The harder you try to do something, the more it evades you. These weren’t like that.”
~Bob Dylan (to Edna Gundersen, 21 September 1989)

While it would be unfair to compare ‘Oh Mercy’ to Dylan’s Sixties recordings, it sits well alongside his impressive body of work.
~Clinton Heylin (Behind The Shades)[/vc_message][/vc_column][/vc_row]

Most Of The Time (my fav song from the album):

Continue reading “September 18: Bob Dylan released Oh Mercy in 1989”

September 13: Bob Dylan released “Hard Rain” in 1976

bobdylan-hardrain-cover

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]When we open our ears – and it may take a dozen listenings before we stop hearing this album in terms of what we expect these songs to sound like, or, for the fans, in terms of the performances we think should have been included – the rewards and surprises of Hard Rain are nearly inexhaustible.
~Paul Williams (Bob Dylan: Performing Artist, Vol 2: The Middle Years 1974-1986)

Hindsight shows that this album introduces the ragged, postmodern Bob Dylan, right from the grungy instrumental ground-pawing ahead of the start of the first number. Moreover the running order now seems surprisingly well thought out. It represents, too, the late phase of the historic Rolling Thunder Revue tour and captures the distinctive, bare-wired sound of Dylan’s existential gypsy band. Stand-out track is ‘Idiot Wind’, which, as Dylan grows ever more engaged, bursts open and pours out its brilliant venom.
~Michael Gray (The Bob Dylan Encyclopedia)[/vc_message][/vc_column][/vc_row]

The 3 best all time (from any artist) officially released concert albums are obviously “Hard Rain”, “Bob Dylan Live 1966, The “Royal Albert Hall” Concert” & “Bob Dylan Live 1975, The Rolling Thunder Revue”. They are all brilliant. Today “Hard Rain” is the best of the lot.

The album received an awful lot bad criticism upon its release, and surprisingly still does. To my ears it has always sounded amazing. Listening to other bootlegs from Rolling thunder 2 & watching the Hard Rain movie (and outtakes), one could easily wish that more songs had been included, and he’d put out a double album. But it is what it is, and it’s incredible. It is also (as noted by Paul Williams) inexhaustible, it still sounds fresh & wonderful today.

Here is (a stunning) “Shelter From The Storm”:

Continue reading “September 13: Bob Dylan released “Hard Rain” in 1976″

September 11: Bob Dylan released “Love And Theft” in 2001

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]” ‘Love & Theft’ is not an album I’ve recorded to please myself. If I really wanted to that, I would have recorded some Charley Patton songs.”
~Bob Dylan

“All the songs are variations on the 12-bar theme and blues-based melodies. The music here is an electronic grid, the lyrics being the substructure that holds it all together. The songs themselves don’t have any genetic history. Is it like Time Out Of Mind, or Oh Mercy, or Blood On The Tracks, or whatever? Probably not. I think of it more as a greatest hits album, Volume 1 or Volume 2. Without the hits; not yet, anyway”
~Bob Dylan (“Love & Theft” press release, June 2001)

The old Chess records, the Sun records. . . I think that’s my favorite sound for a record . . . I like . . . the intensity The sound is uncluttered. There’s power and suspense. The whole vibration feels like it could be coming from inside your mind. It’s alive. It’s right there.
~Bob Dylan, to Bill Flanagan, 2009[/vc_message][/vc_column][/vc_row]

High Water (for Charley Patton):

High water risin’—risin’ night and day
All the gold and silver are bein’ stolen away
Big Joe Turner lookin’ east and west
From the dark room of his mind
He made it to Kansas City
Twelfth Street and Vine
Nothin’ standing there
High water everywhere

Continue reading “September 11: Bob Dylan released “Love And Theft” in 2001″

September 10: Randy Newman Released Good Old Boys in 1974

Randy_Newman-Good_Old_Boys-Frontal

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]“To me, someone who writes really good songs is Randy Newman. There’s a lot of people who write good songs. As songs. Now Randy might not go out on stage and knock you out, or knock your socks off. And he’s not going to get people thrilled in the front row. He ain’t gonna do that. But he’s gonna write a better song than most people who can do it.

You know, he’s got that down to an art. Now Randy knows music. He knows music But it doesn’t get any better than “Louisiana” or “Cross Charleston Bay” [“Sail Away”]. It doesn’t get any better than that. It’s like a classically heroic anthem theme. He did it. There’s quite a few people who did it. Not that many people in Randy’s class.”
– Bob Dylan (1991)[/vc_message][/vc_column][/vc_row]

Continue reading “September 10: Randy Newman Released Good Old Boys in 1974”